Cantor William Sharlin


Book Description

William Sharlin (1920-2012) was a cantor, synagogue composer, teacher and musicologist. Raised in an Orthodox household, he turned toward Universalism and the liberal Reform movement. A member of the first graduating class of the first cantorial school in America, he was a founding member of the American Conference of Cantors and is recognized as the first to play a guitar in the synagogue. Sharlin developed the Department of Sacred Music at HUC in Los Angeles, where he taught for 40 years, trained women to be cantors before they were allowed in the seminary, and spent nearly four decades at Leo Baeck Temple. Drawing on interviews conducted with Sharlin late in life, the author chronicles the career of one of the most inventive and creative figures in the history of the cantorate.




Quotations on Jewish Sacred Music


Book Description

Quotations on Jewish Sacred Music is a collection of over 700 quotations culled from an array of sources, including rabbinic and theological texts, sociological and anthropological studies, and historical and musicological examinations. The book is divided into five chapters: What Is Jewish Music?; Spirituality and Prayer; Hazzan-Cantor; Cantillation-Biblical Chant; and Nusach ha-Tefillah-Liturgical Chant. Taken as a whole, these quotations demonstrate both the centrality of music in Jewish religious life and the diversity of thought on the subject. They can be used with profit in sermons, speeches, and papers, and may be read in order or selectively. This is a valuable and easy-to-use reference book for scholars, musicians, synagogue staff, and anyone else seeking concise thoughts on major aspects of Jewish sacred music.




A Place of Our Own


Book Description

This is a collection of seven essays, which commemorate the 50th anniversary of the founding of the first Reform Jewish educational camp in the US. The text covers topics related to both the Reform Judaism movement and the development of the Reform Jewish camping system in the US.




Making Shabbat


Book Description

"Early in the 20th century, Jewish camp leaders had little interest in creating spiritual experiences for their campers. Yet Jewish camps have gradually provided primal Jewish experiences that campers could enjoy, parents appreciate, and alumni fondly recall. This book considers how Shabbat at camp became the focus for these experiences"--




Bar/Bat Mitzvah Sourcebook


Book Description

The leading thinkers in Jewish education today analyze current practices, reflect on the social and psychological aspects of Bar/Bat Mitzvah, provide examples of programs to replicate, address concerns of those with special needs, outline creative family education opportunities and successful mitzvah programs, and provide strategies for teaching trope. Fifty chapters written by cantors, rabbis, directors of education, and scholars. Results of a survey of Bar/Bat Mitzvah educators included.




Synagogue Song


Book Description

Throughout history, music has been a fixture of Jewish religious life. Musical references appear in biblical accounts of the Red Sea crossing and King Solomon's coronation, and music continues to play a central role in virtually every Jewish occasion. Through 100 brief chapters, this volume considers theoretical approaches to the study of Jewish sacred music. Topics include the diversity of Jewish music, the interaction of music and identity, the emotional and spiritual impact of worship music, the text-tone relationship, the musical component of Jewish holidays, and the varied ways prayer-songs are performed. These distillations of complex topics invite a fuller appreciation of synagogue song and an understanding of the ubiquitous presence of music in Jewish worship.




The Synagogue in America


Book Description

Chronicles the history of the Jewish synagogue in America over the course of three centuries, discussing its changing role in the American Jewish community.




Music in Jewish Thought


Book Description

With the nineteenth century came new freedom for European Jews. Enjoying an integration that had been denied since the Middle Ages, they now wrestled with the form and degree of that integration in all areas of their lives, including in their creation, appreciation, and criticism of music. The writings focus on Jewish musicology, biography, historical surveys, secular music and songs performed in the synagogue.




Jewish Sacred Music and Jewish Identity


Book Description

"Examines the nature and significance of synagogue music in contemporary Jewish life, with special emphasis on Cantor William Sharlin"--Provided by publisher.




Trusting the Song that Sings Within


Book Description

Dora Krakower grew up in Atlantic City, New Jersey, but spent the majority of her singing career in the Los Angeles area. Aside from her career singing popular music and composing pop songs, she sang on the soundtrack for the movie, The Ten Commandments. Krakower was 50 when she decided to study to be a cantor; she was the only woman in the Cantor's Collegium at the University of Judaism in Los Angeles. The agreement in accepting her was that she would only be allowed to study, but not hold a pulpit. However, not long after she graduated, she did become a cantor, and subsequently sang throughout Southern California. After a while, she decided to record cantorial albums along with her other albums of pop, art songs and Jewish themed songs.