Carl Nebel


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De León, a Tejano Family History


Book Description

La familia de León was one of the foundation stones on which Texas was built. Martín de León and his wife Patricia de la Garza left a comfortable life in Mexico for the hardships and uncertainties of the Texas frontier in 1801. Together, they established family ranches in South Texas and, in 1824, the town of Victoria and the de León colony on the Guadalupe River (along with Stephen F. Austin's colony, the only completely successful colonization effort in Texas). They and their descendents survived and prospered under four governments, as the society in which they lived evolved from autocratic to republican and the economy from which they drew their livelihood changed from one of mercantile control to one characterized by capitalistic investments. Combining the storytelling flair of a novelist with a scholar's concern for the facts, Ana Carolina Castillo Crimm here recounts the history of three generations of the de León family. She follows Martín and Patricia from their beginnings in Mexico through the establishment of the family ranches in Texas and the founding of the de León colony and the town of Victoria. Then she details how, after Martín's death in 1834, Patricia and her children endured the Texas Revolution, exile in New Orleans and Mexico, expropriation of their lands, and, after returning to Texas, years of legal battles to regain their property. Representative of the experiences of many Tejanos whose stories have yet to be written, the history of the de León family is the story of the Tejano settlers of Texas.







A Wicked War


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The definitive history of the often forgotten U.S.-Mexican War paints an intimate portrait of the major players and their world—from Indian fights and Manifest Destiny, to secret military maneuvers, gunshot wounds, and political spin. “If one can read only a single book about the Mexican-American War, this is the one to read.” —The New York Review of Books Often overlooked, the U.S.-Mexican War featured false starts, atrocities, and daring back-channel negotiations as it divided the nation, paved the way for the Civil War a generation later, and launched the career of Abraham Lincoln. Amy S. Greenberg’s skilled storytelling and rigorous scholarship bring this American war for empire to life with memorable characters, plotlines, and legacies. Along the way it captures a young Lincoln mismatching his clothes, the lasting influence of the Founding Fathers, the birth of the Daughters of the American Revolution, and America’s first national antiwar movement. A key chapter in the creation of the United States, it is the story of a burgeoning nation and an unforgettable conflict that has shaped American history.




Remembering the Forgotten War


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This title addresses the deeper questions of how remembrance of the U.S.-Mexican War has influenced the complex relationship between these former enemies now turned friends.




Courage Above All Things


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For a half century, John Ellis Wool (1784–1869) was one of America’s most illustrious figures—most notably as an officer in the United States Army during the War of 1812, the Mexican-American War, and the Civil War. At the onset of the Civil War, when he assumed command of the Department of the East, Wool had been a brigadier general for twenty years and, at age seventy-seven, was the oldest general on either side of the conflict. Courage Above All Things marks the first full biography of Wool, who aside from his unparalleled military service, figured prominently in many critical moments in nineteenth-century U.S. history. At the time of his death in 2016, Harwood Hinton, a scholar with an encyclopedic knowledge of western history, had devoted fifty years to this monumental work, which has been completed and edited by the distinguished historian Jerry Thompson. This deeply researched and deftly written volume incorporates the latest scholarship to offer a clear and detailed account of John Ellis Wool’s extraordinary life—his character, his life experiences, and his career, in wartime and during uneasy periods of relative peace. Hinton and Thompson provide a thorough account of all chapters in Wool’s life, including three major wars, the Cherokee Removal, and battles with Native Americans on the West Coast. From his distinguished participation in the War of 1812 to his controversial service on the Pacific coast during the 1850s, and from his mixed success during the Peninsula Campaign to his overseeing of efforts to quell the New York City draft riots of 1863, John Ellis Wool emerges here as a crucial character in the story of nineteenth-century America—complex, contradictory, larger than life—finally fully realized for the first time.




Mexican Costumbrismo


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The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo. In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity. Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi’s study is a provocative art-historical examination of costumbrismo’s lasting impact on Mexican identity and history. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.