Carmen Calvo


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Carmen Calvo: All the Shadows the Eye Can Take


Book Description

This book offers an insightful overview of the career of award-winning Spanish conceptual artist Carmen Calvo. Carmen Calvo - recipient of Spain's National Arts Award 2013 - is one of Spain's most important and critically acclaimed contemporary conceptual artists. She studied at the School of Arts and Crafts and subsequently the San Carlos School of Fine Arts in Valencia. Her classical training is evident even in her most avant-garde and groundbreaking compositions, which are partly rooted in popular culture, in which she condemns the violence in society and reflects on the challenges posed by globalisation. This superbly illustrated volume brings together a selection of works and provides an overview of the artist's career, including her iconic intervention in the Venice Biennale 1997.00Exhibition: Centro de Arte Tomás y Valiente, Fuenlabrada, Spain (2014).




Carmen Calvo


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Falangist and National Catholic Women in the Spanish Civil War (1936–1939


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Although there is an established historiography on women’s roles during the Spanish Civil War (1936-9), little has been written on Nationalist women in the Republican-held zones. Women were the anti-Republican resisters of the first hour in the capital but they have been largely overlooked in the historical record. During the bitter civil conflict a sector of dissident women helped to create a subversive and clandestine national Catholic space in the heart of Republican Madrid. By examining the vital and invisible role played by women within Madrid’s ‘fifth column’ this monograph offers a new contribution to the gender historiography of the Spanish Civil War and re-evaluates the significance of women in the Nationalist war effort. It explores how and why a sector of Falangist and Catholic women decided to mobilise against the legally constituted Popular Front government in support of an undemocratic military coup. While women’s subversive activities often involved the transgression of traditional gender norms, their social and political agency arose within the conditions and precepts of Catholicism and was conceptualised and imagined within new national-Catholic discourses of ‘holy Crusade.’




The Orce Man


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The Orce Man: Controversy, Media and Politics in Human Origins Reserach is a detailed account of a long controversy that shows the role of newspapers, politicians and scientists in how a scientific claim is belived in the late 20th century.




New Images from Spain


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El 21 de marzo de 1980 se inauguraba en The Solomon R. Guggenheim de Nueva York la muestra colectiva New Images from Spain. Su comisaria, Margit Rowell, había visitado durante los dos años anteriores cerca de un centenar de estudios de jóvenes artistas a lo largo de la geografía española, entre los cuales escogió a una decena para organizar una exposición dedicada a nuestra escena artística. La selección final contaba con obras de Sergi Aguilar, Carmen Calvo, Teresa Gancedo, Antoni Muntadas/Germán Serrán Pagán, Miquel Navarro, Guillermo Pérez Villalta, Jordi Teixidor, Darío Villalba, Zush y José Luis Alexanco (presentes todos ellos en la Colección Josep Suñol), algunos de los cuales habían tenido la oportunidad de exponer previamente en la galería Vandrés de Fernando Vijande, con quien Josep Suñol estableció una de las relaciones entre coleccionismo y galerismo más interesantes del momento.




Billboard


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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.




Wind and Seismic Effects


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Ibn Khaldun


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