European Glass in the J. Paul Getty Museum


Book Description

The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.




Fake?


Book Description

Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.




The J. Paul Getty Museum Journal


Book Description

The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.




Pottery & Porcelain


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English Slip-decorated Earthenware at Williamsburg


Book Description

Illustrated catalog of Colonial Williamsburg's slipware collection. This publication examines English slip-decorated earthenwares, many of which have an almost folk-like quality in their naivety of form and decoration.




Dated English Delftware


Book Description




Artefacts from Wrecks


Book Description

The study of artefacts found on wrecks was the subject of an international conference held at the National Musuem of Wales in 1994. Concentrating on the period of transition in Europe, from the end of the Middle Ages to 1785, these essays describe some of the most important recent results. Contents include: Ships as integrated artefacts: the archaeological potential (Colin J M Martin); The IJsselmeer-polders: a 'source book' for late medieval and early post-medieval wreck inventories (Karel Vlierman); Material culture research of Canadian historical shipwrecks: the Machault legacy (Stephen Davis); The material culture of the Mary Rose as a fighting vessel (Alex Hildred); Reconstructing 16th centruy ship culture: the Cattewater wreck (Mark Redknap); A study of chests from Henry VIIIs warship Mary Rose, 1545 (Maggie Richards); Arms and armour from wrecks (Ruth R Brown); Footwear and other Artefacts from a 16th century Spanish Basque Galleon (Stephen Davis); Rhenish stoneware frpm shipwrecks: ceramic function and lifespan (David Gaimster);The identification, analysis and interpretation of tobacco pipes from wrecks (David Higgins); Coinage from Post-Medieval Wrecks (Edward Besly); Metal ingots from dated wrecks (Paul Craddock and Duncan Hook); The galley, utensils and cooking, eating and drinking vessels from a wreck on the Zuiderzee in 1673 (Karel Vlierman); The Cromwellian shipwreck off Duart Point, Mull (Colin J M Martin); Identifying a ship's place of departure with the help of artefacts (Piet Kleij);Wreck de Mer and the dispersed wreck sites: the case of the Ann Francis (1583) (Mark Redknap and Edward Besly); Artefacts from the Kronan (1676): preservation and social structure (Lars Einarsson); Family life on board: Dutch boat people 1600-1900 (A F L van Holk); Conclusion (Alan Aberg).




Tin Enameled Pottery


Book Description




Picasso


Book Description

Il catalogo riproduce interamente la Suite 347, di proprietà di Bancaja di Valencia. Tutte le incisioni, appunto 347, realizzate da Picasso tra marzo e ottobre del 1968, rappresentano il "diario di bordo" di un uomo che "senza curarsi delle proprie ansie o di quelle profonde inquietudini che spesso cercava, portandole a galla, di esorcizzare," si apriva "alla percezione del mondo esterno, quel mondo che a un uomo di quasi 87 anni appariva folle, grottesco. Aveva visto ben altro!" La Suite è composta da quattro grandi nuclei tematici: La Celestina, ovvero le stampe selezionate da Picasso per un'edizione della Celestina di Fernando de Rojas, pubblicata dall'atelier Crommelynck nel 1971; Picasso, la sua opera e il suo pubblico, una sorta di presentazione dei soggetti principali e di tutte le tecniche e gli stili utilizzati; Mitologia e circo, in cui affiorano la mitologia mediterranea e i tradizionali temi picassiani: il Don Chisciotte, i personaggi di Rembrandt, Raffaello, le mezzane ecc...; Il pittore e le modelle, incisioni che rimandano a temi della Suite Vollard e a quelli ripresi nella Suite 156 con Degas e Poussin nella parte di voyeur, i moschettieri e le donne rembrandtiane. Inoltre, il tema di Raffaello e la Fornarina, già trattato da Ingres, viene affrontato da Picasso con maggiore ironia e malizia. Annotation Supplied by Informazioni Editoriali