Catalogue


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The Secret History of the First U.S. Mint


Book Description

Frank H. Stewart is both the hero and the villain in this remarkable tale ripped from the headlines of early 20th century Philadelphia. He was a high school dropout who wrote the definitive history of our nation's first coin factory. He was no art connoisseur, and yet he commissioned unforgettable paintings of the first U.S. Mint, by famous artists. A poor boy made good, Stewart bought the old Mint, labored to preserve it, and failed in the most dramatic way possible. Could his later acts of commemoration redeem his failures in preservation? The Secret History of the First U.S. Mint tells, for the first time, the full story of the paradoxical Frank H. Stewart and his self-appointed life's mission to celebrate an irreplaceable slice of our nations heritage. It is a tour-de-force work of scholarship that sets straight long misunderstood Mint history. This groundbreaking new book by award winning authors Joel Orosz and Leonard Augsburger is filled with dozens of sketches, paintings, and photographs of the first Mint that have been preserved in archival collections for decades, and have not been seen by living







Iceland


Book Description

So begins Sabine Baring-Gould's account of his journey on horseback around Iceland in 1862. Aged twenty-eight, the young writer and teacher was fascinated by the tradition of the Icelandic sagas, and this was the catalyst for his adventure and the book that emerged from it. His voyage took him from the then tiny settlement of Reykjavik through remote and hostile terrain, passing through the empty expanse of Iceland's countryside. He observed mountains and glaciers, volcanoes and geysers, wondering at the wild beauty of the landscape. He also recorded the rich flora and fauna that he saw-and, to his chagrin, that his companions shot.




Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture


Book Description

In this volume, emerging and established scholars bring ethical and political concerns for the environment, nonhuman animals and social justice to the study of nineteenth-century visual culture. They draw their theoretical inspiration from the vitality of emerging critical discourses, such as new materialism, ecofeminism, critical animal studies, food studies, object-oriented ontology and affect theory. This timely volume looks back at the early decades of the Anthropocene to query the agency of visual culture to critique, create and maintain more resilient and biologically diverse local and global ecologies.