Cat Call


Book Description

"An exploration of the untamed crossroads where 'the feline' and 'the feminine' mingle and make magic. From ancient Egypt to early modern Venice to Edo Japan, the witch trials to the Women's March, Catwoman to cat ladies, kitten play to cat conventions, this book tracks the cat's circuitous connection to women and femininity through a magical lens. By combining historical research, pop culture and art analyses, and original interviews, this book uncovers what the 'feral feminine' might mean to witches, sluts, feminists, artists, historians, philosophers, cat ladies, and cat lovers today"--




Catcall


Book Description

It's a time of change for Josh. He has a relatively new stepdad and a brand new baby sister. But for Josh's younger brother, Jamie, the family upheaval has deeply disturbing consequences: he refuses to speak, and after a vivid, frightening dream develops an obsession with wild cats. With his parents so preoccupied, it's up to Josh - who's always been the quiet one - to keep the family together and find a cure for his brother's strange behaviour. And in helping Jamie to recover his voice, Josh discovers an unexpectedly resonant one of his own. CATCALL is a tense, gripping and atmospheric novel, full of powerful ideas, and blending deep psychological tension with fast-paced action - highly-acclaimed author Linda Newbery at her most compelling and insightful.




Catcall


Book Description

JOSH’S FAMILY IS used to changes—but now they are hurtling into even more. Although Josh has always had an affinity with animals, it’s his younger brother Jamie who falls under the all-pervading wild cat spell. “Leo” seems to have taken over Jamie’s life. He eats when and what he wants, speaks only when he needs to. Soon it becomes impossible for the family to cope with his frightening, unpredictable behavior. Only Josh understands his brother’s moods, but is he brave enough to break through Jamie’s unhappy mask, and save them all?




Final Catcall


Book Description

Small town librarian Kathleen Paulson gets plenty of entertainment from her extraordinary cats, Owen and Hercules. But when a theatre troupe stumbles into more tragedy than it bargained for, it’s up to Kathleen to play detective... With her sort-of boyfriend Marcus calling it quits and her ex-boyfriend Andrew showing up out of the blue, Kathleen has more than enough drama to deal with—and that’s before a local theatre festival relocates to Mayville Heights. Now the town is buzzing with theatre folk, and many of them have their own private dramas with the director, Hugh Davis. When Davis is found shot to death by the marina, he leaves behind evidence of blackmail and fraud, as well as an ensemble of suspects. Now Kathleen, with a little help from her feline friends Owen and Hercules, will have to catch the real killer before another victim takes a final curtain call.




Catcalling


Book Description

A blistering, expansive debut collection addressing sexual violence, #MeToo, and familial violence from one of the hottest new voices in Korean poetry.




Stop Street Harassment


Book Description

Using groundbreaking studies, news stories, and interviews, this book underscores that there will never be gender equity until men stop harassing women in public spaces—and it details strategies for achieving this goal. Street harassment is generally dismissed as harmless, but in reality, it causes women to feel unsafe in public, at least sometimes. To achieve true gender equality, it must come to an end. Stop Street Harassment: Making Public Places Safe and Welcoming for Women draws on academic studies, informal surveys, news articles, and interviews with activists to explore the practice's definition and prevalence, the societal contexts in which it occurs, and the role of factors such as race and sexual orientation. Perhaps more crucially, the book makes clear how women experience street harassment—how they feel about and respond to it—and the ways it negatively impacts lives. But understanding is only a beginning. In the second half of the book, readers will find concrete strategies for dealing with street harassers and ways to become involved in working to end this all-too-common violation. Educators, counselors, parents, and other concerned individuals will discover resources for teaching about harassment and modeling behavior that will help prevent harassment incidents.




Everyday Violence


Book Description

Everyday Violence is based on ten years of scholarly rage against catcalling and aggression directed at women and Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ) people of New York City. Simone Kolysh recasts public harassment as everyday violence and demands an immediate end to this pervasive social problem. Analyzing interviews with initiators and recipients of everyday violence through an intersectional lens, Kolysh argues that gender and sexuality, shaped by race, class, and space, are violent processes that are reproduced through these interactions in the public sphere. They examine short and long-term impacts and make inroads in urban sociology, queer and trans geographies, and feminist thought. Kolysh also draws a connection between public harassment, gentrification, and police brutality resisting criminalizing narratives in favor of restorative justice. Through this work, they hope for a future where women and LGBTQ people can live on their own terms, free from violence.




Cat's Call (Chronicles of Charlie Waterman Book 1)


Book Description

"This gripped me from start to finish. The world created here is both believable and wonderfully fantastical." - Helen - Goodreads Charlie doesn't believe in destiny, unfortunately destiny believes in him. Accosted by a small clay, feline figurine, Charlie finds himself the chosen of the Cat Spirit, one of the Seven Great Spirits who protect the Balance of Existence. When he wakes up with a tail that will not go away no matter how he ignores it, he has to believe what is going on is real. At eighteen, Charlie isn't old, but he's two years past the threshold for dealing with magic for the first time, apparently. This makes him weird, even in Between, a realm of magic, prophecy and shapeshifting. He could live without the earthquakes, thanks. So now he has to: figure out magic; get along with five scarily competent sixteen year olds and one prickly vampire to form a team; and last but not least, be prepared to go to any world, in any universe when sent there by the Seer, so the Balance of Existence isn't destroyed by agents of chaos. All of which his mentor, Akari, assures him he did say yes to, even if he doesn't remember that part! Charlie has never thought of himself as a hero, but Existence depends on him coming to terms with the fact that he is.




The Drama's Patrons


Book Description

The drama's laws, the drama's patrons give, For we that live to please, must please to live. —Samuel Johnson, 1747 Democratic ferment, responsible for political explosions in the seventeenth century and expanded power in the eighteenth, affected all phases of English life. The theatre reflected these forces in the content of the plays of the period and in an increased awareness among playgoers that the theatre "must please to live." Drawing from a wealth of amusing and informative contemporary accounts, Leo Hughes presents abundant evidence that the theatre-going public proved zealous, and sometimes even unruly, in asserting its role and rights. He describes numerous species of individual pest—the box-lobby saunterers, the vizard masks (ladies of uncertain virtue), the catcallers, and the weeping sentimentalists. Protest demonstrations of various interest groups, such as footmen asserting their rights to sit in the upper gallery, reflect the behavior of the audience as a whole—an audience that Alexander Pope described as "the manyheaded monster of the pit." Hughes analyzes the changes in the audience's taste through the long span from Dryden's day to Sheridan's. He illustrates the decline in taste from the sophisticated, if bawdy, comedy of the Restoration Period to the sentimentalism and empty show of later decades. He attributes the increased emphasis on sentiment and spectacle to audience influence and describes the effects of audience demands on managers, playwrights, and players. He describes in detail the mixed assembly that frequented the theatre during this period and the greatly enlarged theatres that were built to accommodate it. Hughes concludes that it was the English people's basic love of liberty that allowed them to accept audience disruptions considered intolerable by foreign visitors and that the drama's patrons greatly influenced the quality of theatrical production during this long period.




Notes and Queries


Book Description