Charles Sheeler in Doylestown


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Charles Sheeler in Doylestown investigates one artist's lifelong engagement with the rich, distinctive traditions of rural Bucks County, Pennsylvania. It charts Sheeler's discovery of the region's architecture and artifacts beginning about 1910, when he and fellow artist Morton Livingston Schamberg rented an 18th-century farmhouse in Doylestown. It assesses the impact this seminal event had on Sheeler's early career, and how his cyclical return to Bucks County themes in later life reveals poignant attachments and emotional depths not usually ascribed to this 20th-century painter and photographer -- known primarily as an iconographer of the machine.




Charles Sheeler


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The Photography of Charles Sheeler


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Essays by leading authorities on the artist's work accompany a stunning collection of nearly two hundred photographs by modernist American photographer Charles Sheeler, offering a landmark retrospective of of the work of the influential master of twentieth-century photography. 15,000 first printing.




Charles Sheeler


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Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinson reveals a profound critique of the processes of rationalisation and the conditions of modernity. The book argues finally for a re-evaluation of Sheeler's often dismissed late work which, it suggests, may only be understood through a radical shift in our understanding of the work of this prominent figure.




Charles Sheeler Prints


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Palazzos of Power


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"If it isn't Electric, it isn't Modern." Such was the slogan of the Philadelphia Electric Company, developer of an unprecedented network of massive metropolitan power stations servicing greater Philadelphia at the turn of the twentieth century. These once-brilliant sentinels of civic utility and activity were designed to convey "solidity and immensity" in an age of deep public skepticism. They now stand vacant and decaying, a "blight" in the eyes of city planners and a beacon to urban explorers. The first book on the buildings and machines that made possible the electrification of the United States, Palazzos of Power offers a visual and analytical exploration of architecture, technology, place, loss, and reuse. With a foreword by David Nye, this collection of Joseph Elliott's beautiful large-format photographs reveal the urban landscape, monumental spaces, giant machinery, and intricate controls that made up the central station. Aaron Wunsch's essay provides historical context on the social and political climate.




Art for the Nation


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Exhibition includes approximately 2% of the acquisitions made during the 1990s.




Charles Sheeler and the Cult of the Machine


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Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era? Karen Lucic considers this intriguing question while telling us Sheeler's story, and showing us how Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in vivid detail.




Gerhard Richter


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Louis Armstrong, also known as "Satchmo" and "Pops", became an American jazz legend in the 1920s. His voice and skill with instruments helped him become a popular musician in a time where America was racially divided. Watch as this skilled musician learns




Charles Sheeler


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