Children of the Borderlands


Book Description

?Children of the Borderlands" depicts one of the cruellest genocidesof the 20th century. e mass murder took place in Europe duringWorld War II, on the Eastern territories of Poland occupied by Germany.e victims of the holocaust were civilians, mainly of Polishnationality, but also Jews, Armenians, Chechs, Gypsies, and Russians.e perpetrators were Ukrainian peasants, who at the time hadPolish citizenship. ey were led into murders by nationalists fromthe Organization of Ukrainian Nationalists and hit squads of theUkrainian Insurgent Army. In the name of the barbarian ideologywhose primary principle was to create post-war, mono-ethnical, and?as clean as a glass of water" Ukraine, they committed inhumanecrimes. e ones who perpetrated those hideous atrocities particularlymerit condemnation for torturing their victims. e sophisticatedtortures were applied even on children and pregnant women.Ukrainians murdered their wives and children in mixed families.Hundreds of thousands of Poles, who had been living in voivodshipsof the 2nd Republic of Poland for ages, were either murdered orexpelled from their homes and homesteads by force.




Borderland Studies Meets Child Studies


Book Description

Borderland Studies - Child Studies - Europeanisation - Destitute children - Education - Youth movements - The everyday life - Cultural Emancipation - Nationalisation - Alsace - Memel Region - Polish-German borderlands - North Schleswig - German Speaking Community of Belgium




I Am My Language


Book Description

Explores language practices and discourse patterns of Mexican-origin mothers and the language socialization of their children. Drawing on women's own experiences as both mothers and borderland residents, the author combines personal odyssey with ethnographic research to show new ways to connect language to issues of education, political economy, and social identity.




Children Affected by Armed Conflict in the Borderlands of Thailand


Book Description

This book explores how children have been affected by armed conflict in the borderlands of Thailand, particularly in the region abutting the Thailand-Myanmar border, and in the most southern part of Thailand. The author argues that the Thai government has made great efforts to protect children from armed conflict in these borderlands. The author analyzes the obstacles facing the Thai government in protecting children from armed conflict in the borderlands, and advances alternative solutions for how the Thai government might better protect children from armed conflict in the foreseeable future. This book not only opens a window for future research on children affected by armed conflict in the borderlands of Thailand and beyond, but also contributes to the breadth of perspective and depth of expertise in related fields, such as studies of human insecurity. It is relevant to scholars, graduate students, and policymakers interested in the impact of armed conflict on children.




La Llorona's Children


Book Description

"A new interpretive map of the borderlands as space, trope, meaning, and creative landscape inhabited and reimagined by Mexican and Mexican American peoples. Leon weaves together saints, healers, writers, movements and ideas with skill, bringing a fresh critical mind to Chicano/Latino and Religious studies."—David Carrasco, Neil L. Rudenstine Professor of the Study of Latin America, Harvard University "In this sweeping and ambitious book, Leon explores Mexican and Chicano religious practices that move 'beyond' colonialism . . . ."—José David Saldivar




Borderlands Children's Theatre


Book Description

"This book chronicles the child performer as part of the Mexican-American/Chicana/o theatre experience. Borderlands Children's Theatre explores the phenomenon of the Mexican-American/Chicana/o child performer at the center of Chicana/o and Latina/o theatre culture. Drawing from historical and contemporary theatrical traditions to finally the emergence of Latina/o Youth Theatre and Latina/o Theatre for Young Audiences, it raises crucial questions about the role of the child in these performative contexts and about how childhood and adolescence was experienced and understood. Analyzing contemporary plays for Mexican-American/Chicana/o child performer, it introduces theorizations of "performing mestizaje" and "border crossing" borderlands performance, gender, and ethnic identity and investigates theatre as a site in which children and youth have the opportunity to articulate their emerging selfhoods. This book adds to the national and international dialogue in theatre and gives voice to Mexican-American/Chicana/o children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies"--




Jillian in the Borderlands


Book Description

Jillian Guzmán, who is nine years old at the beginning of the book, communicates through drawings rather than speech as she travels with her mother, Angie O'Malley, throughout the borderlands of Arizona and northwestern Mexico. Later she creates survival maps for border crossers and paints murals at the Casa de los Olvidados, a refuge in Sonora run by the traditional healer Juana of God. These darkly funny tales, focusing on Mexican-American, Euro-American, and Mexican characters, feature visionary experiences, ghosts, faith healers, a deer's head that speaks, a dog who channels spirits of the dead--and a young woman whose drawings begin to create realities instead of just reflecting them.




Borderlands #2: Unconquered


Book Description

Everyone already knows that. But the General of an army of Psycho Soldiers takes on this planetary hell headfirst, planning to enslave all of the Borderlands. And that General . . . is a Goddess. The General Goddess, Gynella, is a cunning maniac who uses the dark science of the vile Dr. Vialle to control a growing army of bandits and malcontents. Only four people stand in Gynella’s way. Roland. Mordecai. Brick. And . . . Daphne. Daphne?! Better known as Kuller the Killer, she was once the galaxy’s most effective assassin for organized crime—until her forced retirement on this abandoned wasteland of a world. Roland is one of the toughest fighters in the Borderlands, and Mordecai is the best shot in four solar systems—all the two really want is to get to the Crystalisks, harvest some Eridium, get rich, and leave the planet for the nearest intergalactic party. But there are nightmarish creatures to deal with: Varkids and Skags and Threshers. Worse, Gynella is still in their way. Brick—a pile of walking muscle who lives to smash his enemies, could be their ally or their enemy . . . but you’d definitely rather have him on your side. As for Daphne Kuller? Don't make her mad. Just . . . don’t. If you want to hear about the whole thing, take a ride on the bus to Fyrestone with Marcus. Because Marcus has a tale to tell you . . . an untold story of the Borderlands.




Peripheries at the Centre


Book Description

Following the Treaty of Versailles, European nation-states were faced with the challenge of instilling national loyalty in their new borderlands, in which fellow citizens often differed dramatically from one another along religious, linguistic, cultural, or ethnic lines. Peripheries at the Centre compares the experiences of schooling in Upper Silesia in Poland and Eupen, Sankt Vith, and Malmedy in Belgium — border regions detached from the German Empire after the First World War. It demonstrates how newly configured countries envisioned borderland schools and language learning as tools for realizing the imagined peaceful Europe that underscored the political geography of the interwar period.




Quill and Cross in the Borderlands


Book Description

Quill and Cross in the Borderlands examines nearly four hundred years of history, folklore, literature, and art concerning the seventeenth-century Spanish nun and writer Sor María de Jesús de Ágreda, identified as the legendary “Lady in Blue” who miraculously appeared to tribes in colonial-era New Mexico and taught them the rudiments of the Catholic faith. Sor María, an author of mystical Marian works, became renowned not only for her alleged spiritual travel from her cloister in Spain to the New World, but also for her writing, studied and implemented by Franciscans on both sides of the ocean. Working from original historical accounts, archival research, and a wealth of literature on the legend and the historical figure alike, Anna M. Nogar meticulously examines how and why the legend and the person became intertwined in Catholic consciousness and social praxis. In addition to the influence of the narrative of the Lady in Blue in colonial Mexico, Nogar addresses Sor María’s importance as an author of spiritual texts that influenced many spheres of New Spanish and Spanish society. Quill and Cross in the Borderlands focuses on the reading and interpretation of her works, especially in New Spain, where they were widely printed and disseminated. Over time, in the developing folklore of the Indo-Hispano populations of the present-day U.S. Southwest and the borderlands, the historical Sor María and her writings virtually disappeared from view, and the Lady in Blue became a prominent folk figure, appearing in folk stories and popular histories. These folk accounts drew the Lady in Blue into the present day, where she appears in artwork, literature, theater, and public ritual. Nogar’s examination of these contemporary renderings leads to a reconsideration of the ambiguities that lie at the heart of the narrative. Quill and Cross in the Borderlands documents the material legacy of a legend that has survived and thrived for hundreds of years, and at the same time rediscovers the historical basis of a hidden writer. This book will interest scholars and researchers of colonial Latin American literature, early modern women writers, folklore and ethnopoetics, and Mexican American cultural studies.