Chosen Places: Constructing New Jerusalems in Slavia Orthodoxa


Book Description

In Chosen Places. Constructing New Jerusalems in Slavia Orthodoxa, Jelena Erdeljan focuses on the Old Testament topic of the divinely-chosen status of Jerusalem and translatio Hierosolymi, including the history, process and media of formulating and disseminating this idea and its spatial-visual matrix in Christian visual culture. Firstly the study presents the case of Constantinople, the capital of the Byzantine Empire, as New Jerusalem, and secondly, in relation to Constatinople, discussion focuses on the cases of the capitals of Slavia Orthodoxa in the later Middle Ages: Turnovo, Belgrade and Moscow. The idea of Jerusalem corresponds with the idea of a mystical center, the center of the historical Christian world, which travels and follows the path of eschatologial realisation.




Imagined Empires


Book Description

The Balkans offer classic examples of how empires imagine they can transform themselves into national states (Ottomanism) and how nation-states project themselves into future empires (as with the Greek “Great Idea” and the Serbian “Načertaniye”). By examining the interaction between these two aspirations this volume sheds light on the ideological prerequisites for the emergence of Balkan nationalisms. With a balance between historical and literary contributions, the focus is on the ideological hybridity of the new national identities and on the effects of “imperial nationalisms” on the emerging Balkan nationalisms. The authors of the twelve essays reveal the relation between empire and nation-state, proceeding from the observation that many of the new nation-states acquired some imperial features and behaved as empires. This original and stimulating approach reveals the imperialistic nature of so-called ethnic or cultural nationalism.




Byzantium in Dialogue with the Mediterranean


Book Description

In thirteen contributions, Byzantium in Dialogue with the Mediterranean. History and Heritage shows that throughout the centuries of its existence, Byzantium continuously communicated with other cultures and societies on the European continent, as well as North Africa and in the East. In this volume, ‘History’ represents not only the chronological, geographical and narrative background of the historical reality of Byzantium, but it also stands for an all-inclusive scholarly approach to the Byzantine world that transcends the boundaries of traditionally separate disciplines such as history, art history or archaeology. The second notion, ‘Heritage’, refers to both material remains and immaterial traditions, and traces that have survived or have been appropriated. Contributors are Hans Bloemsma, Elena Boeck, Averil Cameron, Elsa Fernandes Cardoso, Cristian Caselli, Evangelos Chrysos, Konstantinos Chryssogelos, Penelope Mougoyianni, Daphne Penna, Marko Petrak, Matthew Savage, Daniëlle Slootjes, Karen Stock, Alex Rodriguez Suarez and Mariëtte Verhoeven.




The Concept of the Elect Nation in Byzantium


Book Description

In The Concept of the Elect Nation in Byzantium, Shay Eshel shows how the Old Testament model of the ancient Israelites was a prominent factor in the evolution of Roman-Byzantine national awareness between the 7th and 13th centuries. The Byzantines' interpretation of the 7th century epic events as manifestations of God's wrath enabled them to incorporate the events into a paradigm which they now embraced: the Old Testament paradigm of the Israelite Elect Nation's complex relationship with God, a cyclic relation of sin, wrath, punishment, repentance and salvation. The Elect Nation concept enabled the Byzantines to express the shift in their collective identity toward a shrunken, yet more clearly defined, national awareness.







The Lost History of Cosmopolitanism


Book Description

The Lost History of Cosmopolitanism challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today.




The Cambridge Companion to Constantinople


Book Description

The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.




Radical Traditionalism


Book Description

Radical Traditionalism: The Influence of Walter Kaegi in Late Antique, Byzantine, and Medieval Studies brings together scholars from fields and disciplines as diverse as medieval history, Byzantine history, Roman art history, and early Islamic studies. These scholars were students of Walter Kaegi, whose work influenced them greatly. This collection offers thoughtful essays examining political culture, source criticism and institutional continuity and discontinuity in a variety of areas, as well as illustrates how one scholar’s influence can reach across disciplinary boundaries to shape the argumentative structures and methods of both students and scholars. Any reader interested in the formation of disciplinary “schools” and how the broad application of a coherent approach to sources both literary and material will find this book an innovative approach to the Festschrift genre.




The Crusade of 1456


Book Description

In July 1456, a massive Turkish army settled in before Belgrade, an ancient city at the confluence of the Danube and Sava rivers. The army’s leader was the twenty-four-year-old Ottoman sultan Mehmed II, "the Conqueror," who sought to take one of the most strategically important fortifications in southeastern Europe. Three weeks later, Mehmed’s army was driven from Belgrade by a Hungarian warlord and his army, along with a ragtag force of ill-equipped crusaders. In The Crusade of 1456, James D. Mixson gathers together the key primary sources for understanding the events that led to the siege of Belgrade. These newly translated sources challenge readers with their variety: papal decrees, letters, liturgies, and chronicles from Latin, Byzantine, and Ottoman perspectives. An accessible introduction, timelines, and maps help to illuminate this fascinating yet previously neglected story.




Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions


Book Description

This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.