Author : Francesco Casetti
Publisher : Vita e Pensiero
Page : 84 pages
File Size : 49,18 MB
Release : 2002
Category : Language Arts & Disciplines
ISBN : 9788834309766
Author : Zoltán Biedermann
Publisher : Cambridge Scholars Publishing
Page : 290 pages
File Size : 48,38 MB
Release : 2018-01-23
Category : Social Science
ISBN : 1527506924
This volume is a collection of thirteen essays built around the question ‘what is the supernatural, and how, and why, has it changed over time?’ It is divided into two complementary sections; the first focussing on research on the discourse of the supernatural (including the miraculous) located in the medieval and early modern eras, and the second consisting of a set of test-cases involving research on the uncanny, often articulated in a post-Freudian sense, as expressed in modern literature, film and art. The eclectic and prismatic approach pursued via a variety of test-cases of the supernatural in this book gives rise to a clear, comparative and diachronic study of the main characteristics of the supernatural.
Author :
Publisher :
Page : 168 pages
File Size : 33,97 MB
Release : 2011
Category : Performing Arts
ISBN : 9788843056170
Author : Markus Nornes
Publisher : U of Minnesota Press
Page : 299 pages
File Size : 19,60 MB
Release : 2007
Category : Performing Arts
ISBN : 0816650411
Uncovering the vital role of interpreters, dubbers and subtitlers in global film, Nornes examines the relationships between moving-image media and translation and contends that film was a globalized medium from its beginning and that its transnational traffic has been greatly influenced by interpreters.
Author : Antônio Márcio da Silva
Publisher : Springer
Page : 243 pages
File Size : 15,36 MB
Release : 2017-08-12
Category : Performing Arts
ISBN : 331948267X
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal element of a film. From the rich cross-fertilization of different theories and disciplines, this edited collection engages with the connection between space and subjectivity in Brazilian cinema while raising new questions concerning spatiality and subjectivity in cinema and providing new models and tools for film analysis.
Author : Adriano D'Aloia
Publisher :
Page : 214 pages
File Size : 17,81 MB
Release : 2015-07-31
Category :
ISBN : 9788869770227
Neurofilmology. audiovisual Studies and the challenge of Neuroscience Adriano d'Aloia and ruggero Eugeni, Neurofilmology: An Introduction Temenuga Trifonova, Neuroaesthetics and Neurocinematics: Reading the Brain/Film through the Film/Brain Maria Poulaki, Neurocinematics and the Discourse of Control: Towards a Critical Neurofilmology Patricia Pisters, Dexter's Plastic Brain: Mentalizing and Mirroring in Cinematic Empathy Enrico Carocci, First-Person Emotions: Affective Neuroscience and the Spectator's Self Maarten Coegnarts and Peter kravanja, The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick Pia Tikka and Mauri kaipainen, Phenomenological Considerations on Time Consciousness under Neurocinematic Search Light vittorio Gallese and Michele Guerra, The Feeling of Motion: Ca-mera Movements and Motor Cognition New Studies olivier Asselin, Cinema d'exposition 2.0: Mixed-Reality Games in and around the Museum livia Giunti, L'analyse du film a l'ere numerique. Annotation, geste analytique et lecture active Christian Gosvig olesen, Panoramic Visions of the Archive in EYE's Panorama: A Case Study in Digital Film Historiography francesco Pitassio, Distant Voices, Still Cinema? Around the Movies projects & abstracts reviews / comptes-rendus
Author : Malte Hagener
Publisher : Springer
Page : 238 pages
File Size : 28,27 MB
Release : 2016-11-30
Category : Performing Arts
ISBN : 1137529393
This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.
Author :
Publisher :
Page : 820 pages
File Size : 40,73 MB
Release : 1981
Category : Arts
ISBN :
A multidisciplinary index covering the journal literature of the arts and humanities. It fully covers 1,144 of the world's leading arts and humanities journals, and it indexes individually selected, relevant items from over 6,800 major science and social science journals.
Author : Tatiana Signorelli Heise
Publisher :
Page : 200 pages
File Size : 48,16 MB
Release : 2012
Category : Art
ISBN : 9780708325094
This book explores conflicting conceptions of Brazilian national identity as they are expressed in contemporary Brazilian cinema, especially those revolving around the long-standing claim that Brazil is a racial democracy. -- Welsh Books Council
Author : Dominique Chateau
Publisher : Key Debates - Mutations and Appropriations in European Film Studies
Page : 376 pages
File Size : 28,6 MB
Release : 2020-09-24
Category :
ISBN : 9789463727235
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.
