Chaucer and the Country of the Stars


Book Description

Professor Wood examines in detail the astrological references in The Canterbury Tales, Troilus and Criseyde, and The Complaint of Mars, using mediaeval source materials not only to elucidate the technicalities of the imagery but also to analyze its poetic function. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Music in Early English Religious Drama: Minstrels playing


Book Description

MEDIUM AEVUM says of Heaven Singing, the general discussion of the subject from which the present volume follows on with examination of the individual plays: 'A formidable achievement, indispensable for any serious and comprehensive study of early English drama.'




The Unexpected Dante


Book Description

Dante Alighieri’s long poem The Divine Comedy has been one of the foundational texts of European literature for over 700 years. Yet many mysteries still remain about the symbolism of this richly layered literary work, which has been interpreted in many different ways over the centuries. The Unexpected Dante brings together five leading scholars who offer fresh perspectives on the meanings and reception of The Divine Comedy. Some investigate Dante’s intentions by exploring the poem’s esoteric allusions to topics ranging from musical instruments to Roman law. Others examine the poem’s long afterlife and reception in the United States, with chapters showcasing new discoveries about Nicolaus de Laurentii’s 1481 edition of Commedia and the creative contemporary adaptations that have relocated Dante’s visions of heaven and hell to urban American settings. This study also includes a guide that showcases selected treasures from the extensive Dante collections at the Library of Congress, illustrating the depth and variety of The Divine Comedy’s global influence. The Unexpected Dante is thus a boon to both Dante scholars and aficionados of this literary masterpiece. Published by Bucknell University Press in association with the Library of Congress. Distributed worldwide by Rutgers University Press.




Envisioning Experience in Late Antiquity and the Middle Ages


Book Description

Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.




Music of the Bible


Book Description




Reverberating Song in Shakespeare and Milton


Book Description

In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.







Every Word Tells a Story


Book Description

Tom Read Wilson is here to take us on a rip-roaring tour through some of the most astonishing and amusing words in the English language with Every Word Tells a Story. See how the English language evolved in this extraordinary exploration of the origins of everyday words. Full of funny stories and fascinating facts, Tom Read Wilson knows even the most ordinary-sounding word can have the most surprising story behind it! Did you know, for instance, that: The word ‘bloomers’ comes from Amelia Bloomer, who was a women's rights activist and owner and editor of the first U.S. newspaper edited by and for women, who wanted to move more freely in her knickers? Or that the word ‘daisy’ comes from the Old English dæges eage, meaning ‘day’s eye’, because the petals of a daisy open at dawn and close at dusk? The word 'easel' comes from the Dutch word 'ezel', meaning donkey, because both are depenable and suitable for carrying a load? Or that English nicknames for police officers, 'bobbies' and 'peelers', both come from the names of Sir Robert Peel, British prime minister in the 1800s and creator of the first modern police force? Each fascinating word is explored through a quirky, amusing story alongside the etymology, word origin, and definition. Paired with beautiful, characterful illustrations by Ian Morris, Every Word Tells a Story is a perfect book for young wordsmiths, encouraging kids and adults alike to have fun whilst learning about language.




The Encyclopædia Britannica


Book Description




The Dream Discourse Today


Book Description

The Dream Discourse Today offers an unrivalled synoptic view of key American, British and French papers on dream analysis in clinical practice. The purpose of the book is to show the reader different, well articulated perspectives, place them in historical context, and invite comparative reading. The cumulative effect of both papers and introductions is to leave the reader with an informed sense of the range of perspectives and a confidence in the continued relevance of dream analysis to practice, as some striking convergences in the implications of thinking drawn from very different approaches becomes clear. The Dream Discourse Today is the first historical and theoretical survey of its subject and the classic nature of the papers it includes will make it a first-class work of reference for psychoanalysts and psychotherapists of all schools, whether in practice or still training. It should be of especial interest to those who teach courses on the theory of technique, since the place of dream analysis is almost certain to be one of the central topics in such courses.




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