Civil War Monuments and the Militarization of America


Book Description

"This ... assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, ... and continued to influence commemoration after the Civil War. ... distrust of standing armies gave way to broader enthusiasm for soldiers in the Gilded Age. Some important projects challenged the trend, but many Civil War monuments proposed new norms of discipline and vigor that lifted veterans to a favored political status and modeled racial and class hierarchies. A half century of Civil War commemoration reshaped remembrance of the American Revolution and guided American responses to World War I"--




Testament to Union


Book Description

This book tells the stories behind the many District of Columbia statues that honor participants in the Civil War. Organized geographically for easy use on walking or driving tours, the entries list the subject and title of each memorial along with its sculptor, medium, date, and location. 92 photos.




North Carolina Civil War Monuments


Book Description

Monuments honoring leaders and victorious armies have been raised throughout history. Following the American Civil War, however, this tradition expanded, and by the early twentieth century, the Confederate dead and surviving veterans, although defeated in battle, ranked among the world's most commemorated troops. This memorialization, described in North Carolina Civil War Monuments, evolved through a challenging and contentious process accomplished over decades. Prompted by the need to rebury wartime dead, memorialization, led by women, first expressed regional grief and mourning then expanded into a vital aspect of Southern memory. In North Carolina, 109 Civil War monuments--101 honoring Confederate troops and eight commemorating Union forces--were raised prior to the Civil War centennial. Photographs showcase each memorial while committee records, legal documents, and contemporaneous accounts are used to detail the difficult process through which these monuments were erected. Their design, location, and funding reflect not only the period's sculptural and cultural milieu but also reveal one state's evolving grief and the forging of public memory.




Monument Wars


Book Description

Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.




Standing Soldiers, Kneeling Slaves


Book Description

A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.




The Vicksburg Campaign


Book Description

In the 19th century, one of the surest ways to rise to prominence in American society was to be a war hero, like Andrew Jackson and William Henry Harrison. But few would have predicted such a destiny for Hiram Ulysses Grant, who had been a career soldier with little experience in combat and a failed businessman when the Civil War broke out in 1861. However, while all eyes were fixed on the Eastern theater at places like Manassas, Richmond, the Shenandoah Valley and Antietam, Grant went about a steady rise up the ranks through a series of successes in the West. His victory at Fort Donelson, in which his terms to the doomed Confederate garrison earned him the nickname "Unconditional Surrender" Grant, could be considered the first major Union victory of the war, and Grant's fame and rank only grew after that at battlefields like Shiloh and Vicksburg. Along the way, Grant nearly fell prey to military politics and the belief that he was at fault for the near defeat at Shiloh, but President Lincoln famously defended him, remarking, "I can't spare this man. He fights." Lincoln's steadfastness ensured that Grant's victories out West continued to pile up, and after Vicksburg and Chattanooga, Grant had effectively ensured Union control of the states of Kentucky and Tennessee, as well as the entire Mississippi River. At the beginning of 1864, Lincoln put him in charge of all federal armies, and he led the Army of the Potomac against Robert E. Lee in the Overland campaign, the siege of Petersburg, and famously, the surrender of the Army of Northern Virginia at Appomattox. Although Grant was instrumental in winning the war and eventually parlayed his fame into two terms in the White House, his legacy and accomplishments are still the subjects of heavy debate today. His presidency is remembered mostly due to rampant fraud within his Administration, although he was never personally accused of wrongdoing, and even his victories in the Civil War have been countered by charges that he was a butcher. Like the other American Legends, much of Grant's personal life has been eclipsed by the momentous battles and events in which he participated, from Fort Donelson to the White House.




Civil War Canon


Book Description

In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.




Confederate Statues and Memorialization


Book Description

Nine killed in Charleston church shooting. White supremacists demonstrate in Charlottesville. Monuments decommissioned in New Orleans and Chapel Hill. The headlines keep coming, and the debate rolls on. How should we contend with our troubled history as a nation? What is the best way forward? This first book in UGA Press’s History in the Headlines series offers a rich discussion between four leading scholars who have studied the history of Confederate memory and memorialization. Through this dialogue, we see how historians explore contentious topics and provide historical context for students and the broader public. Confederate Statues and Memorialization artfully engages the past and its influence on present racial and social tensions in an accessible format for students and interested general readers. Following the conversation, the book includes a “Top Ten” set of essays and articles that everyone should read to flesh out their understanding of this contentious, sometimes violent topic. The book closes with an extended list of recommended reading, offering readers specific suggestions for pursuing other voices and points of view.




Berry Benson's Civil War Book


Book Description

Confederate scout and sharpshooter Berry Greenwood Benson witnessed the first shot fired on Fort Sumter, retreated with Lee's Army to its surrender at Appomattox Courthouse, and missed little of the action in between. This memoir of his service is a remarkable narrative, filled with the minutiae of the soldier's life and paced by a continual succession of battlefield anecdotes. Three main stories emerge from Benson's account: his reconnaissance exploits, his experiences in battle, and his escape from prison. Though not yet eighteen years old when he left his home in Augusta, Georgia, to join the army, Benson was soon singled out for the abilities that would serve him well as a scout. Not only was he a crack shot, a natural leader, and a fierce Southern partisan, but he had a kind of restless energy and curiosity, loved to take risks, and was an instant and infallible judge of human nature. His recollections of scouting take readers within arm's reach of Union trenches and encampments. Benson recalls that while eavesdropping he never failed to be shocked by the Yankees' foul language; he had never heard that kind of talk in a Confederate camp! Benson's descriptions of the many battles in which he fought--including Cold Harbor, The Seven Days, Manassas, Sharpsburg, Fredericksburg, Spotsylvania, and Petersburg--convey the desperation of a full frontal charge and the blind panic of a disorganized retreat. Yet in these accounts, Benson's own demeanor under fire is manifest in the coolly measured tone he employs. A natural writer, Benson captures the dark absurdities of war in such descriptions as those of hardened veterans delighting in the new shoes and other equipment they found on corpse-littered battlefields. His clothing often torn by bullets, Benson was also badly bruised a number of times by spent rounds. At one point, in May 1863, he was wounded seriously enough in the leg to be hospitalized, but he returned to the field before full recuperation. Benson was captured behind enemy lines in May 1864 while on a scouting mission for General Lee. Confined to Point Lookout Prison in Maryland, he escaped after only two days and swam the Potomac to get back into Virginia. Recaptured near Washington, D.C., he was briefly held in Old Capitol Prison, then sent to Elmira Prison in New York. There he joined a group of ten men who made the only successful tunnel escape in Elmira's history. After nearly six months in captivity or on the run, he rejoined his unit in Virginia. Even at Appomattox, Benson refused to surrender but stole off with his brother to North Carolina, where they planned to join General Johnston. Finding the roads choked with Union forces and surrendered Confederates, the brothers ultimately bore their unsurrendered rifles home to Augusta. Berry Benson first wrote his memoirs for his family and friends. Completed in 1878, they drew on his--and partially on his brother's--wartime diaries, as well as on letters that both brothers had written to family members during the war. The memoirs were first published in book form in 1962 but have long been unavailable. This edition, with a new foreword by the noted Civil War historian Herman Hattaway, will introduce this compelling story to a new generation of readers.




Baptized in Blood


Book Description

Charles Reagan Wilson documents that for over half a century there existed not one, but two civil religions in the United States, the second not dedicated to honoring the American nation. Extensively researched in primary sources, Baptized in Blood is a significant and well-written study of the South’s civil religion, one of two public faiths in America. In his comparison, Wilson finds the Lost Cause offered defeated Southerners a sense of meaning and purpose and special identity as a precarious but distinct culture. Southerners may have abandoned their dream of a separate political nation after Appomattox, but they preserved their cultural identity by blending Christian rhetoric and symbols with the rhetoric and imagery of Confederate tradition. “Civil religion” has been defined as the religious dimension of a people that enables them to understand a historical experience in transcendent terms. In this light, Wilson explores the role of religion in postbellum southern culture and argues that the profound dislocations of Confederate defeat caused southerners to think in religious terms about the meaning of their unique and tragic experience. The defeat in a war deemed by some as religious in nature threw into question the South’s relationship to God; it was interpreted in part as a God-given trial, whereby suffering and pain would lead Southerners to greater virtue and strength and even prepare them for future crusades. From this reflection upon history emerged the civil religion of the Lost Cause. While recent work in southern religious history has focused on the Old South period, Wilson’s timely study adds to our developing understanding of the South after the Civil War. The Lost Cause movement was an organized effort to preserve the memory of the Confederacy. Historians have examined its political, literary, and social aspects, but Wilson uses the concepts of anthropology, sociology, and historiography to unveil the Lost Cause as an authentic expression of religion. The Lost Cause was celebrated and perpetuated with its own rituals, mythology, and theology; as key celebrants of the religion of the Lost Cause, Southern ministers forged it into a religious movement closely related to their own churches. In examining the role of civil religion in the cult of the military, in the New South ideology, and in the spirit of the Lost Cause colleges, as well as in other aspects, Wilson demonstrates effectively how the religion of the Lost Cause became the institutional embodiment of the South’s tragic experience.