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Domestic Space in France and Belgium


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Domestic Space in France and Belgium offers a new addition to the growing body of work in Interior Studies. Focused on late 19th and early 20th-century France and Belgium, it addresses an overlooked area of modernity: the domestic sphere and its conception and representation in art, literature and material culture. Scholars from the US, UK, France, Italy, Canada and Belgium offer fresh and exciting interpretations of artworks, texts and modern homes. Comparative and interdisciplinary, it shows through a series of case-studies in literature, art and architecture, how modernity was expressed through domestic life at the turn of the century in France and Belgium.




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Cornelis Schut (1597-1655)


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This publication is a monograph on the Antwerp artist, whose surviving oeuvre dates from the mid-1620s to the 1650s. A prolific master whose known paintings number over one hundred, Schut achieved considerable succes during his lifetime. This study sets Schut's life and career within the context of the artistic and cultural milieu of his time, defining his role in the emergence of a new style after the death of Rubens in 1640, and considers his impact on future generations. A workable chronology for Schut's paintings is established through an analysis of style, iconography and patronage, taking into account past scholarship. The artists's working methods and studio practices and his output in other media are also discussed. A separate chapter is devoted to the numerous graland pictures he executed in collaboration with the Jesuit flower painter Daniel Seghers. A complete catalogue raisonne of Schut's paintings, the first of its kind, is presented.