Fluorite, the Collector's Choice


Book Description




LADY MECHANIKA: THE MONSTER OF THE MINISTRY OF HELL #1 (OF 4)


Book Description

In a Victorian asylum full of grotesque inmates, sadistic guards, and a fanatical doctor, a young lady wakes to find her arms and legs have been replaced with mechanical limbs. But who among this gruesome menagerie is the true monster of the Ministry of Hell? The origins of the notorious adventuress known as Lady Mechanika!




Lady Mechanika


Book Description

OVERSIZED HARDCOVER (7.25" x10.875") A newly remastered edition of thesteampunk adventure series' first volume, featuring a revised script andupdated lettering, in an oversized hardcover format. In a Victorian worldfilled with flying dirigibles and clockwork automatons, a young woman searchesdesperately for the secrets to her past - a past that left her withextraordinary, but unnatural, mechanical limbs. Collects LADY MECHANIKA #0-5




Burst Believers


Book Description

(Guitar). The term "burst" has been used to describe a specific Gibson Les Paul guitar manufactured from 1958 to 1960. The impact of this guitar has and continues to shake the music world. For dozens of guitar idols who've played it and those fortunate enough to have owned one or more the Gibson Les Paul Sunburst possesses a mystique and magic not found in any other electric guitar. With its unique sound, spectacular beauty and playability, the burst has shaped the landscape of the blues/rock genre as we know it today. The Burst Believers in this book Joe Bonamassa, Jimmy Page, Billy Gibbons, Kirk Hammett, Rick Nielsen, Waddy Wachtel, Slash, Steve Lukather, the Burst Brothers and many more have been kind enough to share their experiences and stories that you will enjoy reading. These recollections, plus hundreds of fantastic color photographs and a serial number index, make this book a "must" for players and collectors everywhere. "These guitars are the holy grail." Joe Bonamassa "The burst has helped to create and establish the rock sound loved by generations." Jimmy Page "A modern-day Stradivarius." Kirk Hammett "I cannot imagine a guitar more perfectly suited to my eyes, ears, hands and musical inclinations." Billy Squier




The Collectors


Book Description

2019 Schneider Family Book Award Honor Book “Original, brave, and addictive.”—Adam Gidwitz, bestselling author of the Newbery Honor Book The Inquisitor’s Tale Fast-paced, witty, and riveting, this contemporary fantasy adventure has magic woven through every page. The Collectors begins an enchanting two-book series from Jacqueline West, the New York Times–bestselling author of The Books of Elsewhere series. For fans of Serafina and the Black Cloak, The Isle of the Lost, and The Secret Keepers. Van has always been an outsider. He’s hard of hearing, collects trinkets, and lives with his single mother—an opera singer with a huge personality. Then one day, Van notices a girl stealing pennies from a fountain, and everything changes. He follows the girl, Pebble, and uncovers an underground society full of wishes and the people who collect them. Not all wishes are good and even good wishes often have unintended consequences, and the Collectors have made it their duty to protect us. But they aren't the only ones who have their eyes on the world’s wishes—and they may not be the good guys, after all. Jacqueline West spins a story about friendship, magic, and the gray area between good and evil. The Collectors is for fans of Cassie Beasley’s Circus Mirandus and Jonathan Auxier’s The Night Gardener. Booklist calls it, “A brilliant fantasy adventure exploring the consequences of getting what you wish for.”




Collectors’ Knowledge: What Is Kept, What Is Discarded / Aufbewahren oder wegwerfen: wie Sammler entscheiden


Book Description

Drawing on case studies from the thirteenth to the twentieth centuries, covering Europe and beyond, Collectors’ Knowledge: What is Kept, What is Discarded investigates how knowledge was acquired, organized and sometimes lost. It examines collections of texts and objects—libraries, textbooks, miscellanies, commonplace books, data collections pertaining to historical events, encyclopedias, royal and ducal treasures, curiosity cabinets, galleries and museums—to uncover the processes of accumulation, organization, selection and rejection that have shaped learning. The essays emphasize the complex relationship between the intentions of collectors and the limitations they encountered—issues of format, presentation, display and storage—as well as outside forces that disrupted their aims, including pillage and natural disasters. Contributors include: Stephen Bann, Laurence Brockliss, François de Capitani, Livia Cárdenas, Steven Conn, Anja-Silvia Goeing, Anthony T. Grafton, Janet Grau, Jürgen Leonhardt, Ulrich Marzolph, Paul Michel, Jürgen Oelkers, Wilhelm Schmidt-Biggemann, Nicola Schneider, Gerald Schwedler, Iolanda Ventura, Monika Wicki, and Marc Winter. Achtzehn europäische und aussereuropäische Fallstudien vom dreizehnten bis zwanzigsten Jahrhundert fragen in “Collectors’ Knowledge: What Is Kept, What Is Discarded – Aufbewahren oder wegwerfen – wie Sammler entscheiden”, wie Wissen erworben und organisiert wurde und weshalb es verloren ging. Die Autoren untersuchen Sammlungen von Texten und Objekten – Bibliotheken, Lehrbücher, Sammelbände, Datensammlungen im Zusammenhang mit historischen Ereignissen, Enzyklopädien, herrschaftliche Schätze, Wunderkammern und Museen. Ihr Ziel ist es, Prozesse der Akkumulation, Organisation, Auswahl und Ablehnung aufzudecken, die unser Wissen über die Epochen geprägt haben. Die Aufsätze unterstreichen die komplexen Beziehungen zwischen den Absichten der Sammler und den Zwängen, mit denen sie konfrontiert waren – in Fragen des Formates, der Präsentation oder Speicherung –, sowie den Kräften, die Verluste bewirkten, beispielsweise Plünderung oder ideengeschichtliche Umwälzungen.







Women Patrons and Collectors


Book Description

In looking at the history of collecting, one may be excused for regarding it as an activity in which, traditionally, women have shown little interest or in which they have not been involved. As the present volume shows, women—particularly aristocratic women—not only resisted this discrimination through the ages, but also built important collections and used them to their own advantage, in order to make statements about their lineage, power, cultural heritage or religious preferences. That is not to say that there was not an increasing number of middle-class women who became draughtswomen, painters and natural scientists and who found it equally beneficial for their chosen profession to collect. In every case, the female collector chose to collect and what to collect; she chose how and where to present the collection and she also decided when to dispose of objects, thereby occasionally taking on a curatorial role. Women have been seen as gatherers of furnishings, jewellery, dress and objects of domestic life. This third volume in the Collecting & Display series of conference proceedings challenges such perceptions through the detailed analysis of different types of collecting by women from the early modern period onwards; it thus seeks to give a voice to a group of important female collectors from the sixteenth to the early nineteenth century whose importance for the history of collecting has not yet, or not sufficiently, been acknowledged.




Memory Collectors


Book Description

Three jaded fetish models are unexpectedly thrown into a violent world and made to confront a horrible and unperceived truth: Hidden among us are entities that feed on the very thing we hold most sacred, our memories. No longer content with their lives as hunted cattle, they become the hunters.




Fandom Directory


Book Description

Includes lists of fanzines, conventions, publishing associations, clubs, dealers, and individual fans.