Coming to Jakarta: A Poem about Terror


Book Description

"Not since Robert Duncan's Ground Work and before that William Carlos Williams' Paterson has New Directions published a long poem as important as Coming to Jakarta!" —James Laughlin A devastating revelation of violence, exploitation, and corrupt politics, Coming to Jakarta derives its title from the role played by the CIA, banks, and oil companies in the 1965 slaughter of more than half a million Indonesians. A former Canadian diplomat and now a scholar at the University of California, Peter Dale Scott has said that the poem "is triggered by what we know of the bloody Indonesian massacre… However it is not so much a narrative of exotic foreign murder as one person’s account of what it is like to live in the 20th century, possessing enough access to information and power to feel guilty about global human oppression, but not enough to deal with it. The usual result is a kind of daily schizophrenia by which we desensitize ourselves to our own responses to what we read in the newspapers. The psychic self-alienation which ensues makes integrative poetry difficult but necessary." With a brilliant use of collage, placing the political against the personal––childhood acquaintances are among the darkly powerful figures––Scott works in the tradition of Pound’s Cantos, but his substance is completely his own.




Poetry and Terror


Book Description

A study at many levels of Scott’s long poem Coming to Jakarta, a book-length response to a midlife crisis triggered in part by the author’s initial inability to share his knowledge and horror about American involvement in the great Indonesian massacre of 1965. Interviews with Ng supply fuller information about the poem’s discussions of: a) how this psychological trauma led to an explorations of violence in American society and then, after a key recognition, in the poet himself; b) the poem's look at east-west relations through the lens of the yin-yang, spiritual-secular doubleness of the human condition; c) how the process of writing the poem led to the recovery of memories too threatening at first to be retained by his normal presentational self, and d) the mystery of right action, guided by the Bhagavad Gita and the maxim in the Gospel of Thomas that "If you bring forth what is within you, what you bring forth will save you.” Led by the interviews to greater self-awareness, Scott then analyses his poem as also an elegy, not just for the dead in Indonesia, but “for the passing of the Sixties era, when so many of us imagined that a Movement might achieve major changes for a better America.” Subsequent chapters develop how human doubleness can lead to an inner tension between the needs of politics and the needs of poetry, and how some poetry can serve as a non-violent higher politics, contributing to the evolution of human culture and thus our “second nature.” The book also reproduces a Scott prose essay, inspired by the poem, on the U.S. involvement in and support for the 1965 massacre. It then discusses how this essay was translated into Indonesian and officially banned by the Indonesian dictatorship, and how ultimately it and the poem helped inspire the ground-breaking films of Josh Oppenheimer that have led to the first official discussions in Indonesia of what happened in 1965.




Listening to the Candle


Book Description

Listen To The Candle is a booklength reflection on the poet's life. Listening followings Jakarta as the seconds step in a projected trilogy: Self-knowledge is more at issue than self-alienation; art perhaps overshadows politics; Rilke is more the poem's guide than pound.




Essays and Interviews on Contemporary American Poets, Poetry, and Pedagogy


Book Description

In sixteen chapters devoted to avant-garde contemporary American poets, including Kenneth Goldsmith, Adeena Karasick, Tyrone Williams, Hannah Weiner, and Barrett Watten, prolific scholar and Purdue University professor Daniel Morris engages in a form of cultural repurposing by “learning twice” about how to attend to writers whose aesthetic contributions were not part of his education as a student in Boston and Chicago in the 1980s and 1990s when new formalism and post-confessional modes reigned supreme. Morris’s study demonstrates his interest in moving beyond formalism to offer what Stephen Fredman calls “a wider cultural interpretation of literature that emphasizes the ‘new historicist’ concerns with hybridity, ethnicity, power relations, material culture, politics, and religion.” Essays address from multiple perspectives—prophetic, diasporic, ethical—the vexing problems and sublime potential of disseminating lyrics—the ancient form of transmission and preservation of the singular, private human voice across time and space—to an individual reader, in an environment in which e-poetry and digitalized poetics pose a crisis (understood as both opportunity and threat) to traditional page poetry.




Minding the Darkness


Book Description

Minding the Darkness is the final volume of Peter Dale Scott's landmark trilogy Seculum. Following Coming to Jakarta and Listening to the Candle, it brings stunning, triumphant conclusion to a remarkable and sui generis poem. "There is nothing quite like these books," as the American Book Review remarked: "Scott's trilogy, only two-thirds completed as yet, is certain to be one of the most remarkable and challenging works of our rime." Scott's hypnotic epic poem concerns the political and the personal, and their darkly powerful relationships. With its riveting images, Poundian collage, tight three-line stanzas, and eerie, accumulated juxtapositions, Minding the Darkness fully hears out James Laughlin's opinion that "Not since Robert Duncan's Groundwork and before that William Carlos Williams Paterson, has New Directions published a long poem as important as Peter Dale Scott's."




The American Deep State


Book Description

Now in a new edition updated through the unprecedented 2016 presidential election, this provocative book makes a compelling case for a hidden “deep state” that influences and often opposes official U.S. policies. Prominent political analyst Peter Dale Scott begins by tracing America’s increasing militarization, restrictions on constitutional rights, and income disparity since World War II. With the start of the Cold War, he argues, the U.S. government changed immensely in both function and scope, from protecting and nurturing a relatively isolated country to assuming ever-greater responsibility for controlling world politics in the name of freedom and democracy. This has resulted in both secretive new institutions and a slow but radical change in the American state itself. He argues that central to this historic reversal were seismic national events, ranging from the assassination of President Kennedy to 9/11. Scott marshals compelling evidence that the deep state is now partly institutionalized in non-accountable intelligence agencies like the CIA and NSA, but it also extends its reach to private corporations like Booz Allen Hamilton and SAIC, to which 70 percent of intelligence budgets are outsourced. Behind these public and private institutions is the influence of Wall Street bankers and lawyers, allied with international oil companies beyond the reach of domestic law. Undoubtedly the political consensus about America’s global role has evolved, but if we want to restore the country’s traditional constitutional framework, it is important to see the role of particular cabals—such as the Project for the New American Century—and how they have repeatedly used the secret powers and network of Continuity of Government (COG) planning to implement change. Yet the author sees the deep state polarized between an establishment and a counter-establishment in a chaotic situation that may actually prove more hopeful for U.S. democracy.




Coming to Jakarta


Book Description




New Directions in Criminological Theory


Book Description

This edited collection brings together established global scholars and new thinkers to outline fresh concepts and theoretical perspectives for criminological research and analysis in the 21st century. Criminologists from the UK, USA, Canada and Australia evaluate the current condition of criminological theory and present students and researchers with new and revised ideas from the realms of politics, culture and subjectivity to unpack crime and violence in the precarious age of global neoliberalism. These ideas range from the micro-realm of the ‘personality disorder’ to the macro-realm of global ‘power-crime’. Rejecting or modifying the orthodox notion that crime and harm are largely the products of criminalisation and control systems, these scholars bring causes and conditions back into play in an eclectic yet thematic way that should inspire students and researchers to once again investigate the reasons why some individuals and groups elect to harm others rather than seek sociability. This collection will inspire new criminologists to both look outside their discipline for new ideas to import, and to create new ideas within their discipline to reinvigorate it and further strengthen its ability to explain the crimes and harms that we see around us today. This book will be of particular interest to academics and both undergraduate and postgraduate students in the field of criminology, especially to those looking for theoretical concepts and frameworks for dissertations, theses and research reports.




The Republic of Cthulhu


Book Description

If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification. Wilson offers the work of H.P. Lovecraft (1890-1937) as an example of the relevance of subversive literature-in this case, cosmic horror and the weird tale-to the parapolitical criminologist. Cosmic horror is a form of writing that relies heavily upon the epistemological assumption of a radical and irreconcilable disjunction between appearance and reality, perception and truth. In many ways, the well-constructed weird tale strongly resembles the hard-boiled detective story or the noir thriller in that the resolution of the narrative hinges upon a dramatically shattering confrontation with an unspeakable reality. Apart from its obvious utilization of conspiracy theory, the primary attraction of the Lovecraftian text lies with its remarkably sophisticated utilization of two central tropes of classical aesthetic theory-the sublime and the grotesque. Not only does Lovecraft's oeuvre represent a remarkable use of both of these motifs, but the raw literary power of the Lovecraftian weird tale serves as an outstanding exemplar for the parapolitical scholar to emulate in formulating an alternative mode of discourse, or poetics.




Deep Politics and the Death of JFK


Book Description

Meticulously documented investigation uncovering the political secrets surrounding John F. Kennedy's assassination.