Common Sense


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Common Sense


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Anonyms


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Thomas Paine


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Thomas Paine (1737-1809) was England's greatest revolutionary: no other reformer was as actively involved in events of the scale of the American and French Revolutions, and none wrote such best-selling texts with the impact of Common Sense and Rights of Man. No one else combined the roles of activist and theorist, or did so in the 'age of revolutions', fundamental as it was to the emergence of the 'modern world'. But his fame meant that he was taken up and reinterpreted for current use by successive later commentators and politicians, so that the 'historic Paine' was too often obscured by the 'usable Paine'. J. C. D. Clark explains Paine against a revised background of early- and mid-eighteenth-century England. He argues that Paine knew and learned less about events in America and France than was once thought. He de-attributes a number of publications, and passages, hitherto assumed to have been Paine's own, and detaches him from a number of causes (including anti-slavery, women's emancipation, and class action) with which he was once associated. Paine's formerly obvious association with the early origin and long-term triumph of natural rights, republicanism, and democracy needs to be rethought. As a result, Professor Clark offers a picture of radical and reforming movements as more indebted to the initiatives of large numbers of men and women in fast-evolving situations than to the writings of a few individuals who framed lasting, and eventually triumphant, political discourses.




Common Sense


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New, Unabridged on 3 CD's; Shrinkwrapped. Narrated by George Vafiadis. The work that George Washington said helped spark the Revolutionary War.







The Golden and Ghoulish Age of the Gibbet in Britain


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This book is open access under a CC BY 4.0 licence. This book is the first academic study of the post-mortem practice of gibbeting (‘hanging in chains’), since the nineteenth century. Gibbeting involved placing the executed body of a malefactor in an iron cage and suspending it from a tall post. A body might remain in the gibbet for many decades, while it gradually fell to pieces. Hanging in chains was a very different sort of post-mortem punishment from anatomical dissection, although the two were equal alternatives in the eyes of the law. Where dissection obliterated and de-individualised the body, hanging in chains made it monumental and rooted it in the landscape, adding to personal notoriety. Focusing particularly on the period 1752-1832, this book provides a summary of the historical evidence, the factual history of gibbetting which explores the locations of gibbets, the material technologies involved in hanging in chains, and the actual process from erection to eventual collapse. It also considers the meanings, effects and legacy of this gruesome practice.




ABA Journal


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The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.




Common Sense in Early 18th-Century British Literature and Culture


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While the popular talk of English common sense in the eighteenth century might seem a by-product of familiar Enlightenment discourses of rationalism and empiricism, this book argues that terms such as ‘common sense’ or ‘good sense’ are not simply synonyms of applied reason. On the contrary, the discourse of common sense is shaped by a defensive impulse against the totalizing intellectual regimes of the Enlightenment and the cultural climate of change they promote, in order to contain the unbounded discursive proliferation of modern learning. Hence, common sense discourse has a vital regulatory function in cultural negotiations of political and intellectual change in eighteenth-century Britain against the backdrop of patriotic national self-concepts. This study discusses early eighteenth-century common sense in four broad complexes, as to its discursive functions that are ethical (which at that time implies aesthetic as well), transgressive (as a corrective), political (in patriotic constructs of the nation), and repressive (of otherness). The selection of texts in this study strikes a balance between dominant literary culture – Swift, Pope, Defoe, Fielding, Johnson – and the periphery, such as pamphlets and magazine essays, satiric poems and patriotic songs.