Rulers as Authors in the Islamic World


Book Description

How widespread was authorship among rulers in the premodern Islamic world? The writings of different types of rulers in different regions and periods are analyzed in this book, from the early centuries in the central lands of Islam to 19th century Sudan. The composition of poetry appears as the most fertile area for authorship among rulers. Prose writings show a wide variety, from astrology to bookmaking, from autobiography to creeds. Some of the rulers made claims to special knowledge, but in all cases authorship played a special role in the construction of the rulers' authority and legitimacy. Contributors: Ahmed Ibrahim Abushouk, Sean W. Anthony, María Luisa Ávila†, Teresa Bernheimer, Philip Bockholt, Sonja Brentjes, Christiane Czygan, David Durand-Guédy, Anne-Marie Eddé, Sinem Eryılmaz, Maribel Fierro, Adam Gaiser, Angelika Hartmann†, Livnat Holtzman, Maher Jarrar, Robert S. Kramer, Christian Mauder, Matthew Melvin-Koushki, Letizia Osti, Jürgen Paul, Petra Schmidl, Tilman Seidensticker.




In the Author's Hand: Holograph and Authorial Manuscripts in the Islamic Handwritten Tradition


Book Description

In recent years, a growing interest in “oriental manuscripts” in all their aspects, including the extrinsic ones, has been observed. Research that focuses on holograph, autograph and authorial manuscripts in Arabic handwritten script has nevertheless been casual, although these manuscripts raise important and varied questions. The study of the working methods of authors from the past informs different disciplines: paleography, codicology, textual criticism, ecdotics, linguistics and intellectual history. In this volume nine contributions and case studies are gathered that address theoretical issues and convey different, disruptive perspectives. A particularly important subject of this book, so far rarely discussed in scientific literature, is the identification of an author’s handwriting. Among the authors specifically dealt with in this volume one will find: al-Maqrīzī (m. 845/1442), al-Nuwayrī (m. 733/1333), Akmal al-Dīn b. Mufliḥ (m. 1011/1603), al-ʿAynī (m. 855/1451) and Ibn Khaldūn (m. 808/1406). Contributors: Frédéric Bauden, Julien Dufour, Élise Franssen, Adam Gacek, Retsu Hashizume, Marie-Hélène Marganne, Elias Muhanna, Nobutaka Nakamachi, Anne Regourd, and Kristina Richardson.




Contrariness in Classical Arabic Literature


Book Description

In his Beautifying the Ugly and Uglifying the Beautiful (Taḥsīn al-qabīḥ wa-taqbīḥ al-ḥasan) the prolific anthologist al-Thaʿālibī (d. 429/1038) offers a thematically arranged selection of Arabic poems and prose anecdotes or sayings with contrary or paradoxical purport, such as praise of miserliness, boredom, sickness, and death, or condemnation of generosity, intelligence, youth, and music. The book is both entertaining and informative, giving insight in premodern Arab and Islamic culture. It contains a new edition of the Arabic text and a complete English translation (the first in any language) with extensive annotation, preceded by an introduction with the necessary background of the genre.




In the Sultan’s Salon: Learning, Religion, and Rulership at the Mamluk Court of Qāniṣawh al-Ghawrī (r. 1501–1516) (2 vols)


Book Description

Building on his award-winning research, Christian Mauder’s In the Sultan’s Salon constitutes the first detailed study of the intellectual, religious, and political culture of the court of the Mamluk Sultanate (1250–1517), one of the most important polities in Islamic history.




Constructions of Media Authorship


Book Description

The author is dead, long live the author! This paradox has shaped discussions on authorship since at least the 1960s, when the dominant notion of the individual author-genius was first critically questioned. The ongoing discussion has mainly focused on literature and the arts, but has ignored nearly any artistic practice beyond these two fields. “Constructions of Media Authorship” aims to fill this gap: the volume’s interdisciplinary contributions reflect historical and current artistic practices within various media and attempt to grasp them from different perspectives. The first part sheds a new light on different artistic and design practices and questions the still dominant view on the individual identifiable author. The second part discusses creative practices in literature, emphasizing the interrelation of aesthetic discourses and media practices. The third part investigates authoring in audiovisual media, especially film and TV, while the final part turns to electronic and digital media and their collective creativity and hybrid mediality. The volume is also an attempt to develop new methodological approaches, focusing on the interplay between various human and non-human actors in different media constellations.




Arab Conquests and Early Islamic Historiography


Book Description

Winner of the 2021 Southeast Regional Middle East and Islamic Studies Society Book Prize Of the available sources for Islamic history between the seventh and eighth centuries CE, few are of greater importance than al-Baladhuri's Kitab Futuh al-buldan (The Book of the Conquest of Lands). Written in Arabic by a ninth-century Muslim scholar working at the court of the 'Abbasid caliphs, the Futuh's content covers many important matters at the beginning of Islamic history. It informs its audience of the major events of the early Islamic conquests, the settlement of Muslims in the conquered territories and their experiences therein, and the origins and development of the early Islamic state. Questions over the text's construction, purpose, and reception, however, have largely been ignored in current scholarship. This is despite both the text's important historical material and its crucial early date of creation. It has become commonplace for researchers to turn to the Futuh for information on a specific location or topic, but to ignore the grander – and, in many ways, more straightforward – questions over the text's creation and limitations. This book looks to correct these gaps in knowledge by investigating the context, form, construction, content, and early reception history of al-Baladhuri's text.




Advanced Arabic Literary Reader


Book Description

Advanced Arabic Literary Reader is a truly representative collection of literary extracts from across the Arabic-speaking world. Extracts from each country in the Arab world have been carefully selected, with a balance of both male and female writers and prominent and emerging voices, providing a unique window into the Arab world. Suitable for both class use and independent study, each extract is supported by an introduction to the author, pre-reading activities, comprehension questions and discussion questions. These activities are designed to help learners expand and reinforce their vocabulary, develop their oral and written proficiency and stimulate further exploration of the cultural and historical background of the texts. Written entirely in Arabic, the Advanced Arabic Literary Reader is an essential text for advanced students who wish to further their reading, speaking, and writing ability in Modern Standard Arabic. Free audio recordings of the extracts are available online at www.routledge.com/books/details/9781138828698/ to enable students to improve listening skills.




Arabic Belles Lettres


Book Description

Arabic Belles Lettres brings together ten studies that shed light on important questions in the study of Arabic language, literature, literary history, and writerly culture. The volume is divided into three sections. Early Narratives comprises: Joseph Lowry on the Qurʾan's allusive legal language; Abed el-Rahman Tayyara on matrilineal lineages in the context of Badr and Uhụd; Ruqayya Khan on the ramifications of public courtship in ʾUdhrī romances; and Philip Kennedy on firāsah (reading for signs and traces) in medieval narrative. Medieval Authors comprises: Shawkat Toorawa on ʿUbaydallāh ibn Aḥmad ibn Abī Ṭāhir's History of Baghdād; Maurice Pomerantz and Bilal Orfali on Ibn Fāris and the origins of the maqāmah genre; Everett Rowson on al-Tawḥīdī and his predecessors (a reprint of his 1996 ZDMG article); and Ghayde Ghraowi on al-Khafājī and his Rayḥānat al-alibbāʾ. Modern Egypt comprises: Roger Allen on a cultural controversy in the Cairo newspapers of 1902; and Devin Stewart on preposterous boasting and ingenuity in on modern Egyptian Arabic.