Author : Lee Marshall
Publisher : Routledge
Page : 228 pages
File Size : 36,33 MB
Release : 2013-09-05
Category : Music
ISBN : 1136090584
"First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company."
Author : Simon Frith
Publisher : New York : Routledge
Page : 230 pages
File Size : 43,46 MB
Release : 2004
Category : Law
ISBN :
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Joel Leach
Publisher : Alfred Music
Page : 44 pages
File Size : 38,76 MB
Release :
Category : Music
ISBN : 9781457418129
What is copyright? This seemingly simple question often causes confusion with its complex answers. In Music Copyright Basics, professor and Expert Copyright Witness Joel Leach answers frequent questions in a straightforward, easy-to-use format. Whether you are searching for a simple answer to a common question or want a general knowledge of the copyright procedure, this book will quickly provide you with the information you want!
Author : Joanna Teresa Demers
Publisher : University of Georgia Press
Page : 193 pages
File Size : 15,98 MB
Release : 2006
Category : Music
ISBN : 0820327107
Explores how the recent rise in court cases and laws related to the use of intellectual property have impacted musical creativity.
Author : Andreas Rahmatian
Publisher : Edward Elgar Publishing
Page : 246 pages
File Size : 34,69 MB
Release : 2015-10-30
Category : Law
ISBN : 1783478195
Copyright specialists have often focused on the exploitation of copyright of music and on infringement, but not on the question of how copyright conceptualises music. This highly topical volume brings together specialists in music, musicology and copyright law, providing a genuinely interdisciplinary research approach. It compares and contrasts the concepts of copyright law with those of music and musical performance. Several tensions emerge between the ideas of music as a living art and of the musical work as a basis for copyright protection. The expert contributors discuss the notions of the musical work, performance, originality, authorship in music and in copyright, and co-ownership from the disciplinary perspectives of music, musicology and copyright law. The book also examines the role of the Musicians’ Union in the evolution of performers’ rights in UK copyright law, and, in an empirical study, the transaction costs theory for notice-and-takedown regimes in relation to songs uploaded on YouTube. This unique study offers an interdisciplinary perspective for academics, policymakers and legal practitioners seeking a state-of-the-art understanding of music and copyright law.
Author : Edward Cutler
Publisher : Andesite Press
Page : 220 pages
File Size : 32,46 MB
Release : 2017-08-21
Category : History
ISBN : 9781375912440
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Alfred Martin Shafter
Publisher :
Page : 690 pages
File Size : 25,91 MB
Release : 1939
Category : Copyright
ISBN :
Author : Ron Sobel
Publisher : Routledge
Page : 181 pages
File Size : 49,10 MB
Release : 2008-08-18
Category : Music
ISBN : 1135921989
Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money. Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.
Author : Allen Bargfrede
Publisher : Hal Leonard Corporation
Page : 195 pages
File Size : 30,6 MB
Release : 2017-05-01
Category : Music
ISBN : 1495096742
(Berklee Press). With the free-form exchange of music files and musical ideas online, understanding copyright laws has become essential to career success in the new music marketplace. This cutting-edge, plain-language guide shows you how copyright law drives the contemporary music industry. By looking at the law and its recent history, you will understand the new issues introduced by the digital age, as well as continuing issues of traditional copyright law. Whether you are an artist, lawyer, entertainment Web site administrator, record label executive, student, or other participant in the music industry, this book will help you understand how copyright law affects you, helping you use the law to your benefit. * How do you get fair compensation for your work and avoid making costly mistakes? * Can you control who is selling your music on their website? * Is it legal to create mash-ups? * What qualifies as fair use? * How do you clear another artist's samples to use in your own recordings? * What is the Creative Commons/Copyleft movement? * How do you clear music for use in an online music service or store? * Who decides who gets paid how much and by whom? You will learn the answers to these questions as well as: * The basics of copyright law, looking at the Copyright Act while explaining it in plain language * How revenue streams for music are generated under copyright law * The reasoning behind high-profile court decisions related to copyright violations *What licenses are needed for the legal online delivery of music * The intricacies of using music on sites like YouTube, Pandora, and Spotify * Deficiencies in current copyright law and new business model ideas
Author : Robert Henley Woody (III.)
Publisher :
Page : 46 pages
File Size : 24,77 MB
Release : 1994
Category : Copyright
ISBN :
Copyright applications and restrictions in music education either in the specialty or general classroom environment.
