Black Genders and Sexualities


Book Description

Cutting across the humanities and social sciences, and situated in sites across the black diaspora, the work in this book collectively challenges notions that we are living in a post-racial age and instead argue for the specificity of black cultural experiences as shaped by gender and sex.




Mighty Real: An Anthology of African American Same Gender Loving Writings


Book Description

A collection of African-American Same Gender Loving Literature featuring both new and established writers. Grounded in a poignant and truthful sensibility, imbued with the realities of sex and love, Smith and Williams present a culmination of poems, short stories, radical essays, sermons, plays and interviews honoring notable figures within the SGLBT community.




Black LGBT Health in the United States


Book Description

Black LGBT Health in the United States: The Intersection of Race, Gender, and Sexual Orientation focuses on the mental, physical, and spiritual aspects of health, and considers both risk and resiliency factors for the Black LGBT population. Contributors to this collection intimately understand the associations between health and intersectional anti-Black racism, heterosexism, homonegativity, biphobia, transphobia, and social class. This collection fills a gap in current scholarship by providing information about an array of health issues like cancer, juvenile incarceration, and depression that affect all subpopulations of Black LGBT people, especially Black bisexual-identified women, Black bisexual-identified men, and Black transgender men. This book is recommended for readers interested in psychology, health, gender studies, race studies, social work, and sociology.




Sexuality, Religion and the Sacred


Book Description

Sexuality, Religion and the Sacred is a thoughtful collection of bisexual, polysexual and pansexual scholarship on religion and spirituality. It examines how religious and spiritual traditions address sexuality, whilst also exploring the ways in which bisexually-, polysexually-, and pansexually-active people embrace religious and spiritual practice. The volume offers a comprehensive analysis of these prevalent themes by focusing on five main areas of discussion: Christian and Unitarian Discourses; Indigenous and Decolonizing Spiritual Discourses; Feminist Spiritual Discourses; Buddhist Discourses; and Neo/Pagan Discourses. Sexuality, Religion and the Sacred offers an accessible yet scholarly treatment of these topics through a collection of critical essays by academics of theology, humanities, cultural studies and social sciences, as well as sexology professionals and clergy from various faith and spiritual traditions. It gives readers an insight into the intersection of sexualities and spiritualities, and attempts to disrupt this very dichotomy through its careful consideration of a wide variety of discourses. This book was originally published as a special issue of the Journal of Bisexuality.




Queering Black Churches


Book Description

Queering Black Churches explores how open and affirming (ONA) historically Black churches have queered their congregations. Using the lenses of practical theology, ecclesiology, Queer theology, and gender studies, Brandon Thomas Crowley examines the heteronormative histories, theologies, morals, values, and structures of Black churches and how their longstanding assumptions can be challenged to dismantle homophobia within African American congregations and move beyond surface-level allyship toward actual structural renovation.




Black and Sexy


Book Description

This book offers a unique understanding of African American populations and their articulation of sexuality and race by introducing a comprehensive sexological model, Black Sexual Epistemology. Tracie Q. Gilbert draws from theoretical perspectives of anti-Blackness, ethno-sexuality, Performative Blackness and African-centered epistemology to implicate race as an inextricable factor in the sexual structures and schema of African American people. Chapters identify and introduce a sex-positive and comprehensive sexological model, Black Sexual Epistemology, through which Black sexuality can be understood and navigated in the contemporary era. This model presents empirical data for effectively applying previous critical race perspectives and uniquely demonstrates how Black sexual experience can be better understood and reimagined for greater community development and healing. This book is essential reading for practicing sex therapists, marriage and family therapists and clinical social workers working with these populations as well as for academics and students of sexology, sex education, sex therapy, social work, marriage and family therapy, public health, Black/African American studies and LGBTQ studies. It will also be of interest to general audiences who appreciate culturally centered sexological scholarship.




Conjuring Black Funk


Book Description

Cultural Writing. African American Studies. Gay and Lesbian Studies. CONJURING BLACK FUNK: NOTES ON CULTURE, SEXUALITY, AND SPIRITUALITY, VOLUME 1 is a fiery collection of essays, poetry, creative nonfiction, and experimental writing that challenges conventional thought, offers alternative perspectives, and suggests ways of practicing Afrocentric, queer liberation/transgression. This book is an important contribution to Black Queer Theory, Black Feminist Thought, and Afrocentric Thought. Herukhuti is a sociologist/anthropologist, sexologist, educator, shaman, BDSM practitioner, artist, cultural animator, and author. He is the founder of Black Funk, a sexual cultural center dedicated to providing a space for the exhibition and exploration of sensual awareness, sexual consciousness, erotic power, and pleasure. He has contributed to the development of the perspective known as Afrocentric, Decolonizing Queer Theory. Herukhuti is on the faculty at Goddard College, Plainfield, VT.




Religion and American Cultures [4 volumes]


Book Description

This four-volume work provides a detailed, multicultural survey of established as well as "new" American religions and investigates the fascinating interactions between religion and ethnicity, gender, politics, regionalism, ethics, and popular culture. This revised and expanded edition of Religion and American Cultures: Tradition, Diversity, and Popular Expression presents more than 140 essays that address contemporary spiritual practice and culture with a historical perspective. The entries cover virtually every religion in modern-day America as well as the role of religion in various aspects of U.S. culture. Readers will discover that Americans aren't largely Protestant, Catholic, or Jewish anymore, and that the number of popular religious identities is far greater than many would imagine. And although most Americans believe in a higher power, the fastest growing identity in the United States is the "nones"—those Americans who elect "none" when asked about their religious identity—thereby demonstrating how many individuals see their spirituality as something not easily defined or categorized. The first volume explores America's multicultural communities and their religious practices, covering the range of different religions among Anglo-Americans and Euro-Americans as well as spirituality among Latino, African American, Native American, and Asian American communities. The second volume focuses on cultural aspects of religions, addressing topics such as film, Generation X, public sacred spaces, sexuality, and new religious expressions. The new third volume expands the range of topics covered with in-depth essays on additional topics such as interfaith families, religion in prisons, belief in the paranormal, and religion after September 11, 2001. The fourth volume is devoted to complementary primary source documents.




No Tea, No Shade


Book Description

The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by the earlier volume, this collection's contributors speak new truths about the black queer experience while exemplifying the codification of black queer studies as a rigorous and important field of study. Topics include "raw" sex, pornography, the carceral state, gentrification, gender nonconformity, social media, the relationship between black feminist studies and black trans studies, the black queer experience throughout the black diaspora, and queer music, film, dance, and theater. The contributors both disprove naysayers who believed black queer studies to be a passing trend and respond to critiques of the field's early U.S. bias. Deferring to the past while pointing to the future, No Tea, No Shade pushes black queer studies in new and exciting directions. Contributors. Jafari S. Allen, Marlon M. Bailey, Zachary Shane Kalish Blair, La Marr Jurelle Bruce, Cathy J. Cohen, Jennifer DeClue, Treva Ellison, Lyndon K. Gill, Kai M. Green, Alexis Pauline Gumbs, Kwame Holmes, E. Patrick Johnson, Shaka McGlotten, Amber Jamilla Musser, Alison Reed, Ramón H. Rivera-Servera, Tanya Saunders, C. Riley Snorton, Kaila Story, Omise'eke Natasha Tinsley, Julia Roxanne Wallace, Kortney Ziegler




Black Heart


Book Description

Black Heart is a provocative and polemical critique of African American literary studies at the beginning of the twenty-first century. Through a series of sharp and insightful essays on a wide range of critical thinkers, Phillip M. Richards traces what he sees as an erosion of moral reflection in African American literary culture - a process that has left contemporary black academic criticism socially, politically, and culturally hollow. Exploring the work of Henry Louis Gates, Jr., Michael Dyson, Karla Holloway and others, Black Heart sets forth the rhetorical strategies of present-day African American critical writing, and probes the ethical dimensions of its institutional life in the academy, the media, and the public sphere. Richards undertakes to recover the procedures by which cultural and moral value may be recovered for black literary culture and to establish the possibilities for a new humanism in African American writing and literary culture.