Speak the Speech!


Book Description

A detailed guide to approaching Shakespearean text, Speak the speech! contains everything an actor needs to select and prepare a Shakespeare monologue for classwork, auditions, or performance. Included herein are over 150 monologues. Each one is placed in context with a brief introduction, is carefully punctuated in the manner that best illustrates its meaning, and is painstakingly and thoroughly annotated. Each is also accompanied by commentary that will spark the actor's imagination by exploring how the interrelationship of meter and the choice of words and sounds yields clues to character and performance. And throughout the book sidebars relate historical, topical, technical, and other useful and entertaining information relevant to the text. In addition, the authors include an overview of poetic and rhetorical elements, brief synopses of all the plays, and a comprehensive index along with other guidelines that will help readers locate the perfect monologue for their needs.




Punch


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Household Words


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The Three Fates


Book Description

The Three Fates is a romance novel by F. Marion Crawford. Crawford was an American author noted for his numerous novels, particularly those set in Italy, and for his classic bizarre and fantastical stories. Excerpt: "She bore in her whole being and presence the stamp of a comfortable life. There is nothing more disturbing to society than the forced companionship of a person who either is, or looks, uncomfortable, in body, mind, or fortune, and many people owe their popularity almost solely to a happy faculty of seeming always at their ease. It is certain that neither birth, wealth, nor talent will of themselves make man or woman popular, not even when all three are united in the possession of one individual. But on the other hand they are not drawbacks to social success, provided they are merely means to the attainment of that unobtrusively careless good humour which the world loves. Mrs. Sherrington Trimm knew this. If not talented, she possessed at all events a pedigree and a fortune; and as for talent, she looked upon culture as an hereditary disease peculiar to Bostonians, and though not contagious, yet full of danger, inasmuch as its presence in a well-organised society must necessarily be productive of discomfort. All the charm of general conversation must be gone, she thought, when a person appeared who was both able and anxious to set everybody right. She even went so far as to say that if everybody were poor, it would be very disagreeable to be rich. She never wished to do what others could not do; she only aimed at being among the first to do what everybody would do by and by, as a matter of course."




Feminist Theatrical Revisions of Classic Works


Book Description

Re-visioning the classics, often in a subversive mode, has evolved into its own theatrical genre in recent years, and many of these productions have been informed by feminist theory and practice. This book examines recent adaptations of classic texts (produced since 1980) influenced by a range of feminisms, and illustrates the significance of historical moment, cultural ideology, dramaturgical practice, and theatrical venue for shaping an adaptation. Essays are arranged according to the period and genre of the source text re-visioned: classical theater and myth (e.g. Antigone, Metamorphoses), Shakespeare and seventeenth-century theater (e.g. King Lear, The Rover), nineteenth and twentieth century narratives and reflections (e.g. The Scarlet Letter, Jane Eyre, A Room of One's Own), and modern drama (e.g. A Doll House, A Streetcar Named Desire).




The 5 Alls


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Feminizing Chaucer


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An investigation of Chaucer's thinking about women, assessed in the light of developments in feminist criticism. Women are a major subject of Chaucer's writings, and their place in his work has attracted much recent critical attention. Feminizing Chaucer investigates Chaucer's thinking about women, and re-assesses it in the light of developments in feminist criticism. It explores Chaucer's handling of gender issues, of power roles, of misogynist stereotypes and the writer's responsibility for perpetuating them, and the complex meshing of activity and passivityin human experience. Mann argues that the traditionally 'female' virtues of patience and pity are central to Chaucer's moral ethos, and that this necessitates a reformulation of ideal masculinity. First published [as Geoffrey Chaucer] in the series 'Feminist Readings', this new edition includes a new chapter, 'Wife-Swapping in Medieval Literature'. The references and bibliography have been updated, and a new preface surveys publications in the field over the last decade. JILL MANN is currently Notre Dame Professor of English, University of Notre Dame.




The Living Age


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Littell's Living Age


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The Complete Works


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Edward Bulwer-Lytton was an English novelist, poet, playwright and politician. He wrote in a variety of genres, including historical fiction, mystery, romance, the occult, and science fiction. Bulwer-Lytton's literary works were highly popular and bestselling novels at the time. Novels & Novellas: The Last Days of Pompeii The Pilgrims of the Rhine Rienzi, the last of the Roman tribunes Falkland Pelham The Disowned Devereux Paul Clifford Eugene Aram Godolphin Asmodeus at Large Ernest Maltravers Alice, or The Mysteries (A sequel to Ernest Maltravers) Calderon, the Courtier Leila, or The Siege of Granada Zicci: A Tale (A prequel to Zanoni) Zanoni Night and Morning The Last of the Barons Lucretia Harold, the Last of the Saxons The Caxtons: A Family Picture A Strange Story My Novel, or Varieties in English Life The Haunted and the Haunters, or The House and the Brain What Will He Do With It? The Coming Race, or Vril: The Power of the Coming Race Kenelm Chillingly The Parisians Pausanias, the Spartan Short Stories: The Incantation The Brothers Historical Works: Athens: Its Rise and Fall Plays: The Lady of Lyons, or Love and Pride Poetry