Constantine the African and ‘Alī Ibn al-‘Abbās al-Mağūsī


Book Description

When the tenth-century Kāmil as-sinā‘a (or al-Kitāb al-malakī) of ‘Alī ibn al-‘Abbās al-Mağūsī was adapted for a Latin-reading audience by Constantine the African in the late eleventh century, the medieval West had, for the first time, the opportunity to use a text which covered the whole of medicine. But the 100-odd extant manuscripts suggest that Contantine's Pantegni was put together over a considerable period of time, and chapters from other Latin and newly-translated Arabic medical works were added to or substituted those of the Kāmil. This book is the first to be devoted to Constantine the African: it sheds light on the School of Salerno and the formation of a medical corpus in the High Middle Ages.




Medicine at Monte Cassino


Book Description

His most important contribution, an encyclopedia he called the Pantegni (The Complete Art), was translated and adapted from the Complete Book of the Medical Art by the Persian physician ?Ali ibn al-?Abb?s al-Ma??s? (d. 982). This monograph focuses on the oldest manuscript of the Pantegni,Theorica, which represents a work-in-progress with numerous unusual features.00This study, for the first time, identifies Monte Cassino as the origin of this oldest Pantegni manuscript, and asserts that it was made during Constantine?s lifetime. It further demonstrates how a skilled team of scribes and scholars assisted the translator in the complex process of producing this Latin version of the Arabic text. .




The Trotula


Book Description

The Trotula was the most influential compendium on women's medicine in medieval Europe. Scholarly debate has long focused on the traditional attribution of the work to the mysterious Trotula, said to have been the first female professor of medicine in eleventh- or twelfth-century Salerno, just south of Naples, then the leading center of medical learning in Europe. Yet as Monica H. Green reveals in her introduction to this first edition of the Latin text since the sixteenth century, and the first English translation of the book ever based upon a medieval form of the text, the Trotula is not a single treatise but an ensemble of three independent works, each by a different author. To varying degrees, these three works reflect the synthesis of indigenous practices of southern Italians with the new theories, practices, and medicinal substances coming out of the Arabic world. Arguing that these texts can be understood only within the intellectual and social context that produced them, Green analyzes them against the background of historical gynecological literature as well as current knowledge about women's lives in twelfth-century southern Italy. She examines the history and composition of the three works and introduces the reader to the medical culture of medieval Salerno from which they emerged. Among her findings is that the second of the three texts, "On the Treatments for Women," does derive from the work of a Salernitan woman healer named Trota. However, the other two texts—"On the Conditions of Women" and "On Women's Cosmetics"—are probably of male authorship, a fact indicating the complex gender relations surrounding the production and use of knowledge about the female body. Through an exhaustive study of the extant manuscripts of the Trotula, Green presents a critical edition of the so-called standardized Trotula ensemble, a composite form of the texts that was produced in the mid-thirteenth century and circulated widely in learned circles. The facing-page complete English translation makes the work accessible to a broad audience of readers interested in medieval history, women's studies, and premodern systems of medical thought and practice.




Art and Power in the Central African Savanna


Book Description

Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.




On the Donation of Constantine


Book Description

Valla (1407-1457) was the most important theorist of the humanist movement. His most famous work is the present volume, an oration in which Valla uses new philological methods to attack the authenticity of the most important document justifying the papacy's claims to temporal rule.




Constantine the Emperor


Book Description

An authoritative and vibrant new account of the extraordinary life of Constantine.




Ten Caesars


Book Description

Bestselling classical historian Barry Strauss delivers “an exceptionally accessible history of the Roman Empire…much of Ten Caesars reads like a script for Game of Thrones” (The Wall Street Journal)—a summation of three and a half centuries of the Roman Empire as seen through the lives of ten of the most important emperors, from Augustus to Constantine. In this essential and “enlightening” (The New York Times Book Review) work, Barry Strauss tells the story of the Roman Empire from rise to reinvention, from Augustus, who founded the empire, to Constantine, who made it Christian and moved the capital east to Constantinople. During these centuries Rome gained in splendor and territory, then lost both. By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian, and Constantine. Over the ages, they learned to maintain the family business—the government of an empire—by adapting when necessary and always persevering no matter the cost. Ten Caesars is a “captivating narrative that breathes new life into a host of transformative figures” (Publishers Weekly). This “superb summation of four centuries of Roman history, a masterpiece of compression, confirms Barry Strauss as the foremost academic classicist writing for the general reader today” (The Wall Street Journal).




Defending Constantine


Book Description

Peter Leithart weighs what we've been taught about Constantine and claims that in focusing on these historical mirages we have failed to notice the true significance of Constantine and Rome baptized. He reveals how beneath the surface of this contested story there lies a deeper narrative--a tectonic shift in the political theology of an empire--with far-reaching implications.




Constantine Porphyrogennetos - The Book of Ceremonies


Book Description

This is the first modern language translation of the entire text of the tenth-century Greek Book of Ceremonies (De ceremoniis), a work compiled and edited by the Byzantine emperor Constantine VII (905-959). It preserves material from the fifth century through to the 960s. Chapters deal with diverse subjects of concern to the emperor including the role of the court, secular and ecclesiastical ceremonies, processions within the Palace and through Constantinople to its churches, the imperial tombs, embassies, banquets and dress, the role of the demes, hippodrome festivals with chariot races, imperial appointments, the hierarchy of the Byzantine administration, the equipping of expeditions, including to recover Crete from the Arabs, and the lists of ecclesiastical provinces and bishoprics.




South of the Sahara


Book Description

Petridis examines the relationship between contemporary and so-called traditional arts, and presents examples showing that many African works were originally part of an ensemble or one-element of a performance.