Corleone


Book Description




Corleone


Book Description

The earliest treatment of the Sicilian Mafia in literature by a 19th century American author, Corleone concerns Orsino and his brother Ippolito, the priest, taking the two of them to Sicily where they fall foul of bandits... [In the novel appears] the trick of Tebaldo Corleone who confesses a murder to Ippolito in order to bind the priest to secrecy and then accuses Ippolito of the murder. --www.bartleby.com et al.







Corleone


Book Description




Corleone


Book Description

This Is A New Release Of The Original 1896 Edition.




Corleone


Book Description

Reproduction of the original: Corleone by F. Marion Crawford




F. Marion Crawford - Corleone. A Tale of Sicily


Book Description

Francis Marion Crawford was born on August 2nd, 1854 at Bagni di Lucca, Italy. An only son and a nephew to Julia Ward Howe, the American poet and writer of 'The Battle Hymn of the Republic'. His education began at St Paul's School, Concord, New Hampshire, then to Cambridge University; University of Heidelberg; and the University of Rome. In 1879 Crawford went to India, to study Sanskrit and then edited The Indian Herald. In 1881 he returned to America to continue his Sanskrit studies at Harvard University. At this time in Boston he lived at his Aunt Julia house and in the company of his Uncle, Sam Ward. His family was concerned about his employment prospects. After a singing career as a baritone was ruled out, he was encouraged to write. In December 1882 his first novel, 'Mr Isaacs', was an immediate hit which was amplified by 'Dr Claudius' in 1883. In October 1884 he married Elizabeth Berdan. They went on to have two sons and two daughters. Encouraged by his excellent start to a literary career he returned to Italy with Elizabeth to make a permanent home, principally in Sant' Agnello, where he bought the Villa Renzi that then became Villa Crawford. In the late 1890s, he began to write his historical works: 'Ave Roma Immortalis' (1898), 'Rulers of the South' (1900) and 'Gleanings from Venetian History' (1905). The Saracinesca series is perhaps his best work. 'Saracinesca' was followed by 'Sant' Ilario' in 1889, 'Don Orsino' in 1892 and 'Corleone' in 1897, that being the first major treatment of the Mafia in literature. Francis Marion Crawford died at Sorrento on Good Friday 1909 at Villa Crawford of a heart attack.




Corleone


Book Description

A gripping tale of love, betrayal, and revenge set in the beautiful but dangerous landscape of Sicily. Francis Marion Crawford weaves a compelling narrative that explores the complex relationships between the various characters and the social and political backdrop of the time. This is a must-read for fans of historical fiction and anyone looking for an exciting and engaging story. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




CORLEONE by F. MARION CRAWFORD


Book Description

'If you never mean to marry, you might as well turn priest, too,' said Ippolito Saracinesca to his elder brother, Orsino, with a laugh.'Why?' asked Orsino, without a smile. 'It would be as sensible to say that a man who had never seen some particular thing, about which he has heard much, might as well put out his eyes.'The young priest laughed again, took up the cigar he had laid upon the edge of the piano, puffed at it till it burned freely, and then struck two or three chords of a modulation. A sheet of ruled paper on which several staves of music were roughly jotted down in pencil stood on the rack of the instrument.Orsino stretched out his long legs, leaned back in his low chair, and stared at the old gilded rosettes in the square divisions of the carved ceiling. He was a discontented man, and knew it, which made his discontent a matter for self-reproach, especially as it was quite clear to him that the cause of it lay in himself.He had made two great mistakes at the beginning of life, when barely of age, and though neither of them had ultimately produced any serious material consequences, they had affected his naturally melancholic temper and had brought out his inherited hardness of disposition. At the time of the great building speculations in Rome, several years earlier, he had foolishly involved himself with his father's old enemy, Ugo del Ferice, and had found himself at last altogether in the latter's power, though not in reality his debtor. At the same time, he had fallen very much in love with a young widow, who, loving him very sincerely in her turn, but believing, for many reasons, that if she married him she would be doing him an irreparable injury, had sacrificed herself by marrying Del Ferice instead, selling herself to the banker for Orsino's release, without the latter's knowledge. When it was all over, Orsino had found himself a disappointed man at an age when most young fellows are little more than inexperienced boys, and the serious disposition which he inherited from his mother made it impossible for him to throw off the impression received, and claim the youth, so to speak, which was still his.Since that time, he had been attracted by women, but never charmed; and those that attracted him were for the most part not marriageable, any more than the few things which sometimes interested and amused him were in any sense profitable. He spent a good deal of money in a careless way, for his father was generous; but his rather bitter experience when he had attempted to occupy himself with business had made him cool and clear-headed, so that he never did anything at all ruinous. The hot temper which he had inherited from his father and grandfather now rarely, if ever, showed itself, and it seemed as though nothing could break through the quiet indifference which had become a second outward nature to him. He had travelled much, of late years, and when he made an effort his conversation was not uninteresting, though the habit of looking at both sides of every question made it cold and unenthusiastic. Perhaps it was a hopeful sign that he generally had a definite opinion as to which of two views he preferred, though he would not take any trouble to convince others that he was right.In his own family, he liked the company of Ippolito best. The latter was about two years younger than he, and very different from him in almost every way. Orsino was tall, strongly built, extremely dark; Ippolito was of medium height, delicately made, and almost fair by comparison. Orsino had lean brown hands, well knit at the base, and broad at the knuckles; Ippolito's were slender and white, and rather nervous, with blue veins at the joints, the tips of the fingers pointed, the thumb unusually delicate and long, the nails naturally polished.