Cosi Fan Tutti


Book Description

An Aurelio Zen Novel Michael Dibdin's overburdened Italian police inspector has been transferred to Naples, where the rule of law is so lax that a police station may double as a brothel. But this time, having alienated superiors with his impolitic zealousness in every previous posting, Zen is determined not to make waves. Too bad an American sailor (who may be neither American nor a sailor) knifes one of his opposite numbers in Naples's harbor, and some local garbage collectors have taken to moonlighting in homicide. And when Zen becomes embroiled in a romantic intrigue involving love-sick gangsters and prostitutes who pass themselves off as Albanian refugees, all Naples comes to resemble the set of the Mozart opera of the same title. Bawdy, suspenseful, and splendidly farcical, the result is an irresistible offering from a maestro of mystery.




Cosi Fan Tutti


Book Description

An Aurelio Zen Novel Michael Dibdin's overburdened Italian police inspector has been transferred to Naples, where the rule of law is so lax that a police station may double as a brothel. But this time, having alienated superiors with his impolitic zealousness in every previous posting, Zen is determined not to make waves. Too bad an American sailor (who may be neither American nor a sailor) knifes one of his opposite numbers in Naples's harbor, and some local garbage collectors have taken to moonlighting in homicide. And when Zen becomes embroiled in a romantic intrigue involving love-sick gangsters and prostitutes who pass themselves off as Albanian refugees, all Naples comes to resemble the set of the Mozart opera of the same title. Bawdy, suspenseful, and splendidly farcical, the result is an irresistible offering from a maestro of mystery.




Cosi Fan Tutti


Book Description

'Dibdin's best book.' LONDON REVIEW OF BOOKS 'Bawdly, suspenseful, and splendidly farcical.' ITALIAN MYSTERIES AN AURELIO ZEN MYSTERY Inspector Zen has been posted to Naples in disgrace, where he is asked to oversee the clean-up of the city's corrupt authorities. Like the rest of Italy, Naples is concerned about its image and is trying to reform itself. Zen, however, finds that someone else is already at work: corrupt politicians, shady businessmen and eminent members of the Italian Mafia are disappearing off the streets at an alarming rate. With his commitment to his work at an all-time low, Zen must still find out who is behind the murders. 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'An especially witty facet of [Dibdin's] rich talent.' PUBLISHERS WEEKLY 'Brilliant - reminds me of the TV series Inspector Montalbano, but with a better storyline.' 5* reader review 'Best one so far - surreal and funny!' 5* reader review 'One of my favourite 'comfort' reads.' 5* reader review PRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES: 'He wrote with real fire.' IAN RANKIN 'A maestro of crime writing.' SUNDAY TIMES 'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN 'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell 'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER 'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review 'Aurelio Zen novels are a great treat.' 5* reader review 'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review 'Love these books . . . I am sure you will get hooked too!' 5* reader review




W. A. Mozart: Così Fan Tutte


Book Description

At once the most light-hearted and disturbing of Mozart and Da Ponte's Italian comic works, the opera has provoked widely differing reactions from listeners for more than two centuries. This study provides a detailed account of the libretto's complex origins in myth and Italian literary classics.




Three Mozart Libretti


Book Description

Handy practical guide to three of Mozart's most popular operas. Excellent line-for-line English translations face the Italian texts. Also introductions, plot synopses, and lists of characters for each opera.




The Monstrous Child


Book Description

A stunning, operatic, epic drama, like no other. Meet Hel, an ordinary teenager - and goddess of the Underworld. Why is life so unfair? Hel tries to make the bets of it, creating gleaming halls in her dark kingdom and welcoming the dead who she is forced to host for eternity. Until eternity itself is threatened. Francesca's first and wonderful foray into teen.




Mozart's Così Fan Tutte


Book Description

A groundbreaking new approach proposes answers to many of the opera's unresolved questions.




Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte


Book Description

Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles, and develops original ways to interpret the two largely overlooked operatic genres of secco recitative and finales. Moreover, Ford presents a new method by which to relate musical details directly to philosophical concepts, and thereby, the music of the operas to the inwardly contradictory thinking of the European Enlightenment. This involves close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuality, with particular reference to contemporary writers, especially Goethe, Kant, Laclos, Rousseau, Sade, Schiller, Sterne and Wollstonecraft. The concluding discussion of the implied futures of the operas argues that their divided sexualities, which are those of the Enlightenment as a whole, have come to form our own unquestioned assumptions about gender differences and sexuality. This, along with the elegant and eloquent precision of Mozart's music, is why Figaro, Giovanni and Così still maintain their vital immediacy for audiences today.




Understanding the Women of Mozart's Operas


Book Description

Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.




Cosi Fan Tutte


Book Description

Expertly arranged vocal score by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era.