Cosmo Cosmolino: Text Classics


Book Description

Janet is a skeptic, a journalist; Maxine revels in New Age fantasies; and Ray, a drifter, is a born-again Christian. The common ground is the house they share. But their fragile domestic balance is about to explode amid the smashing of ukeleles, an unexpected ascension of an angel, and a sudden shower of jonquils.




Honour & Other People’s Children


Book Description

Two novellas about the deep connections we forge with the people we love, and the pain of breaking those connections. In Honour, Kathleen and Frank are amicably separated, in contact through shared parenting of their young daughter, Flo. But when Frank finds a new partner and wants a divorce, Kathleen is hurt. And Flo can’t understand why they all can’t live together. In Other People’s Children, Ruth and Scotty live in a big share house that’s breaking up. Scotty is trying to hold on, remembering the early days of telling life stories and laughter and singing—and when the kids were everyone’s kids. But now the bitterness has crept in and their friendship is broken. Ruth is ready to move on—and she’ll take her kids with her. Helen Garner writes novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham-Campbell Prize for non-fiction and the Western Australian Premier’s Book Award. Her book of essays Everywhere I Look won the 2017 Indie Book Award for Non-Fiction. ‘Garner is scrupulous, painstaking, and detailed, with sharp eyes and ears. She is everywhere at once, watching and listening, a recording angel at life’s secular apocalypses...her unillusioned eye makes her clarity compulsive.’ James Wood, New Yorker ‘She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Weekend Australian ‘Helen Garner’s collections of fiction and non-fiction corroborate her reputation as a great stylist and a great witness.’ Peter Craven, Australian




Monkey Grip


Book Description

Helen Garner’s gritty, lyrical first novel divided the critics on its publication in 1977. Today, Monkey Grip is regarded as a masterpiece—the novel that shines a light on a time and a place and a way of living never before presented in Australian literature: communal households, music, friendships, children, love, drugs, and sex. When Nora falls in love with Javo, she is caught in the web of his addiction; and as he moves between loving her and leaving, between his need for her and promises broken, Nora’s life becomes an intense dance of loving and trying to let go. Helen Garner is one of Australia’s finest authors. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Prize for non-fiction. Her novels include Monkey Grip, The Children’s Bach, Cosmo Cosmolino and The Spare Room. I rolled and rolled in the water, deafening my ears while I thought of, and discarded, all the reasons why I shouldn’t go. I popped up, hanging on to the rail, hair streaming on my neck. ‘OK. I’ll come.’ Javo was looking at me. So, afterwards, it is possible to see the beginning of things, the point at which you had already plunged in, while at the time you thought you were only testing the water with your toe. ‘Garner is a natural storyteller.’ James Wood, New Yorker ‘Her use of language is sublime.’ Scotsman ‘This is the power of Garner’s writing. She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Australian ‘Its embattled characters are so real that by the last page you feel not just that you have read a magnificent novel but that you have experienced life itself.’ The Times on The Spare Room 'What Garner offers in these novels is an alternative to the cloying metafiction of the late 20th century and the washed-out realism of the 21st. They are undeniably of their time – the 1970s commitment to the liberating possibilities of sex, drugs and communal living in Monkey Grip, the hangover nursed in the 1980s in The Children’s Bach – but they also belong to a literary epoch we think of as long gone, as they earnestly strive to resurrect a modernist art of estrangement.' London Review of Books




One Day I'll Remember This


Book Description

In this second volume of diaries from one of Australia’s greatest writers, we see Garner in love; asking herself questions about relationships, individuality, morality and contentment. For readers of Lisa Taddeo’s Three Women, and avid Garner fans, this volume illuminates the inner life of a writer with all its turmoil and joy.




Stories


Book Description

‘Garner is a natural storyteller.’ James Wood, New Yorker This handsome edition of Helen Garner’s collected short fiction celebrates the seventy-fifth birthday of one of Australia’s most loved authors. These stories—that delve into the complexities of love and longing, of the pain, darkness and joy of life—are all told with her characteristic sharpness of observation, honesty and humour. Each one a perfect piece, together they showcase Garner’s mastery of the form. Helen Garner writes novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Literature Prize for non-fiction. Garner won the NSW Premier’s Literary Award for Fiction for Postcards from Surfers, and the Victorian and Queensland Premiers’ Awards, as well as the Barbara Jefferis Award, for her novel The Spare Room. Everywhere I Look won the 2017 Indie Book Award for Non Fiction. ‘Garner’s stories share characteristics of the postcard: they flash before us carefully recorded images that remind us of harsher realities not pictured. And like postcards they are economically written, a bit of conversation is transcribed, a memory recalled, an event noted, scenes pass as if viewed from a train—momentarily, distinct and tantalising in their beauty.’ New York Times ‘A perfect introduction for first-timers who have not yet experienced the pleasures of Garner’s writing.’ Sydney Morning Herald ‘Stories and True Stories are handsome companion volumes deservedly celebrating Helen Garner, our greatest contemporary practitioner of observation, self-interrogation and compassion. Everything she writes, in her candid, graceful prose, rings true, enlightens, stays.’ Joan London, Sydney Morning Herald’s Year in Reading ‘Published in beautiful editions to celebrate life given shape in words.’ Drusilla Modjeska, Sydney Morning Herald’s Year in Reading ‘Both of these books are concerned with moments of heartbreak and of hope, with loneliness and love, and with great cruelties, and the things that drive people to them. They are animated by a desire to understand what seems unfathomable, and to pay attention to the small pleasures of the everyday. Garner's precise descriptions, her interest in minute shifts of emotion, and the ways in which we reveal ourselves to others are always at work in these books, and make them a real joy to read.’ Age ‘As I leaf through the volumes, having just re-read both of them, I am still brought up short by another revelatory insight of the everyday...I could go on and on, but I am out of words. Many happy returns Helen Garner!’ Adelaide Advertiser ‘Her prose is wiry, stark, precise, but to find her equal for the tone of generous humanity one has to call up writers like Isaac Babel and Anton Chekhov.’ Wall Street Journal




How to End a Story


Book Description

The third instalment of diaries from the inimitable Helen Garner covers four eventful years in the life of one of Australia’s most treasured writers.




The First Stone


Book Description

Bestselling title in which the author examines the issue of sexual harassment through the true story of two women who accused the master of Ormond College, University of Melbourne, of indecent assault. The book focuses on Garner's personal response to the event and greater issues of sex and power. The author has written many acclaimed novels and short stories, including 'Monkey Grip' and 'The Last Days of Chez Nous'.




The Children's Bach


Book Description

The New York Times Book Review Editors' Choice • Now in a new edition with a foreword by Rumaan Alam, a modern classic from one of Australia’s greatest writers • "It’s high time American readers knew her generous, category-defying imagination."—New York Times "The Children’s Bach is [Garner’s] masterpiece."—Public Books Set in suburban Melbourne in the early 1980s, The Children’s Bach centers on Dexter and Athena Fox, their two sons, and the insulated world they’ve built together. Despite the routine challenges of domestic life, they are largely happy. But when a friend from Dexter’s past resurfaces and introduces the couple to the city’s bohemian underground—unbound by routine and driven by desire—Athena begins to wonder if life might hold more for her, and the tenuous bonds that tie the Foxes together start to fray. A literary institution in Australia, Helen Garner’s perfectly formed novels embody the tumultuous 1970s and 1980s. Drawn on a small canvas and with a subtle musical backdrop, The Children’s Bach is “a jewel” (Ben Lerner) within Garner’s revered catalogue, a beloved work that solidified her place among the masters of modern letters, a finely etched masterpiece that weighs the burdens of commitment against the costs of liberation.




Everywhere I Look


Book Description

Helen Garner is one of Australia’s greatest writers. Her short non-fiction has enormous range. Spanning fifteen years of work, Everywhere I Look is a book full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour. It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of re-reading Pride and Prejudice. Everywhere I Look includes Garner’s famous and controversial essay on the insults of age, her deeply moving tribute to her mother and extracts from her diaries, which have been part of her working life for as long as she has been a writer. Everywhere I Look glows with insight. It is filled with the wisdom of life. Helen Garner is an award-winning author of novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature. Her novel The Spare Room, published in 2008, won the Victorian Premier’s Literary Award for Fiction, the Queensland Premier’s Award for Fiction and the Barbara Jefferis Award, and has been translated into many languages. ‘Garner is a charming and courageous writer whose distinctive voice exemplifies the range of what is possible in personal writing.’ Publishers Weekly ‘There’s not a word wasted or out of place. Garner observes, intuits, shares and cares about the lives she writes about like no-one else. Readers will laugh, cry, squirm and gasp and wonder. It’s Garner’s unique gift as a writer, and it’s beautifully realised in Everywhere I Look.’ Books&Publishing ‘[Garner] has a way of describing the world with such wisdom and candour and, sometimes, delight, that it takes one’s breath away...at least, it does mine. Her observations about life are refreshing in their honesty...This is a fine collection that offers many delights to the reader.’ Readings ‘Similar to a hike, the book is best enjoyed without straining to finish it. It’s full of moments to pause and reflect. More importantly, it stirs up that addictive, expansive feeling only the best books can achieve: that you have reached the final page changed, perhaps even a better and more thoughtful person from having travelled alongside Garner’s observations for a time.’ Daily Review ‘Garner’s prose is so very pleasant to read—dry, relaxed sentences that calmly reach out towards loveliness...[Her] willingness to look at and truly see the failures of human behaviour, in herself no less than in others, that lends her work its power.’ Guardian ‘It is a rich, beautiful book by a poet of the everyday, a sheer master of prose. Give it to your grandmother, give it to your tweeting girlfriend. Give it to any man or woman who understands the magic of language. It will hurl them into great gulfs of pleasure, of turmoil and understanding and joy.’ Australian ‘Garner’s style celebrates and enacts containment and minimalism...Its tenderness and brutality cultivate fruitful and interesting kitchen table conversations spanning the grace and indignity of being “all too human.”’ Age/Sydney Morning Herald ‘[Garner’s] writing expresses a hard-won grace. It brings you closer to the world, and shows you how to love it...She has laid the groundwork for a generation of writers; she has repeatedly shown us the glory and the power of an English sentence.’ Monthly ‘Garner approaches core questions about leading a meaningful life, providing baby boomers in particular with examples of how to live thoughtfully and observantly.’ Library Journal ‘A mesmerising collection of essays and diary entries, this is a book to savour and re-read. No one else writes with as much insight, clarity and humour. The diary entries in particular are a treat: tiny fragments of life brilliantly observed and beautifully crafted by one of Australia’s greatest writers.’ Best Non-Fiction Books of 2016, Readings ‘There are very few writers whose personal essays seem to depend and widen on a second or even a third or fourth read, but Helen Garner is one of them. Her style is inimitable, for while its elegance is undeniable, its essence is pre-verbal, grounded in her intense and unique ways of looking and seeing.’ Kerryn Goldsworthy, Australian Book Review, 2016 Books of the Year ‘Everywhere I Look was a pure delight...Her view on things is unpredictable, distinctive, and original.’ Mark Rubbo, Australian Book Review, 2016 Books of the Year ‘A generous collection of pitch-perfect sketches and reviews, each one taking us with her as she looks, really looks, at the world around her and registers her response to it.’ Susan Sheridan, Australian Book Review, 2016 Books of the Year ‘Garner is a wonderful appreciator: she invites us into the work under review by leading us along the path of discovery she has followed...Her strongest essays evoke emotion through reticence and suggestiveness. They hint at depth of thought and feeling but never become ponderous. And they reveal both the writer and the world by inviting us into her thoughts so that we can see what she sees. Her successes and her failures show just how hard it for an essayist to answer the question of why we should care – why are personal essays something we might want to spend time on anyway? Her best pieces answer this question: we read them because of the richness of perspective they offer. In them, we see not only a small piece of the world, but also the writer looking at the world and looking back at us, asking us to spend some time gazing at it all right there with her.’ Open Letters Monthly ‘The light of Helen Garner’s piercing observation shines on parents, friends, books, time, the weather, and herself. It’s impossible not to trust these engrossing dispatches in their passion and honesty. A lifetime of looking and taking note, and the hard work of examining the significance of what is seen and felt, make this a masterly collection of essays by our greatest non-fiction writer.’ Joan London, The Books We Loved 2016, Sydney Morning Herald ‘Everywhere I Look, like everything in Garner’s oeuvre, brims with clear-eyed insights and crystalline prose. No other writer distils quite like she does.’ Jacinta Halloran, The Books We Loved 2016, Sydney Morning Herald ‘There are times when Helen Garner is the only author I want to read. Restlessly honest, with a sharp eye for detail, her style is by some rare art at once crystalline and conversational. Everywhere I Look is a memorable essay collection.’ Lisa Gorton, The Books We Loved 2016, Sydney Morning Herald ‘Reading this collection of essays is like having a long conversation with a clever, funny, big-hearted, magnificently acerbic friend. It left me astonished all over again by Garner’s deft handling of whatever subject she chooses. There are pieces here that crackle and fizz with the pleasure she takes in her grandchildren, reading, a good martini, and playing the ukulele...Everywhere I Look made me laugh, cry, and think. It is a book to return to again and again with gratitude.’ Best Books of 2016, Radio National ‘The no-bullshit-preamble rule is sparklingly employed...Garner is a natural storyteller: her unillusioned eye makes her clarity compulsive...What gives the memoir its power, as so often in Garner’s writing, is that she is unsparing, in equal measure, of her subject and of herself, and that she so relishes complicated feelings...[Everywhere I Look] is made singular by Garner’s almost reckless honesty, and brought alive by her mortal details.’ James Wood, New Yorker ‘It’s no wonder Garner won a major international award, the $US150,000 Yale-based Wyndham-Campbell Prize, for her non-fiction writing this year. You just have to read this collection of essays, diary entries and true stories spanning the past 20 years to recognise her immense talent.’ Best Books of 2016, Australian Financial Review ‘Her writing is elegant and spare, the kind of writing that leaves you wrecked at the end. It’s what makes me feel like I’m peeking in her diary when I read the most personal entries in this collection.’ Pop.Edit.Lit. ‘Spanning 15 years, this varied collection of short non-fiction pieces presents some of Helen Garner’s best work. Whether it’s a dig into her own life or a broader look into societal whims and ills, Helen Garner is one of our most skilled essayists.’ Best Books of 2016, Sydney Morning Herald ‘Helen Garner’s Everywhere I Look is not quite a memoir, but there is a keen personal element to this collection of short nonfiction pieces. Garner has just received an outstanding general review from James Wood in the New Yorker. It’s long overdue.’ Australian ‘Whenever I see Garner I try to act normal but inside, some part of me is always squealing IT'S HELEN GARNER!!! Her new book, Everywhere I Look, is masterful, like everything she writes.’ Leigh Sales, ABC News ‘This book brims with Garner’s wit and wisdom.’ Best Books of 2016, Sunday Life ‘Helen Garner’s Everywhere I Look is like having a backstage pass into the mind, notebooks and creative process of one of Australia’s very best writers.’ Andy Griffiths, Best Books of 2016, Guardian ‘For years, Garner has offered me a model for journalism: a careful observer, she also tells us how those observations change her as well as the subjects of her gaze. Garner reveals her nervous system—but also the dubious games and improvisations of journalism. Everywhere I Look is a collection of Garner’s essays and diary entries from the past 15 years. She writes on friendship, ageing, film and literature. In ‘The Journey of the Stamp Animals’, she writes of rediscovering a children’s book that—many years earlier—had seemed so stuffed with illicit magic. Now an adult, this long dreamt-of book in her hands again, she finds the pleasure of having her memory—so often fickle and corruptible—vindicated. The book is as she remembered. It’s a measure of Garner’s talent that this small, obscure triumph carries the feeling of profundity.’ Martine McKenzie-Murray, Best Books of 2016, Guardian ‘If you are looking for a voice to speak to you frankly and with humour and warmth about important things, here is the writer for you. Well-known in Australia as a novelist and screenwriter and reporter, Garner is also one of the world’s best essayists. Here she is thinking about the indignities of how people treat the ageing, the pleasures of a ukulele, grandfathering, and some of her best friends, who she sketches with a master’s economy of gesture. Once you start reading Garner you will wonder what the huge space inside your head she occupies used to be there for.’ John Freeman, Best Books of 2016, Literary Hub ‘A collection of essays and journal entries which include everything from a carefully observed portrait of Rosie Batty to ‘The Insults of Age’, where she details the ways in which older women are disregarded and disrespected but with a confessional twist. For me, the best parts are the snippets from her diary and particularly her observations of being an irritated but besotted grandmother. Garner is one of those generous women writers who is prepared to share with you her less redeeming moments in an act of intimacy and empathy with the reader. You won't always agree with Garner's conclusions but how she approaches a question is always interesting.’ Feminist Reading Picks of 2016, Age ‘She covers topics that others are really afraid of, that really penetrate the human condition, which is something I admire and that has inspired me in my own work.’ Virginia Haussegger, Sydney Morning Herald ‘There are very few writers whose personal essays seem to deepen and widen on a second or even a third or fourth read, but Helen Garner is one of them. Her style is inimitable, for while its elegance is undeniable, its essence is pre-verbal, grounded in her intense and unique ways of looking and seeing. Everywhere I Look seems the ideal title for her 2016 essay collection.’ Kerryn Goldsworthy, Best Books of 2016, Australian Book Review ‘Pure delight. It showcases Garner’s distinctive voice and her take on the world around her. Her view on things is unpredictable, distinctive, and original.’ Mark Rubbo, Best Books of 2016, Australian Book Review ‘Garner’s Everywhere I Look is a generous collection of pitch-perfect sketches and reviews, each one taking us with her as she looks, really looks, at the world around her and registers her response to it.’ Susan Sheridan, Best Books of 2016, Australian Book Review ‘It made me cry and laugh and think. Garner always reminds me of the power of noticing and the impact of sparse writing.’ Leigh Sales ‘This collection of essays by one of Australia’s best known authors has the sharp steel edge characteristic of all of Garner’s work. Observations are cobbled together in an almost conversational way, stopping and starting, dealing in trivialities and family moments. Woven amongst the everyday, there are recollections of grief; a father’s death, a friend’s funeral, the heartbreak of being in love with a married man. Garner’s gimlet eye is as revealing and clear as ever.’ Sydney Scoop ‘Garner shows us something precious and endangered...the nexus of neighbourhoods and neighbourliness, the simple weatherboard houses and the plain local shops in the suburbs of Fitzroy and Moonee Ponds. In the most ordinary suburb, as in the most extraordinary marine wilderness, what lies beneath is as fascinating as life on the surface.’ Times Literary Supplement ‘Everywhere I Look is a book full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour.’ Perth Writers Festival, Summer Reading Guide




The Mystery of a Hansom Cab


Book Description

This early work by Fergus Hume was originally published in 1886 and we are now republishing it with a brand new introductory biography. 'The Mystery of a Hansom Cab' is a tricky tale set in Australia and is Hume's most famous crime novel. Fergusson Wright Hume was born on 8th July 1859 in England, the second son of Dr. James Hume. The family migrated to New Zealand where Fergus was enrolled at Otago Boys' High School, and later continued his legal and literary studies at the University of Otago. Hume returned to England in 1888 where he resided in London for a few years until moving to the Essex countryside. There he published over 100 novels, mainly in the mystery fiction genre, though none had the success of his début work.