Crabb's English Synonymes


Book Description




Crabb's English Synonyms


Book Description




Crabb's English Synonyms


Book Description




Crabb's English Synonymes


Book Description




Routledge Revivals: Crabb's English Synonyms (1916)


Book Description

First published in 1816 and revised in 1916, this edition of George Crabb’s English Synonyms contains the entirety of his most enduring work. The revised edition is supplemented by a large number of words, the applications of which had grown into the language in the preceding years or had taken on a deeper significance in light of the First World War. It also contains comprehensive cross-referencing, which brings closely related words together and facilitates the quick location of a desired term.




The Bookman's Manual


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The Man who Made Lists


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Peter Mark Roget--polymath, eccentric, synonym aficionado--was a complicated man. He was a scholar obsessed with his work, yet he had an allure that endeared him to his contemporaries--not to mention a host of female admirers. But most notably, he made li




Blotted Lines


Book Description

Blotted Lines rebuffs centuries of mythologization about the creative process—the idea that William Shakespeare "never blotted out line"—to argue that by studying how early modern writers faced the challenges of writing poetry, instructors today can empower their students' approaches to critical writing. Adhaar Noor Desai offers deeply researched accounts of how poetic labor intersected with early modern rhetorical theory, material culture, and social networks. Tracing the productive struggles of such writers as George Gascoigne, Philip Sidney, John Davies of Hereford, Lady Anne Southwell, and Shakespeare across their manuscripts, Desai identifies in their work instances of discomposition: frustration, hesitation, self-doubt, and insecurity. Inspired to unmake their poems so that they might remake them, these poets welcomed discomposition because it catalyzed ongoing thinking and learning. Blotted Lines brings literary scholarship into conversation with modern composition studies, challenging early modern literary studies to treat writing as both noun and verb and foregrounding the ways poetry and criticism alike can model for students the cultivation of patience, collaboration, and risk in their writing.