Cultural Representations of the Second Wife


Book Description

Cultural Representation of the Second Wife: Literature, Stage, and Screen, is a multifaceted, interdisciplinary, cross-cultural work that provides insights into the realities of second wives the world over. This book allows the reader a three-dimensional view of the second wife experience. It asks: What does it mean, and what does it feel like, to be a second wife in a polygamous union or in a monogamous partnership? Is there a difference? Together, the writers in this book cleverly create an in-depth study of the subject through the productions referred to in the title, to offer a different approach to the popularly held views of the second wife. The book addresses the intricacies, customs, practices and lifestyles of the various Eastern and Western cultures and demonstrates the abilities of the Humanities to connect and interrelate with other disciplines as well as with the reader’s own world.




Representation


Book Description

This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'. Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.




Cultural Sociology of Cultural Representations


Book Description

This book provides a historical cultural sociological analysis of cultural representations of Italy in England and later Britain, from the period of the Italian Renaissance to the present day. Rooted in a critical account of orthodox social scientific approaches to thinking and theorising cultural representation, the study combines analytical frames and conceptual apparatus from Bourdieu’s Field theory and Yale School cultural sociology. Drawing from a wide range of empirical data and studies, the book demonstrates the significance of representations of the Italian peninsula and its people for exploring a range of cultural sociological phenomena, from the ‘classing’ and ‘commodification’ of Italy to the role of Italian symbolism for negotiating cultural trauma, identify formation, and expressions of cultural edification, veneration, and emulation. As such, it will be of interest to scholars of (cultural) sociology, history, anthropology, Italian studies as well as scholars in international studies interested in intercultural exchange and representations of other nations, national cultures, and otherness.




Place/Culture/Representation


Book Description

Spatial and cultural analysis have recently found much common ground, focusing in particular on the nature of the city. Place/Culture/Representation brings together new and established voices involved in the reshaping of cultural geography. The authors argue that as we write our geographies we are not just representing some reality, we are creating meaning. Writing becomes as much about the author as it is about purported geographical reality. The issue becomes not scientific truth as the end but the interpretation of cultural constructions as the means. Discussing authorial power, discourses of the other, texts and textuality, landscape metaphor, the sites of power-knowledge relations and notions of community and the sense of place, the authors explore the ways in which a more fluid and sensitive geographer's art can help us make sense of ourselves and the landscapes and places we inhabit and think about.




Cultural Representation and Cultural Studies


Book Description

From the perspective of critical cultural sociology, this book delves into the intertwining relations of cultural transformation and social evolution, illuminating contemporary Chinese culture’s landscape and underlying logic since the 1980s. With a special focus on the tensions among politics, economy, and culture itself, this book examines the transitions of Chinese culture from tradition to the modern age. It expounds the cultural differentiation and its effect in contemporary China. Within this framework, the author addresses some key issues and phenomena that figure in the cultural scene of modern China, ranging from the crisis of Chinese cultural identity in the context of globalization, the media culture, and its impacts on everyday life, to the visual culture and social transformation. Offering a panoramic view of Chinese contemporary culture, literature, arts, and society, this title will serve as an essential read for scholars of China studies, Cultural studies, and visual culture, as well as anyone interested in what’s going on in Chinese contemporary culture.




Space, Politics, and Cultural Representation in Modern China


Book Description

Regarding revolution as a spatial practice, this book explores modes of spatial construction in modern China through a panoramic overview of major Chinese revolutionary events and nuanced analysis of cultural representations. Examining the relationship between revolution, space, and culture in modern China the author takes five spatially significant revolutionary events as case studies - the territorial dispute between Russia and the Qing dynasty in 1892, the Land Reform in the 1920s, the Long March (1934-36), the mainland-Taiwan split in 1949, and the Cultural Revolution (1966-76) - and analyses how revolution constructs, conceives, and transforms space. Using materials associated with these events, including primarily literature, as well as maps, political treatises, historiography, plays, film, and art, the book argues that in addition to redirecting the flow of Chinese history, revolutionary movements operate in and on space in three main ways: maintaining territorial sovereignty, redefining social relations, and governing an imaginary realm. Arguing for reconsideration of revolution as a reorganization of space as much as time, this book will appeal to students and scholars of Chinese culture, society, history and literature.




Culture: Raise ‘low’, Rethink ‘high.’ A Representation of the Academic Potential of So-Called 'Low' Culture


Book Description

Despite (or more likely due to) being the culture which most affects and interacts with the masses, the broad and definition-evading category of 'popular culture' remains a second-class citizen in academia, relegated to a position of 'low' below a culture deemed 'high' and worthy of scholarly inquiry. This eclectic collection of essays aims to convince that this inequality must be addressed by exploring a variety of supposedly 'low' cultural types and texts through an academic lens, proving that so-called 'low' culture can be a valuable contribution to academic research. That said, raising the 'low' does not mean making it 'high', turning it into an elite category to be accessed only by experts. Rather, the authors are unswerving in their approach that academic writing and fan writing are not mutually exclusive. On the contrary, it is their knowledge and passion as fans of their subject matter that has inspired their chapters, all of which draw upon their considerable experience of engaging as fans in what they discuss. All the chapters have been written by postgraduate students seeking to inspire a new empiricism through which their interests might be fully pursued in their futures as scholars. Emma Buchanan is a British postgraduate researcher and television fan who is currently writing up her PhD thesis on the topic of gender and change in AMC's "The Walking Dead" as understood from the point of view of Jungian depth psychology.




National Identity and Cultural Representation in the Novels of Arundhati Roy and Kiran Desai


Book Description

This book is the first of its kind to examine the theories of nation and national identity in both the West (according to the theories of Benedict Anderson and Salman Rushdie) and in the East (in the light of the works of Jawaharlal Nehru) as they apply to the novels of Arundhati Roy and Kiran Desai. The second part of the twentieth century witnessed a new interface between fiction and history called “New History”. It brought into its purview the hitherto marginalized sections of society like slaves, peasants, workers, women, and children. Whereas the subalterns in The Inheritance of Loss are disempowered by the brunt of globalisation and neo-colonialism, the subalterns in The God of Small Things face the ire of the deep-seated divisions based on caste and gender bias in a postcolonial society. In addition, this book also deals with contemporary social issues like individual identity in a multicultural world where cultures and nature converge into myriad ways of living. It will be of immense benefit to MA and MPhil students all over India, as well as to PhD scholars and teachers of English literature both in India and abroad.




My Fair Ladies


Book Description

The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.




Mnemosyne and Mars


Book Description

This volume will be of interest to everyone seeking to understand the relationship between war as an historical narrative and its representation in the arts and in culture, notably in literature, film, theatre and music. More specifically, it will be of the greatest interest to undergraduates, postgraduates, researchers and academics in a wide range of disciplines, including literary studies, film and drama studies, music, and history. The Introduction, by Jay Winter, sets the context, particularly with reference to the First World War, while the Conclusion summarises the significance of the research undertaken and its value for future research. This book will also have an impact on writers, publishers and organizers of exhibitions, museums, memorial sites and monuments whose influence in the field of war and memory has been increasing steadily in recent years. The imminent celebrations and commemorations pertaining to the Great War, beginning in 2014, together with the imminence of the seventieth anniversary of the end of the Second World War in 2015, will provide additional stimuli to public attention in this area over the next few years.