Dancing with Empty Pockets


Book Description

In the nineteenth century, the word bohemians initially conjured the primitive, exotic and mysterious power of gypsies, but in a few short years would be used to describe any nomadic or vagabond character - with strong overtones of poverty and even criminality. In Australia, bohemians have been associated with subcultures, and movements across most creative arts and media for more than 150 years. Our cities spawned networks of poets, painters, novelists, journalists, philosophers, actors, filmmakers, comedians and hackers as famous for their controversial, eccentric lifestyles as for the work they produced. Dancing with Empty Pockets is an exploration, and a celebration, of Australia's most creative figures - our bohemians, from Marcus Clarke through to the twenty-first century - and it is a must-read for everyone interested in our counter culture. 'Dr Moore takes us down our history's back streets after midnight in search of our bohemian past; his prose as witty, ironic and entertaining as many of the characters he finds lurking there.'-Graeme Blundell 'Drunken debauchery, anarchist bookstores, sirens in skin-tight clothing and rituals with human skulls. And that's all before the twentieth century. Fascinating.'-Richard Lowenstein




The Bohemian Republic


Book Description

In the mid-nineteenth century successive cultural Bohemias were proclaimed in Paris, London, New York, and Melbourne. Focusing on networks and borders as the central modes of analysis, this book charts for the first time Bohemia’s cross-Channel, transatlantic, and trans-Pacific migrations, locating its creative expressions and social practices within a global context of ideas and action. Though the story of Parisian Bohemia has been comprehensively told, much less is known of its Anglophone translations. The Bohemian Republic offers a radical reinterpretation of the phenomenon, as the neglected lives and works of British, Irish, American, and Australian Bohemians are reassessed, the transnational networks of Bohemia are rediscovered, the presence and influence of women in Bohemia is reclaimed, and Bohemia’s relationship with the marketplace is reconsidered. Bohemia emerges as a marginal network which exerted a paradoxically powerful influence on the development of popular culture, in the vanguard of material, social and aesthetic innovations in literature, art, journalism, and theatre. Underpinned by extensive and original archival research, the book repopulates the concept of Bohemianism with layers of the networked voices, expressions, ideas, people, places, and practices that made up its constituent social, imagined, and interpretive communities. The reader is brought closer than ever to the heart of Bohemia, a shadowy world inhabited by the rebels of the mid-nineteenth century.




On Happiness


Book Description

What is happiness, and how does the pursuit of happiness shape our lives? Happiness appears to be a simple emotion, individual and pleasurable, yet the problems associated with happiness in politics, economics, and philosophy suggest that it is perhaps more complex and paradoxical than we first thought. This eclectic collection of essays interrogates the 'common sense' understanding of happiness in the West and examines the strategies devised to obtain it. Without disposing of the concept altogether, the book rediscovers the latent aspects of this pervasive (and elusive) phenomenon. Ultimately, it concludes that our current notions of happiness may in fact be the very cause of our discontent. On Happiness offers readers a spectrum of critical reflections and 'rethinks' of this ubiquitous cultural obsession. *** Librarians: ebook available on ProQuest and EBSCO [Subject: Philosophy, Sociology, Popular Culture]




Dancing Lessons for the Advanced in Age


Book Description

Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal’s rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime’s worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like “in the days of the monarchy” and how they’ve changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague’s pubs and football stadiums, developed a unique method which he termed “palavering,” whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.




City Dreamers


Book Description

I became an urban historian because I believed that our cities deserved more of our curiosity and idealism. In City Dreamers Graeme Davison restores Australian cities, and those who created them, to their rightful place in the national imagination. Building on a lifetime’s work, Davison views Australian history, from 1788 to the present day, through the eyes of city dreamers – such as Henry Lawson, Charles Bean and Hugh Stretton – and others who have helped make the cities we inhabit. Davison looks at significant individuals or groups that he calls snobs, slummers, pessimists, exodists, suburbans and anti-suburbans – and argues that there’s a particular twist to the ways in which Australians think about cities. And the ways we live in them. This extraordinary book excavates the cultural history of the Australian city by focusing on ‘dreamers’, those who battle to make and re-make our cities. It reminds us that for most of us the city is home, and it is there that we find belonging.




Tim19B


Book Description

When Kevin Riley's parents discover he is gay, they throw him out of the house. He ends up hustling in Los Angeles, where he is abducted and almost killed and his friend is killed. Eventually he comes to New York where he meets Tim19B. He discovers hidden talent, after much work and study, under another name, he becomes Chess Champion of the World.




Earshot


Book Description

Earshot: Perspectives on Sound awakens an understanding of the decisive role that sound has played in history and culture. Although beginning with reference to antiquity, the primary focus is the changing status of sound and hearing in Western culture over the last six hundred years, covering the transition from the medieval period to the contemporary world. Since mythic times, sound has been an essential element in the formation of belief systems, personal and community identities and the negotiations between them. The varied case studies included in the book cover major reference points in the changing politics of sound, particularly in relation to the status of the other major conduit of social transactions, vision. Earshot is not a work of cultural theory but is anchored in social practices and material culture and is therefore a valuable resource for conveying sound to both undergraduate students as well as the general reader.




Pocket Cats: Dancing Dreams


Book Description

Maddy has always wanted a cat, but now she's got something even better - three small ceramic cats which come to life and give her magical powers! Maddy can hardly wait to start classes at Summer Ballet School. And when Ollie comes to life again, everything is perfect! But of course they have a problem to solve... Maddy's new friend Anna is scared to tell her mum that she doesn't want to be a ballerina. Can Maddy's special cat magic help Anna stand up for her real hopes and dreams?




Dancing in the Dark


Book Description

A PI performs some fancy footwork to protect Fred Astaire as “Edgar winner Kaminsky effortlessly choreographs Hollywood history . . . and dirty doings” (Publishers Weekly). Sometimes fools must step in where Fred Astaire fears to tap. Luna Martin, the moll of a well-known Los Angeles gangster nicknamed “Fingers” (because he likes to cut them off), has demanded dance lessons from Hollywood’s finest hoofer—and whatever Luna wants, Luna gets. To sidestep the flirtations of the lead-footed lady, Astaire hires private investigator Toby Peters to pose as a dance instructor and take over the lessons. But when someone cuts in and cuts Luna’s throat, the grieving gangster makes Peters an offer he can’t refuse: Find the killer—or go from having two left feet to one foot in the grave. Now, instead of punishing the parquet, the silver screen’s most famous song-and-dance man is pounding the pavement with his new partner—a rumpled, middle-aged gumshoe who just wants to live to shuffle through another day . . .




Dance Hall Days


Book Description

The rise of commercialized leisure coincided with the arrival of millions of immigrants to America's cities. Conflict was inevitable as older generations attempted to preserve their traditions, values, and ethnic identities, while the young sought out the cheap amusements and sexual freedom which the urban landscape offered. At immigrant picnics, social clubs, and urban dance halls, Randy McBee discovers distinct and highly contested gender lines, proving that the battle between the ages was also one between the sexes. Free from their parents and their strict rules governing sexual conduct, working women took advantage of their time in dance halls to challenge conventional gender norms. They routinely passed certain men over for dances, refused escorts home, and embraced the sensual and physical side of dance to further accentuate their superior skills and ability on the dance floor. Most men felt threatened by women's displays of empowerment and took steps to thwart the changes taking place. Accustomed to street corners, poolrooms, saloons, and other all-male get-togethers, working men tried to transform the dance hall into something that resembled these familiar hangouts. McBee also finds that men frequently abandoned the commercial dance hall for their own clubs, set up in the basements of tenement flats. In these hangouts, working men established rules governing intimacy and leisure that allowed them to regulate the behavior of the women who attended club events. The collective manner in which they behaved not only affected the organization of commercial leisure but also men and women's struggles with and against one another to define the meaning of leisure, sexuality, intimacy, and even masculinity.