Daniel Halévy, Henri Petit et les Cahiers verts


Book Description

Cet ouvrage collectif, qui rassemble les travaux d'un colloque tenu à la Maison Française d'Oxford en 2002 sous le titre 'Henri Petit et son cercle', a deux buts: mieux comprendre la contribution apportée par Daniel Halévy et sa collection Les Cahiers verts à la vie littéraire des années 20 et étudier les débuts littéraires d'Henri Petit et de son cercle en rapport avec le volume collectif Écrits (Grasset, Les Cahiers verts, 1927), à l'occasion des soixante-quinze ans de celui-ci. L'année 1927 est une année charnière. C'est celle du centenaire de la publication de la Préface de Cromwell, et le Romantisme est de nouveau à la mode. Le dernier numéro des Cahiers verts avant Écrits est consacré à Anna de Noailles, peut-être la dernière des Romantiques. Mais en même temps un renouveau du classicisme semble se dessiner. Quelle est la place de cette collection dans l'histoire de l'édition et de la littérature? Et non seulement des Cahiers verts, mais de Daniel Halévy lui-même, dont le salon accueillait tant de personnalités de l'époque? De quel bord les jeunes écrivains d'Écrits pencheront-ils? Ils sont pratiquement inconnus à l'époque: Chamson, Malraux, Grenier, Petit. Parmi eux, ce dernier passe pour être le plus doué. Comment le situer par rapport à ses contemporains? Une équipe franco-britannique des meilleurs spécialistes répond à ces questions.




Publishing Africa in French


Book Description

An exploration of African literary production in France and its socio-economic implications.




Flaubert: Transportation, Progression, Progress (Le Romantisme Et Après En France


Book Description

Romanticism and after in France is a series designed to publish research monographs or longer works of high quality whether by established scholars or recent graduates, dealing with French literature in the period from pre-Romanticism to the turn of the twentieth century.




Flaubert's First Novel


Book Description

L'Éducation sentimentale, begun in 1843 and finished after two substantial interruptions in 1845, was Flaubert's first attempt at a full-scale novel. Though overshadowed by the 1869 novel of the same title, it is a crucially important text in Flaubert's literary development. Alan Raitt provides a controversial new reading of the book's genesis and development, and addresses many of the misapprehensions that have grown up around this pivotal work.




Gustavus Flaubertus Bourgeoisophobus


Book Description

It is well known that Flaubert harboured an obsessive hatred of the bourgeois and his mentality which erupts constantly and explosively in his correspondence, informs large parts of the works set in his own time, Madame Bovary, L'Education sentimentale, Un Coeur simple and Bouvard et Pecuchet and even overflows into Salammbo and his theatrical experiments. Since most of his thought and writing is so visibly and vitally affected by this obsession, it seems valuable to investigate its origins, its development and its significance for his art. That is the aim of this study which begins with a look at representations of the bourgeois in French literature before Flaubert and goes on to examine in detail what proves to be a more complex phenomenon than might at first sight appear.




Blanchot Romantique


Book Description

The work of French writer and essayist Maurice Blanchot (1907-2003) is without doubt among the most challenging the twentieth century has to offer. Contemporary debate in literature, philosophy, and politics has yet to fully acknowledge its discreet but enduring impact. Arising from a conference that took place in Oxford in 2009, this book sets itself a simple, if daunting, task: that of measuring the impact and responding to the challenge of Blanchot's work by addressing its engagement with the Romantic legacy, in particular (but not only) that of the Jena Romantics. Drawing upon a wide range of philosophers and poets associated directly or indirectly with German Romanticism (Kant, Fichte, Goethe, Jean Paul, Novalis, the Schlegels, Hölderlin), the authors of this volume explore how Blanchot's fictional, critical, and fragmentary texts rewrite and rethink the Romantic demand in relation to questions of criticism and reflexivity, irony and subjectivity, narrative and genre, the sublime and the neutre, the Work and the fragment, quotation and translation. Reading Blanchot with or against key twentieth-century thinkers (Benjamin, Foucault, de Man), they also examine Romantic and post-Romantic notions of history, imagination, literary theory, melancholy, affect, love, revolution, community, and other central themes that Blanchot's writings deploy across the century from Jean-Paul Sartre to Jean-Luc Nancy. This book contains contributions in both English and French.




Local Colour


Book Description

Local colour is an undertheorized notion. Although the expression itself is nowadays used in everyday speech in both French and English, its 'domestication' only further highlights the need for a clarifying study of this concept, which has come to be crucial in aesthetic debates. From the seventeenth-century rift between 'Poussinistes' and 'Rubénistes', to the genesis of Romanticist aesthetic theories in early nineteenth-century France, to the North American regionalist prose of the Local colour movement; from Roger de Piles, to Benjamin Constant, Victor Hugo, Prosper Mérimée, and Hamlin Garland, this book sets out to map for the first time couleur locale's three-hundred-year journey across centuries, languages and genres. In addition to proposing a genealogy of the concept and the paths of its semantic evolution, it also initiates a reflection on the factors that could have prompted the mobility of the term across cultures, art forms and their metalanguages.




Stendhal's Parallel Lives


Book Description

This book deals with the important and hitherto neglected relationship between the works of Stendhal and Plutarch's Parallel Lives. Stendhal's readings of Plutarch are shown to inform his literary representations of Revolution and Empire, Restoration and Orleanism, as well as his theorizations of Romanticism. In particular, the Plutarchan concept of Parallel Lives is used to analyse one of the major themes of Stendhal's writing: the self-construction of individual identity, whether (auto)biographical or fictional, by means of the emulation (as distinct from the imitation) of heroic exemplars. As a consequence, the balance between irony and idealism often identified by critics in Stendhal's work is shown rather to be an imbalance, weighted in favour of an idealism derived from Plutarchan conceptions of heroism, particularly as they are represented in the Lives of Julius Caesar and Marcus Brutus.




Mallarmé's Ideas in Language


Book Description

In this book, the author discusses the sheer improbability of Mallarmé's joint concern with concepts, or ideas, on the one hand, and with language as it behaves within the constraints of poetic convention on the other.