Dark Affinities, Dark Imaginaries


Book Description

A story of self, braided to a story of American culture. Uniting personal history with cultural history, Dark Affinities, Dark Imaginaries tells a story of a mind, a time, and a culture. The vehicle or medium of this excursion is an overview and sampling of the author’s work, and what is revealed are cautionary tales of a once-aspiring egalitarian democracy confronted with plutocracy’s gentrification; of analog history and off-line life superseded by a rush toward virtualized, robotic, AI transformation of the human life-world; of everything social and public giving way to everything personal and opinionated. The vagaries of a lifetime of paths taken are woven together by a narrative that reveals in every piece a significance that was only partially present at its initial writing. Thus, the reader becomes involved in a developing story of a certain personal psyche working toward understanding its own development within a changing American culture. Sometimes angry, sometimes joyful, but always curious and wry, Joseph Natoli crosses the boundary lines of psychology, politics, literature, philosophy, education, and economics to show how we bring ourselves and our cultural imaginaries simultaneously into being through the processes and pleasures of thinking beyond the confines of the personal. “Reading Dark Affinities is a welcome break from the neoliberal buzzword-speak of politicians and university administrators. It reminds me why I entered academia, when it was a profession and not a business, and when modeling thinking actually mattered.” — Alison Lee, University of Western Ontario “Natoli’s Dark Affinities reads as a culminating work of scholarship, marshaling evidence from autobiography, literary analysis, critical theory, and everyday culture in support of its claims. Natoli presents his personal history in the same spirit that Raymond Williams did: as evidence for the ways that cultural forces shape individuals, and as grounds for the shaping of his intellectual and political practice.” — Jeff Karnicky, author of Contemporary Fiction and the Ethics of Modern Culture




'Voyage to the Moon' and Other Imaginary Lunar Flights of Fancy in Antebellum America


Book Description

'Voyage to the Moon' And Other Imaginary Lunar Flights of Fancy in Antebellum America gathers for the first time in a scholarly critical edition four moon voyage stories published by Americans prior to the Civil War. Included in this volume are the works by George Tucker, Edgar Allan Poe, Richard Adams Locke and John Leonard Riddell. Along with a general introduction to the collection as a whole, each story has its own introductory material along with explanatory footnotes and appendixes to help identify the key points of its textual and cultural history.







Reception of Northrop Frye


Book Description

The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.




The Imaginary in Geometry


Book Description




Play Among Books


Book Description

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.




The Dark Matter of Words


Book Description

Timothy Walsh's study of the function and significance of absence in literature demonstrates its centrality in terms of both literary technique and philosophical consequence. Textual gaps, narrative lacunae, and strategic vagueness, together with the uncertainties that such devices inevitably generate, have been essential elements of literature from Lao-Tzu to Lawrence, from Chaucer to Faulkner and beyond. Walsh finds that poststructural approaches to indeterminacy tend to overlook the specific and productive roles that absence and uncertainty often play within the overall design of a work. The aesthetic generation of uncertainty, he demonstrates, is not a roadblock on the path to meaning or a sign of some radical and suppressed internal contradiction; rather, it is as basic an artistic aim as the desire to evoke sympathy, laughter, or outrage. Coining the phrase "structured absence" to explain a central tenet in his discussion of the "mechanics" of uncertainty, Walsh analyzes various literary devices and tropes involved in generating a felt sense of absence and a purposeful uncertainty. Structured absences, he demonstrates, combine to form intricate patterns and networks, which explains how the dynamic potential of uncertainty can increase exponentially through a deft orchestration of absence. Walsh argues that the use of absence in works of art--of silence, shadow, blankness, and void--is a principal means by which the inherent biological limitations of human consciousness and of human language are encoded in aesthetic constructs. Because of the limitations of our senses and because we often are more attuned to what lies beyond the threshold of perceptual limits, the lacunae in artistic works represent attempts to replicate the real and inescapable limits of human experience.




Goth's Dark Empire


Book Description

In Goth's Dark Empire cultural historian Carol Siegel provides a fascinating look at Goth, a subculture among Western youth. It came to prominence with punk performers such as Marilyn Manson and was made infamous when it was linked (erroneously) to the Columbine High School murders. While the fortunes of Goth culture form a portion of this book's story, Carol Siegel is more interested in pursuing Goth as a means of resisting regimes of sexual normalcy, especially in its celebration of sadomasochism (S/M). The world of Goth can appear wide-ranging: from films such as Edward Scissorhands and The Crow to popular fiction such as Anne Rice's "vampire" novels to rock bands such as Nine Inch Nails. But for Siegel, Goth appears as a mode of being sexually undead -- and loving it. What was Goth and what happened to it? In this book, Siegel tracks Goth down, reveals the sources of its darkness, and shows that Goth as a response to the modern world has not disappeared but only escaped underground.




Embodying Relation


Book Description

In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s—when photography first arrived as an apparatus of French colonialism—to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of “relation” in ways that spark new artistic forms, practices, and communities.