Dead Lovers are Faithful Lovers


Book Description

Dead Lovers Are Faithful Lovers is a tale of stifling passions, marital infidelity, and the empty conventionality of relations between the sexes in Jazz Age America. Set mainly in Atlanta and Richmond, its minimal plot unfolds through a stream-of-consciousness rendering of the thoughts and emotions of two women in love with the same man.




Tomorrow is Another Day


Book Description

From the mid-nineteenth century through at least the first half of the twentieth, the southern code of appropriate feminine behavior required that women depend on sources outside themselves for sustenance, direction, and expression. The chivalric ideal that placed the southern lady on a pedestal often created within her gracious and gentle exterior a turmoil of frustration, confusion, and resentment. This concept of upper middle-class, white southern womanhood forms an important part of the imaginative expression of the southern women writers whose works and lives form the subject matter of this book. All seven—Augusta Jane Evans, Grace King, Kate Chopin, Mary Johnston, Ellen Glasgow, Frances Newman, and Margaret Mitchell—were themselves products of this genteel tradition. Anne Goodwyn Jones explains that her aim is not to link biography and art but to seek, in the lives and works of these seven southern women writers, common patterns that can lead to ways to discern the mind of the southern lady. Tomorrow Is Another Day shows that, by writing themselves and their characters into being, by expressing their voices—however variant in tone—“these seven writers wrote themselves into another day.”




Dead Lovers Are Faithful Lovers


Book Description

Dead Lovers are Faithful Lovers, published the year of Frances Newman's premature death, exposes the paradoxes and fallacies behind the outward sexual and political emancipation of women in the Roaring Twenties. Describing the thoughts of two women in love with the same man-one his suffering wife and the other his liberated lover-Newman carefully reveals that the thoughts, feelings, and desires of these two women are ultimately bounded by the same limits despite having such disparate social positions. In a society where a woman's value as well as her satisfaction are both determined by her husband's stature, marriage and adultery are no longer very different from each other."[One of] an important group of Southern writers who were reevaluating both the past and the present, and subjecting the raw material of life to the fearless scrutiny and the spacious treatment of art." - Ellen Glasgow










Vanity Fair


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Dress & Vanity Fair


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Making Whiteness


Book Description

Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation. And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken up by the rest of the nation as a way of enforcing a new social hierarchy while at the same time creating the illusion of a national, egalitarian, consumerist democracy. By showing the very recent historical "making" of contemporary American whiteness and by examining how the culture of segregation, in all its murderous contradictions, was lived, Hale makes it possible to imagine a future outside it. Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.







The Ancient Novel and Beyond


Book Description

This volume comprises the revised versions of selected papers read at the International Conference on the Ancient Novel (Groningen, July 2000). The papers cover a wide range of scholarly issues that were prominent in the programme of the conference, and feature the most recent approaches to research on the ancient novel. The essays combine judicious use of literary theory with traditional scholarship, and examine the ancient novels and related texts, such as Oriental tales and Christian narrative, both in their larger, literary, cultural and social context, and as sources of inspiration for Byzantine and modern fiction. This book is important not only for classicists and literary historians, but also for a general public of those interested in narrative fiction.