The Death of Bernadette Lefthand


Book Description

"The Death of Bernadette Lefthand should rank among the classics of American fiction." —Tony Hillerman "In 100 years, someone will open The Death of Bernadette Lefthand and still be consumed by the wisdom, the different cultural beliefs between tribes, and struck that love and jealousy are the poles from which evil comes. In my top five favorite reads." —Jo-Ann Mapson, author of Blue Rodeo, The Wilder Sister, and Solomon's Oak "Querry conjures up a fascinating mix of cultures and values, and, best of all, a gripping story." —Hungry Mind Review Ron Querry's debut novel, originally published in 1993 by Red Crane, is a foundational novel in contemporary Native American writing. Querry uses the alternating viewpoints of Gracie, Bernadette's younger sister, and Starr Stubbs, the wealthy New Yorker who lives just outside of Dulce, New Mexico-to detail the tragic end of Bernadette's life. The conflicting accounts create a compelling novel about heritage, family, and the dark magic of the twisted soul. This twenty-fifth anniversary edition of Ron Querry's debut novel features a new afterword in which the author offers insight into the writing of this American classic. Ron Querry is an internationally acclaimed, American author and enrolled member of the Choctaw Nation of Oklahoma. Querry lives in northern New Mexico with his wife, fine art photographer Elaine Querry, and their cow dogs, BeauDog and Shorty.




The Death of Bernadette Lefthand


Book Description

The murder of a young Pueblo Indian woman sets the stage for a novel which flip-flops between the points of view of Bernadette's younger sister and the white woman for whom Bernadette kept house.




Encyclopedia of American Indian Literature


Book Description

Presents an encyclopedia of American Indian literature in an alphabetical format listing authors and their works.




Shaman or Sherlock?


Book Description

Fictional depictions of Native American concepts of justice, crime, and the investigation of crime are explored in this original work. Shaman or Sherlock explores depictions created by Native American authors themselves, as well as those created by outsiders with mainstream agendas. The most successful of these writers fuse authentic Native American culture with standard genre conventions, thus providing an appealing, empathetic view of little-understood or underappreciated groups, as well as insight into issues of cross-cultural communication. Dealing with such significant concepts as acculturation, regional diversity, and assimilation, this unique study evaluates over 200 detective stories. Though the crime novel began in Europe as a manifestation of Enlightenment rationality and scientific methodology, the Native American detective story moves into the realm of the spiritual and intuitive, often incorporating depictions of non-material phenomena. Shaman or Sherlock? explores how geographical and tribal differences, degrees of assimilation, and the evolution of age-old cultural patterns shape the Native American detective story.




Crime Fiction and Film in the Southwest


Book Description

When Joe Leaphorn and Jim Chee, Tony Hillerman's oddly matched tribal police officers, patrol the mesas and canyons of their Navajo reservation, they join a rich traditon of Southwestern detectives. In Crime Fiction and Film in the Southwest, a group of literary critics tracks the mystery and crime novel from the Painted Desert to Death Valley and Salt Lake City. In addition, the book includes the first comprehensive bibliography of mysteries set in the Southwest and a chapter on Southwest film noir from Humphrey Bogart's tough hood in The Petrified Forest to Russell Crowe's hard-nosed cop in L.A. Confidential.




American Mystery and Detective Novels


Book Description

Mystery and detective novels are popular fictional genres within Western literature. As such, they provide a wealth of information about popular art and culture. When the genre develops within various cultures, it adopts, and proceeds to dominate, native expressions and imagery. American mystery and detective novels appeared in the late nineteenth century. This reference provides a selective guide to the important criticism of American mystery and detective novels and presents general features of the genre and its historical development over the past two centuries. Critical approaches covered in the volume include story as game, images, myth criticism, formalism and structuralism, psychonalysis, Marxism and more. Comparisons with related genres, such as gothic, suspense, gangster, and postmodern novels, illustrate similarities and differences important to the understanding of the unique components of mystery and detective fiction. The guide is divided into five major sections: a brief history, related genres, criticism, authors, and reference. This organization accounts for the literary history and types of novels stemming from the mystery and detective genre. A chronology provides a helpful overview of the development and transformation of the genre.




Native American Mystery Writing


Book Description

Though mystery, crime, and detective fiction are some of the most popular genres in the world, little scholarship currently exists regarding Native American writers and how they add new dimensions to this widely read literary form. Rather, the majority of scholarship examines the depiction of Native characters from the perspective of non-Native authors. Native American Mystery Writing: Indigenous Investigations analyzes how Native authors use the genre to foreground centuries of settler-colonial crimes and comment upon the ways in which these acts continue to impact Native individuals and communities today. Considering fourteen novels and two made-for-TV films, this book surveys a spectrum of settler-colonial crimes: the Osage oil murders, sexual assault against Native women, missing and murdered Indigenous women, the California mission system, suppression of spiritual beliefs, theft—of land, children, and cultural items—and, of course, murder. Examination of these texts shows how Native authors working with the mystery, crime, and detective fiction formats are able to entertain readers while also sending strong social, cultural, and political messages that argue for strengthened tribal sovereignty and illustrate the resilience of Indigenous peoples—all in order to promote discussions about creating a more just system for Native Nations.




Masterplots II.: Cont-Gor


Book Description

Includes more than 360 interpretative essays on works of twentieth-century fiction published in the United States and Latin America.




Death of Bernadette Lefthand


Book Description

This riveting, haunting first novel by a Native American author has been called "the best novel of its type since Leslie Silko's Ceremony" (Tony Hillerman). After Bernadette Lefthand, renowned on the Jicarilla Apache reservation for her beauty and spirited dancing, is found brutally murdered, her grief-stricken sister recalls the events of Bernadette's life.




A Literary History of Mississippi


Book Description

With contributions by Ted Atkinson, Robert Bray, Patsy J. Daniels, David A. Davis, Taylor Hagood, Lisa Hinrichsen, Suzanne Marrs, Greg O'Brien, Ted Ownby, Ed Piacentino, Claude Pruitt, Thomas J. Richardson, Donald M. Shaffer, Theresa M. Towner, Terrence T. Tucker, Daniel Cross Turner, Lorie Watkins, and Ellen Weinauer Mississippi is a study in contradictions. One of the richest states when the Civil War began, it emerged as possibly the poorest and remains so today. Geographically diverse, the state encompasses ten distinct landform regions. As people traverse these, they discover varying accents and divergent outlooks. They find pockets of inexhaustible wealth within widespread, grinding poverty. Yet the most illiterate, disadvantaged state has produced arguably the nation's richest literary legacy. Why Mississippi? What does it mean to write in a state of such extremes? To write of racial and economic relations so contradictory and fraught as to defy any logic? Willie Morris often quoted William Faulkner as saying, "To understand the world, you must first understand a place like Mississippi." What Faulkner (or more likely Morris) posits is that Mississippi is not separate from the world. The country's fascination with Mississippi persists because the place embodies the very conflicts that plague the nation. This volume examines indigenous literature, Southwest humor, slave narratives, and the literature of the Civil War. Essays on modern and contemporary writers and the state's changing role in southern studies look at more recent literary trends, while essays on key individual authors offer more information on luminaries including Faulkner, Eudora Welty, Richard Wright, Tennessee Williams, and Margaret Walker. Finally, essays on autobiography, poetry, drama, and history span the creative breadth of Mississippi's literature. Written by literary scholars closely connected to the state, the volume offers a history suitable for all readers interested in learning more about Mississippi's great literary tradition.