Dessins de sculpteurs: Quatrièmes Rencontres internationales du Salon du dessin, 25 et 26 mars 2009


Book Description

Summary: Recueil des IVe Rencontres internationales du Salon du dessin, Paris, 25 & 26 mars 2009. Textes en français, en italien & en anglais. Au sommaire : L. Melli : Verrocchio, gli studi per il David e il disegno del suo tempo ; A. Forlani-Tempesti : Disegni di scultore o di pittore ? Baccio Bandinelli e Rosso Fiorentino ; D. Ekserdjian : Nicolas Cordier dessinateur ; T. Montanari : Bernini in Laterano. Una nuova lettura per sette disegni berniniani a Lipsia ; K. d'Alburquerque : Giovanni Battista Foggini (1652-1725) : quelques dessins préparatoires à des sculptures ; G. Dardanello : Le "Memotrie sepolcrali " di Filippo Juvarra : invenzioni del disegno nel dialogo tra architettura et scultura ; G. Scherf : Les regards du sculpteur Camberlain à Paris ; O. Michel : Claudet dessinateur : D. Bindman : Flaxman's drawaings for sculpture ; C. Burley-Uribe : Rodin ou la métamorphose de la sculpture en dessin ; G. Audinet : Etienne Martin ou comment les sculpteurs dessinent au XXe siècle ; M.-L. Bernadac : Gravidanza, les dessins tardifs de Louise Bourgeois.




Bernini


Book Description

"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.




The Learned Draftsman


Book Description

The celebrated French artist Edme Bouchardon (1698–1762) is primarily known as a sculptor today, but his contemporaries widely lauded him as a draftsman as well. Talented, highly innovative, and deeply invested in the medium, Bouchardon made an important contribution to the European art and culture of his time, and in particular to the history of drawing. Around two thousand of his drawings survive—most of which bear no relation, conceptual or practical, to his sculpture—yet, remarkably, little scholarly attention has been paid to this aspect of his oeuvre. This is the first book-length work devoted to the artist’s draftsmanship since 1910. Ambitious in scope, this volume offers a compelling narrative that effectively covers four decades of Bouchardon’s activity as a draftsman—from his departure for Rome in 1723 as an aspiring student to his death in Paris in 1762, by which time he was one of the most renowned artists in Europe. His accomplished and dynamic style is analyzed and copiously illustrated in a series of five interrelated chapters that serve as case studies, each of which focuses on a coherent group of drawings from a particular period of Bouchardon’s career.




The Life of Gian Lorenzo Bernini


Book Description

"A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.




Bernini


Book Description

Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.




Prince of Europe


Book Description

The Habsburg courtier Charles-Joseph Prince de Ligne seduced and symbolized eighteenth-century Europe. Speaking French, the international language of the day, he travelled between Paris and St Petersburg, charming everyone he met. He stayed with Madame du Barry, dined with Frederick the Great and travelled to the Crimea with Catherine the Great. But Ligne was more than a frivolous charmer. He participated in and recorded some of the most important events and movements of his day: the Enlightenment; the struggle for mastery in Germany; the decline of the Ottoman Empire; the birth of German nationalism; and the wars to liberate Europe from Napoleon. He had surprisingly radical views, believing for example in property rights for women, legal rights for Jews and the redistribution of wealth. He was also a highly respected writer and his books on gardens, his letters from the Crimea and his epigrams are considered minor classics of French literature.




Bernini's Beloved


Book Description

With lips slightly parted and eyes fixed on a point in the distance, a breathtaking marble portrait of Costanza Piccolomini appears alive. Carved by Gianlorenzo Bernini in 1636-37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject. For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject. Bernini's Beloved sets the bust and Costanza's own life--her childhood and noble name, her marriage, affair, fall from grace, and recovery--against the backdrop of Baroque Rome. Beautifully illustrated and written, this fascinating story expands our understanding of the woman whose intelligence and passion served as inspiration for Bernini's celebrated sculpture, and who courageously forged a life for herself in the decades following its creation.




Nasema Kiswahili-3: Swahili for Advanced Level


Book Description

Memo Kiswahili noun classes are the backbone of the language. When you master it, you have done with Kiswahili. Many Kiswahili books are not user friendly. This is due to how they have treated these noun classes but, with this manual you will enjoy yourself. All nouns are treated in appropriate noun class with other grammatical processes like possessive marker, relative markers and many others. Also, sample questions are there with their answers. Every topic has some examples on how to go about, together with simple exercises which have their answers at the back. Enjoy your study.




The Landlord's Shadow


Book Description

Ralph is a newbie in the real estate business taking on his first house-flipping project in the town of Bowling Blue, Ohio. Ralph adds to the property a group of mixed pets, ranging from a terrier puppy to a cow, from a rooster to a kid donkey. Cortney, Kayla, and Abby are pretty, hardworking ladies. They become acquainted through the university and stick with each other whenever they can outside their busy lives. Timmy and Troy are handsome brothers, born and raised Bowling Blue, and Jason is their best buddy. These six students move into Ralph's farmhouse and immediately begin repairs on their new home. Meanwhile, a daughter, traumatized and diseased in her youth, is on the loose from civilization, brain-bent on misguided notions of survival and Child Rescue Aide Cherrie Welkins is hot on her case. The Deeds of a Landlord series contains copies of lost questions and lost literature Does a horror wear a dress? Does a horror wear a tuxedo? Horror is sexy.




Making and Moving Sculpture in Early Modern Italy


Book Description

In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.