Diana's Altar


Book Description

Cambridge, 1933. On All Hallows’ Eve, in a candlelit pew in ancient All Hallows Church, Doctor Adelaide Hartest witnesses a stranger’s dying moments. Adelaide is just in time to hear his final confession: that he has plunged the dagger into his own chest, and that his death will be a suicide, despite its suspicious appearance. But his confession isn’t enough to halt an investigation. The victim, it is revealed, is known to Scotland Yard, and his death is a matter of national concern. Assistant Commissioner Joe Sandilands is sent up from London to discover the truth. Thrown into a deadly ring of cloak-and-dagger intrigue and high-society hedonism, Sandilands chases a phantom killer through Cambridge’s aristocracy, intelligentsia, cutting-edge researchers, and a clandestine ring of female spies. What secret was the dead man hiding, and what is at stake?




Third part of King Henry VI. King Richard III. King Henry VIII. Romeo and Juliet. Othello. King Lear. Macbeth. Timon of Athens. Hamlet. Troilus and Cressida. Cymbeline. Coriolanus. Julius Cæsar. Antony and Cleopatra. Titus Andronicus. Pericles. Venus and Adonis. The rape of Lucrece. Sonnets. A lover's complaint. The passionate pilgrim. Sonnets to sundry notes of music. Song. Verses among the additional poems to Chester's Love's martyr, 1601


Book Description




Shakespeare and the Embodied Heroine


Book Description

Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.




Midwiving Subjects in Shakespeare’s England


Book Description

At the intersections of early modern literature and history, Shakespeare and Women's Studies, Midwiving Subjects explores how Shakespearean drama and contemporary medical, religious and popular texts figured the midwife as a central producer of the body's cultural markers. In addition to attending most Englishwomen's births and testifying to their in extremis confessions about paternity, the midwife allegedly controlled the size of one's tongue and genitals at birth and was obligated to perform virginity exams, impotence tests and emergency baptisms. The signs of purity and masculinity, paternity and salvation were inherently open to interpretation, yet early modern culture authorized midwives to generate and announce them. Midwiving Subjects, then, challenges recent studies that read the midwife as a woman whose power was limited to a marginal and unruly birthroom community and instead uncovers the midwife's foundational role, not only in the rituals of reproduction, but in the process of cultural production itself. As a result of recent changes in managed healthcare and of increased attention to uncovering histories of women's experiences, midwives - past and present - are currently a subject of great interest. This book will appeal to readers interested in Shakespeare as well as the history of women and medicine.




Pageantry in the Shakespearean Theater


Book Description

Pageantry in the Shakespearean Theater focuses on political, social, and aesthetic issues to reveal the enormous influence of civic celebration on Renaissance theater. Ranging across Shakespeare's canon and including the work of his fellow playwrights, this collection of twelve essays considers tournaments, royal entries, Lord Mayor's Shows, funeral processions progress entertainments, court masques, and more.




Shakespeare’s Classical Mythology: A Dictionary


Book Description

Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.




Moon Energy for Beginners


Book Description

Moon Energy for Beginners is a guide to modern Moon rituals, offering the basics for practicing Moon worship, understanding Moon signs and Moon phases, and how to harness the Moon in its passage through each sign for personal growth and transformation.




Shakespeare's Religious Language


Book Description

Religious issues and discourse are key to an understanding of Shakespeare's plays and poems. This dictionary discusses over 1000 words and names in Shakespeare's works that have a religious connotation. Its unique word-by-word approach allows equal consideration of the full nuance of each of these words, from 'abbess' to 'zeal'. It also gradually reveals the persistence, the variety, and the sophistication of Shakespeare's religious usage. Frequent attention is given to the prominence of Reformation controversy in these words, and to Shakespeare's often ingenious and playful metaphoric usage of them. Theological commonplaces assume a major place in the dictionary, as do overt references to biblical figures, biblical stories and biblical place-names; biblical allusions; church figures and saints.