Sergey Prokofiev Diaries, 1907-1914


Book Description

He reveals his own developing aesthetic principles through his assessments of the works of others, even as he composes such early masterpieces as the First and Second Piano Concertos, The Ugly Duckling, the First Violin Concerto, and the Classical Symphony."--BOOK JACKET.




Nikolay Myaskovsky


Book Description

Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.




The Great War for Peace


Book Description

“The war to end all wars” rings out a bitter mockery of the First World War, often viewed as the seminal catastrophe of the twentieth century, the crucible from which Soviet, Fascist, and Nazi dictatorships emerged. Today’s conventional wisdom is that the Great War attuned the world to large-scale slaughter, that post-war efforts directed by the Treaty at Versailles were botched, that unbridled new nationalisms made the Second World War inevitable. This provocative book refutes such interpretations, arguing instead that the first two decades of the twentieth century—and the First World War in particular—played an essential part in the construction of a peaceful new order on a global scale. Historian William Mulligan takes an entirely fresh look at the aspirations of statesmen, soldiers, intellectuals, and civilians who participated in the war and at the new ideas about peace that were forged. While the hope for ultimate peace may have legitimized and even intensified the violence of the war, it also broadened conventional ideas about international politics and led to the emergence of such institutions as the League of Nations and the International Labour Organization. The experience of the First World War reinforced humanitarian concerns in political life and focused attention on building a better and more peaceful world order, Mulligan shows. Such issues resonate still in the political and diplomatic debates of today.




Diaries 1907-1914


Book Description

Sergey Prokofiev, a compulsive diarist and gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia after the 1917 Revolution, his diaries were recovered from the family flat in Petrograd and later hidden at considerable personal risk by the composer Nikolai Myaskovsky. Prokofiev himself smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death in 1953, to be kept in an inaccessible section of the Soviet State Archive. Eventually Prokofiev's son Sviatoslav was allowed to transcribe the voluminous contents. When he and his son Sergei eventually emigrated to Paris, they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form.Diaries, 1907-1914, the first of three volumes that extend to 1933, covers Prokofiev's years at the St. Petersburg Conservatoire. Simultaneously attached to and exasperated by the tradition exemplified by composers such as Rimsky-Korsakov, Glazunov, and Tcherepnin, the brash young genius relishes the power of his talent to irritate, challenge, and finally overcome the establishment. In candid and lively prose, he records the all-too-normal preoccupations of a young man making his way in the brilliant social and artistic circles of the prewar Russian capital. Virtually every artist and musician of note appears in these pages, in penetrating and not always flattering vignettes. Prokofiev's main subject, however, is music, its creation and its performance. He reveals his own developing aesthetic principles through his assessments of the works of others, even as he composes such early masterpieces as the First and Second Piano Concertos, The Ugly Duckling, the First Violin Concerto, and the Classical Symphony. An inexhaustibly rich portrait of a vibrant artistic culture on the edge of war and revolution, Prokofiev's Diaries are both a dramatic illumination of a great composer's creativity and an indispensable contribution to our understanding of musical modernism. They constitute an essential and entertaining reference for all lovers of Prokofiev's music. --Orlando Figes, New York Review of Books, May 10, 2007 "Choice"




Selected Letters of Sergei Prokofiev


Book Description

This volume collects for the first time in English the most representative and enlightening of Prokofiev's letters, including some previously suppressed missives that have never before been published. Expertly translated and annotated by Harlow Robinson, the correspondence presented here covers Prokofiev's earliest years at St. Petersburg Conservatory, his extensive worldwide travels, and his return to Moscow. Among the correspondents are childhood friend Vera Alpers, harpist Eleonora Damskaya, ballet impresario Sergei Diaghilev, theatrical director Vsevolod Meyerhold, Soviet critic Boris Asafiev, composers Vernon Duke and Nikolai Miaskovsky, soprano Nina Koshetz, musicologist Nicolas Slonimsky, violinist Jascha Heifetz, conductor Serge Koussevitsky, and film director Sergei Eisenstein. Prokofiev vividly describes, often with dramatic flair and a quirky sense of humor, concerts, performances, his compositions, political events, and meetings with other musicians and composers. His observations are peppered with musical gossip as well as eccentric, original, and disarmingly apolitical insights.




Lina and Serge


Book Description

The dramatic, untold story of Lina and Serge Prokofiev, a doomed love story and a shattering portrait of an artist.




East and West of Zagros


Book Description

A Consular Officer in Bushire, serving in Mesopotamia and Luristan during First World War, Edmonds was sent to Qazvin after the war. He witnessed the Jangal upheaval and the 1921 coup d Etat. The encounter with Persia of a well-trained and brilliant British agent.




Developing Iran


Book Description

This book examines the emergence of modern company towns in Iran by delineating the architectural, political, and industrial histories of three distinct resource-based ‘company town’ projects built in association with the ‘Big Three’ powers of World War II. The book’s narrative builds upon a tripartite research design that chronologically traces the formation and development of the oil, steel, and copper industries, respectively favoured by Great Britain, the Soviet Union, and the United States in this part of the world. By applying three sets of comparative studies, the book provides critical vantage points to three different ideological design paradigms: postcolonial regionalism, socialist universalism, and rationalist modern nation building. From a global political context, the book contributes to the disclosure of new information about the geopolitical confrontation of these three nations in the Global South to increase their sphere of influence after the Second World War. Furthermore, it demonstrates how postwar architectural modernism was adopted by each power and adapted to their ideological mind frame to fulfil distinct social, cultural, political, and economic targets. This book examines multiple interconnections between architecture, politics, and industrial development by adopting a transdisciplinary approach based on comprehensive fieldwork, site surveys, and the analysis of original multilingual documents. As such, it will be of interest to researchers and students of architecture, history, international relations, and Middle Eastern studies.




Farewell Shiraz


Book Description

In October 1999 during a trip to Cairo, Cyrus Kadivar, an exiled Iranian living in London, visited the tomb of the last shah and opened a Pandora's box. Haunted by nostalgia for a bygone era, he recalled a protected and idyllic childhood in the fabled city of Shiraz and his coming of age during the 1979 Iranian revolution. Back in London, he reflected on what had happened to him and his family after their uprooting and decided to conduct his own investigation into why he lost his country. He spent the next ten years seeking out witnesses who would shed light on the last days of Pahlavi rule. Among those he met were a former empress, ex-courtiers, disaffected revolutionaries, and the bereaved relatives of those who perished in the cataclysm. In Farewell Shiraz, Kadivar tells the story of his family and childhood against the tumultuous backdrop of twentieth-century Iran, from the 1905-1907 Constitutional Revolution to the fall of Mohammad Reza Shah Pahlavi, before presenting accounts of his meetings with key witnesses to the Shah's fall and the rise of Khomeini. Each of the people interviewed provides a richly detailed picture of the momentous events that took place and the human drama behind them. Combining exquisite vignettes with rare testimonials and first-hand interviews, Farewell Shiraz draws us into a sweeping yet often intimate account of a vanished world and offers a compelling investigation into a political earthquake whose reverberations still live with us today.




Persian Petroleum


Book Description

Using newly-uncovered private papers, as well as public and private archives in three countries, this book tells the definitive history of the first discovery of oil in Iran - the first discovery of oil in the Middle East. Exploring the formal and informal dealings of politicians, investors, civil servants and intermediaries Leonardo Davoudi charts the development of Persian petroleum from uncertain beginnings to becoming one of Britain's largest oil companies with the British government as its principal shareholder. Assessing the relationship between economic and political forces within the British empire and the relationship of foreign economic forces and domestic political forces in Persia, the book also explores the role of intermediation, informal empire, the Anglo-Russian rivalry over Persia, British naval developments and Persian political developments.