Hobberdy Dick


Book Description

A hobgoblin is charged with the protection of an unloving Puritan family who come to live at an English manor in 1652.




Fairies


Book Description

Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.




WORLD OF WARCRAFT


Book Description




A Knot in the Grain


Book Description

Stories from the world of The Hero and the Crown and other magical places by a New York Times–bestselling Newbery Medal winner. Robin McKinley returns to the mythical setting of The Hero and the Crown and The Blue Sword in this “thrilling, satisfying, and thought-provoking collection” featuring two stories set in the world of Damar, plus three other fantasy tales featuring adventurous, pragmatic, and heroic young women (Publishers Weekly). There’s mute Lily, in “The Healer,” who has the power to help others, and receives a startling opportunity to find her voice when a mysterious mage stumbles into town. And Queen Ruen, who is at the mercy of a power-hungry uncle until she encounters a shape-changer in “The Stagman.” In “Touk’s House,” a maiden who has grown up with a witch and a troll has a chance to become a princess, but she must decide whether she would really live happily ever after. When a curse follows Coral to her new husband’s farm in “Buttercups,” the pair has a choice: Succumb to defeat or find a way to turn a disastrous enchantment into a fruitful new venture. Finally, travel to upstate New York with Annabelle. In the title story, her family moves shortly after her sixteenth birthday, and just as she starts to adjust to her new life in a small town, a plan to build a superhighway threatens her new home. But a strange box hidden in a secret attic in the new house may be the answer. This is a delightful assortment of tales from an author with “a remarkable talent for melding the real and the magical into a single, believable whole” (Booklist).




A Tale of Fairyland (the Princess Nobody)


Book Description

DIVCaptivating tale of a diminutive princess and the comical prince who saves the day and marries the royal beauty. A much-loved classic for fairy-tale lovers of all ages. /div




Sister Emily's Lightship and Other Stories


Book Description

Sister Emily's Lightship and Other Stories is Jane Yolen's first collection of short stories written for adults. It includes the award-winning title story, as well as three new, never-before published, works.







Children's Catalog


Book Description

The 1st ed. includes an index to v. 28-36 of St. Nicholas.




Cinderella and Other Stories


Book Description

The servants of the Hotel Salisbury, which is so called because it is situated on Broadway and conducted on the American plan by a man named Riggs, had agreed upon a date for their annual ball and volunteer concert, and had announced that it would eclipse every other annual ball in the history of the hotel. As the Hotel Salisbury had been only two years in existence, this was not an idle boast, and it had the effect of inducing many people to buy the tickets, which sold at a dollar apiece, and were good for "one gent and a lady," and entitled the bearer to a hat-check without extra charge.