Die Zeit Heinrichs VIII


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The Cambridge Modern History


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The New Cambridge Bibliography of English Literature: Volume 1, 600-1660


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More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.




Records of English Court Music


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Pioneering work on the musical material from the archives of the English court was undertaken by Nagel (1894), Lafontaine (1909) and Stokes (in the Musical Antiquary 1903-1913). Records of English Court Music (a series of seven volumes covering the period 1485-1714) is the first attempt to compile a systematic calendar of such references. It aims to revise these earlier studies where necessary, adding significant details which researchers omitted, clarifying the context of documents and substituting current call-marks for defunct references. Volume V is primarily concerned with the post-Restoration years already partially covered in volumes I and II. The material from the Exchequer and Declared Accounts of the Treasurer of the Chamber has been revised to include references to trumpeters and drummers. Other sections are devoted to material outside the Lord Chamberlain's papers: the Signet Office Docquet Books, Secret Service accounts and more from the Exchequer; the Corporation of Musick (controlled by the Court musicians) and to the range of music material from accounts of the Receivers General. Samples from the comprehensive records of the Lord Steward's department (including those of the Cofferer of the Household) are also provided. Andrew Ashbee was the winner of the Oldman Prize in 1987 for Volume II in the series of 'Records of English Court Music', awarded by the UK branch of the International Association of Music Libraries for the year's best book on music librarianship, bibliography and reference.




English Economic History


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The Agrarian Problem in the Sixteenth Century


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Publisher description: The novel follows talented young saxophonist Latif James-Pearson as he migrates from Boston to New York in hopes of apprenticing himself to his hero, Albert Van Horn. The center of Latif's universe soon becomes his room in a Harlem boarding house, where he spends his days alone, practicing intensely, and a downtown nightclub called Dutchman?s where Van Horn's group performs. There, Latif studies the musicians from afar, unwilling to meet Van Horn until he feels musically ready. It is at Dutchman's that Latif stumbles into another apprenticeship, this one to a charismatic drug dealer named Say Brother, and inadvertently comes under the wing of Van Horn's pianist, Sonny Burma. Latif also meets Mona, a white painter who is a regular at the club, and they begin a complex affair, which causes both of them to question their ideas about artistry, race, and love. As Latif drifts slowly toward the life of a hustler and away from that of a musician, Van Horn himself steps in and begins to mentor the young man, relating his own remarkable life story in the process. But even as Latif makes his way into his hero's inner circle, his frustration with his playing, the turn his relationship with Mona is taking, and the demands of hustling begin to take their toll. Desperate and in dire straits, Latif returns to Boston to seek the help of his mother, his first music teacher, and the crew of childhood friends he left behind. When tragedy spurs him to return to New York, Latif is forced to finally confront his music, Mona, and himself. An intricate, riveting, and original improvisation on classic themes, Shackling Water heralds the arrival of an important and beautiful new voice in American literature.




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