Digital Stereoscopy


Book Description

Why buy "Digital Stereoscopy"?Digital Stereoscopy is the bible of modern 3D technologies where students, amateurs, and professional stereographers will find a clear description of all 3D facets of the stereoscopic business as well as detailed info on the 3D image production, distribution, and presentation workflow. Abstract and special featuresStereoscopic images are a century old but the recent rise of digital 3D in all aspects of audiovisual production allows for a constant high quality level, making stereoscopy pleasant and comfortable for the viewer's eyes. The range of media influenced by stereoscopy is impressive, going from motion pictures and television to print and Internet distribution. This book will let you discover the basic principles of how we perceive objects in 3D, how we can shoot 3D pictures and movies, what digital processes are required to produce quality 3D images, and how 3D movies are distributed. We will also study less known aspects of the production workflow, such as 2D to 3D conversion, storage, real-time transmission for broadcasting, and 3D Blu-ray authoring. The various methods of displaying and projecting 3D images will be covered, along with their pros and cons. The book provides a large number of technical details on all these subjects, making it a reference work for professionals in the field, with explanations of the most commonly used software, hardware, and standards.To make the book as useful as possible, an abundance of sidebars explaining the most important concepts in each chapter and a glossary of the most frequently used 3D-specific terms have been included.




Digital Visual Effects in Cinema


Book Description

Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.




Stereoscopy


Book Description




STEREOSCOPY


Book Description




Remote Sensing Geology


Book Description

For nearly three decades there has been a phenomenal growth in the field of Remote Sensing. The second edition of this widely acclaimed book has been fully revised and updated. The reader will find a wide range of information on various aspects of geological remote sensing, ranging from laboratory spectra of minerals and rocks, ground truth, to aerial and space-borne remote sensing. This volume describes the integration of photogeology into remote sensing as well as how remote sensing is used as a tool of geo-exploration. It also covers a wide spectrum of geoscientific applications of remote sensing ranging from meso- to global scale. The subject matter is presented at a basic level, serving students as an introductory text on remote sensing. The main part of the book will also be of great value to active researchers.




Techniques and Principles in Three-Dimensional Imaging: An Introductory Approach


Book Description

"This book provides the reader with a concrete understanding of basic principles and pitfalls for 3-D capturing, highlighting stereoscopic imaging systems including holography"--




DIGITAL IMAGE PROCESSING AND APPLICATIONS


Book Description

The influence and impact of digital images on modern society, science, technology and art are tremendous. Image processing has become such a critical component in contemporary science and technology that many tasks would not be attempted without it. It is a truly interdisciplinary subject that draws from synergistic developments involving many disciplines and is used in medical imaging, microscopy, astronomy, computer vision, geology and many other fields. With a few exceptions, the topics of optical information processing and digital information processing are usually covered in different books, written by experts in one field or the other. It is rare that the two topics are both covered in the same volume. This book is an exception to this trend, and is notable in several different aspects, but especially in its breadth of coverage of both topics. It seems very appropriate to have both general topics covered in the same book, for optical processing systems (defined broadly) commonly include digital systems to drive the optical system and to post-process the data (example: adaptive-optic systems), while digital processing systems most commonly operate on data that has been gathered by an optical system. As a consequence, sophisticated image-gathering and handling systems today include both types of technology, a merger that grows more complete as time progresses. Indeed, even consumer-oriented devices such as digital cameras are sophisticated systems with optical and digital parts. This is a text for use in a first practical course in image processing and analysis, for final-year undergraduate or first-year graduate students with a background in biomedical engineering, computer science, radiologic sciences or physics. Designed for readers who will become “end users” of digital image processing in the biomedical sciences, it emphasizes the conceptual framework and the effective use of image processing tools and uses mathematics as a tool, minimizing the advanced mathematical development of other textbooks.




Image Processing and Data Analysis with ERDAS IMAGINE®


Book Description

Remotely sensed data, in the form of digital images captured from spaceborne and airborne platforms, provide a rich analytical and observational source of information about the current status, as well as changes occurring in, on, and around the Earth’s surface. The data products, or simply images processed from these platforms, provide an additional advantage in that geographic areas or regions of interest can be revisited on a regular cycle. This revisit cycle allows geospatial analysts and natural resource managers to explore changing conditions over time. Image Processing and Data Analysis with ERDAS IMAGINE® explains the principles behind the processing of remotely sensed data in a simple, easy to understand, and "how-to" format. Organized as a step-by-step guide with exercises adapted from original research and using publicly available imagery, such as NASA Landsat, ESA Sentinel-2, Orthophotos, and others, this book gives readers the ability to quickly gain the practical experience needed to navigate the ERDAS IMAGINE® software as well as learn certain applications in Esri’s ArcMap ArcGIS for Desktop software and Quantum the GIS (QGIS) open source applications package. It also helps readers to easily move beyond the information presented in this book and tackle more advanced skills. Written by two professors with long experience in remote sensing and image processing, this book is a useful guide and reference for both undergraduate and graduate students, researchers, instructors, managers, and agency professionals who are involved in the study of Earth systems and the environment.




Digital Compositing for Film and Video


Book Description

Written by senior compositor, technical director and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly-informative guide suitable for both working and aspiring visual effects artists. This expanded and updated edition of Digital Compositing for Film and Video addresses the problems and difficult choices that professional compositors face on a daily basis with an elegant blend of theory, practical production techniques and workflows. It is written to be software-agnostic, so it is applicable to any brand of software. This edition features many step-by-step workflows, powerful new keying techniques and updates on the latest tech in the visual effects industry. Workflow examples for: Grain Management Lens Distortion Management Merging CGI Render Passes Blending Multiple Keys Photorealistic Color Correction Rotoscoping Production Techniques for: Keying Difficult Greenscreens Replicating Optical Lens Effects Advanced Spill Suppression Fixing Discoloured Edges Adding Interactive Lighting Managing Motion Blur With brand new information on: Working in linear ACES Color Management Light Field Cinematography Planar Tracking Creating Color Difference Keys Premultiply vs. Unpremultiply Deep Compositing VR Stitching 3D Compositing from 2D Images How Color Correction ops Effect Images Color Spaces Retiming Clips Working with Digital Cinema Images OpenColorIO A companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand.




Langford's Advanced Photography


Book Description

Whether you're a serious enthusiast, a student or a training professional, this book covers it all; from genres, cameras, lenses, digital imaging sensors and films to insights into photography as an industry.