Dix Portraits


Book Description

Originally published in 1930 in an edition of 100 copies, Gertrude Stein’s Dix Portraits pairs her singular literary style with original lithographs by Pablo Picasso and other artists in Stein’s circle to create an exceptional artist’s book exploring written and visual portraiture. Written between 1913 and 1929, revolutionary years in art history, Dix Portraits conveys the deep human engagement between an artist and her subject. The artist’s book unites Stein’s ten portraits in prose with sketches by five artists: Pablo Picasso, Christian Bérard, Eugene Berman, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and image, Stein’s writing and the artists’ images provide nuance and depth, balancing humor and sincerity. With a new introduction by Lynne Tillman, Dix Portraits is an unforgettable artistic collaboration. The subjects represented include Pablo Picasso, Guillaume Apollinaire, Erik Satie, Pavel Tchelitchew, Virgil Thomson, Christian Bérard, Bernard Faÿ, Kristians Tonny, Georges Hugnet, and Eugene Berman. Originally printed in an edition of 100 copies with the lithography, and now widely accessible for the first time, Dix Portraits captures Stein’s legacy as a champion of artists and a pioneer of creativity.




Lustmord


Book Description

In a book that confronts our society's obsession with sexual violence and the image of the violated female corpse in our collective consciousness, Harvard culturist Maria Tatar examines images of sexual murder and studies how art and murder have intersected in sexual culture from Weimar Germany to the present. 44 photos.




Dorothea Dix


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Publisher Description




Portraiture


Book Description

Portraiture, the most popular genre of painting, occupies a central position in the history of Western art. Despite this, its status within academic art theory is uncertain. This volume provides an introduction to major issues in its history.




Otto Dix


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Otto Dix, 1891-1969


Book Description

Om den tyske maler Otto Dix (1891-1969)




Gertrude Stein


Book Description

The definitive book on Gertrude Stein




How to Read Portraits


Book Description

Portraiture goes far beyond capturing a likeness. This intimate genre sheds light on the subjects’ and makers’ politics, relationships, aspirations, and insecurities. Featuring more than fifty works across time and cultures, from the lifelike Faiyum funerary masks of ancient Roman Egypt to Pablo Picasso’s and Marsden Hartley’s abstractions to likenesses imagined by contemporary artists, this publication probes the notion of what constitutes a portrait, beyond mere verisimilitude. Bestselling author Kathryn Calley Galitz illuminates how artists through the ages have exploited the genre to reveal character and convey power and status; how artists as varied as Rembrandt and Cindy Sherman embraced artifice and roleplaying to explore identity; and how the term “portraiture” encompasses a wider variety of works than typically thought. This reexamination of a deceptively familiar genre provides fascinating ideas about what these images can tell us about the sitter, the artist, the culture in which they lived, and ourselves.




Otto Dix and Weimar Media Culture


Book Description

"Otto Dix (1891-1969) was a leading figure of the Neue Sachlichkeit, or New Objectivity, movement in painting in 1920s Germany. This groundbreaking study analyses for the first time the relationship between Dix's verist-realist portrait paintings and the rapidly expanding mass media culture of the Weimar era that surrounded it. The book focuses on a small number of portrait paintings created in the first half of the 1920s to explore four specific aspects: the way Dix engaged with fashion and celebrity culture; how he responded to the challenge posed by photography and film; how he dealt with a situation where black-and-white reproductions were the most common way in which a diverse audience encountered his work; and the way in which Dix's career development ran in parallel with the commentary on his work in journalistic and specialist media publications. Temporality, medium-specificity and reproduction are identified as concerns that drove the artist's aesthetic responses to a historically specific environment. The book draws upon archival material, letters and interviews by the artist, and a broad variety of contemporary publications by art critics and art historians to reveal new information about key paintings such as his Portrait of the Dancer Anita Berber (1925)"--




Glitter and Doom


Book Description

In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity), in particular the branch of that new form of realism called Verism, which took as its subject contemporary phenomena such as war, social problems, and moral decay. Subjects of their incisive portraits are the artists' own contemporaries: actors, poets, prostitutes, and profiteers, as well as doctors, lawyers, businessmen, and other respectable citizens. The accompanying texts reveal how these portraits hold up a mirror to the glittering, vital, doomed society that was obliterated when Hitler came to power.