Dominican Engagement with the World


Book Description

Athony Kelly's research and writing through the years have been ceaseless. He has produced a stream of books, seeming one of those who has to have a manuscript on the go all the time in order to structure his life, not just intellectually but even psychologically and spiritually. He has always been an intellectual and spiritual pilgrim, and his books have been reports on where he is on the journey. This little book is no different as Tony moves through the later phase of his now long life. One reason why his theological voice has been so engaging and incisive is that it rises from a broad and deep human culture. Tony doesn't do theology in a vacuum. He is a poet and a painter as well as a theologian, which gives him an eloquence not granted to all scholars, showing that how something is said and what is said are more closely connected that is often thought. Tony's beautiful prose has always been a way of disclosing his beautiful thought and ultimately the beauty of God to which St Alphonsus Liguori was deeply attuned as we see in a text like 'Dio bello, Signor del Paradiso'. In these meditations on Holy Week, Anthony J Kelly CSsR offers that kind of defamiliarisation, in order to see and understand Holy Weck, its events, its characters, its images, in new ways. As the meditations unfold, you can sense Fr Kelly's own astonishment at what is happening and what it means; and into this astonishment he invites the reader. He leads us far beyond 'just another Holy Week' to a new experience of Holy Week, almost as if for the first time. The all too familiar appears in all its strangeness; and as it does a sense of astonishment emerges.




An Exploration into Dominican Spirituality


Book Description

'My aim in this book is to show clearly that the ... Dominican tradition ... is capable of shedding light on the questions of men and women today and suggesting a way of dealing with them. These questions are ultimately a variant of the one central question of human existence, bound up with a particular time, place and person: the question of a good and meaningful life ... my starting point is the basic conviction that a religious and dedicated life cannot be lived anywhere else than in the midst of our turbulent culture, which constantly makes us uncertain ... this book is deliberately written from the perspective of someone who in ecclesiastical jargon is called a "lay person".' From the Introduction by Erik Borgman 'This book is a highly attractive and stimulating exposition of Dominican spirituality by Erik Borgman, a Dutch Lay Dominican. The central intuition of the book is that Dominican spirituality is founded on the encounter of God in all of human experience. Dominic's experience in the early thirteenth century was born in opposition to Catharism, which maintained that God was remote from us and that there was a fundamental opposition between the divine and this material world. But for Dominic it is here, in our lives, with all their creativity and goodness, their mess and confusion, that God is to be found. Our mission as preachers pushes us "to enter the unrest of the street and the inn, politics and journalism, welfare, teaching and science, in the belief that the holy, the traces of the Holy One, are to be found there". Even in the most difficult situations, when all is dark, God is waiting to be discovered. "If Dominican spirituality has a core, then it would be this insight into the unexpected and unheard-of nearness of God'. This is the good news that the Order of Preachers was founded to preach and the source of the happiness of the preacher."' From the Foreword by Timothy Radcliffe OP




The Sufi and the Friar


Book Description

This book explores the profound spiritual encounter between Serge de Beaurecueil (1917–2005), a twentieth-century French Dominican friar and Christian mystic, and the eleventh-century Ḥanbalī Sufi master Khwāja 'Abdullāh Anṣārī of Herāt (1006–1089). De Beaurecueil lived much of his Christian discipleship in Cairo and Afghanistan, where he became the foremost expert on the life and thought of Anṣārī. His mystical conversation and scholarly engagement with Anṣārī, his experience of Islamic hospitality, and the transformation of his own practical spirituality or praxis mystica through his experience of dwelling in the abode of Islam provide us with not only a magnificent and luminous meditation on the hidden and abiding presence of God among Muslims but also a contemplation on the quandary of genuine engagement with and openness to the religious other.




Dominicana


Book Description

A GOOD MORNING AMERICA BOOK CLUB PICK Shortlisted for the 2020 Women's Prize for Fiction “Through a novel with so much depth, beauty, and grace, we, like Ana, are forever changed.” —Jacqueline Woodson, Vanity Fair “Gorgeous writing, gorgeous story.” —Sandra Cisneros Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by Cesar, Juan’s free-spirited younger brother, who convinces her to stay. As the Dominican Republic slides into political turmoil, Juan returns to protect his family’s assets, leaving Cesar to take care of Ana. Suddenly, Ana is free to take English lessons at a local church, lie on the beach at Coney Island, see a movie at Radio City Music Hall, go dancing with Cesar, and imagine the possibility of a different kind of life in America. When Juan returns, Ana must decide once again between her heart and her duty to her family. In bright, musical prose that reflects the energy of New York City, Angie Cruz's Dominicana is a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world.




Walāyah in the Fāṭimid Ismāʿīlī Tradition


Book Description

Explores the relationship between revelation and reason in medieval Islamic intellectual history. In this original study, Elizabeth R. Alexandrin examines the complex relationships that can be inscribed between medieval Ismā'īlī thought as an intellectual tradition with a devotional practice of reliance on the imām, and as a politico-esoteric system that redefined governance during the Fāṭimid caliphate in the eleventh century. Alexandrin's work is a departure from recent Western scholarship that focuses on similarities among early Islamic traditions. She argues instead that, under the guidance of the Fāṭimid Ismā'īlī chief missionary al-Mu'ayyad fī al-Dīn al-Shīrāzī (d. 1078 CE), the concept of walāyah (divine guidance) became closely associated with religio-political authority, on the one hand, and the perfection of the individual human being, on the other. By signaling and affirming how the Fāṭimid caliph-imām's were the heirs of walāyah and by proposing new definitions of the "seal of God's friends" (khātim al-awliyā' Allāh), al- Mu'ayyad broadened the contexts of making esoteric knowledge public and shifted the apocalyptic frameworks of Islamic messianism.




Tigers of a Different Stripe


Book Description

In Tigers of a Different Stripe, ethnomusicologist Sydney Hutchinson examines a variety of music genres in the Dominician Republic, and its diasporic communities, to shed light on how gender is performed through music, especially merengue tipico, a traditional, accordion-based genre that has undergone great change since the 1960s. Hutchinson goes beyond looking at just the music itself, to how dancing and listening, as well as viewing and discussing music, all play a part in gender performance and construction. Dominican gender roles are usually defined by a binary understanding of gender that is at its worst sexist and patriarchal, with macho men and subservient women. Hutchinson shows how wrong this is in musical performance, where musicians like Rita Indiana bend both gender and genre. The discussion naturally expands to movement, migration, race, class, and notions of tradition and modernity. In the end, Tigers shows how music can either reinforce entrenched gender roles or help to open up possibilities by imagining new roles and identities for all."




Introduction to Dominican Blackness


Book Description

This study is a reflection on the complexity of racial thinking and racial discourse in Dominican society.




The Mulatto Republic


Book Description

“Impels the reader to not lean solely on the crutch of Dominican anti-Haitianism in order to understand Dominican identity and state formation. Mayes proves that there was a multitude of factors that sharpen our knowledge of the development of race and nation in the Dominican Republic.”—Millery Polyné, author of From Douglass to Duvalier “A fascinating book. Mayes discusses the roots of anti-Haitianism, the Dominican elite, and the ways in which race and nation have been intertwined in the history of the Dominican Republic. What emerges is a very interesting and engaging social history.”—Kimberly Eison Simmons, author of Reconstructing Racial Identity and the African Past in the Dominican Republic The Dominican Republic was once celebrated as a mulatto racial paradise. Now the island nation is idealized as a white, Hispanic nation, having abandoned its many Haitian and black influences. The possible causes of this shift in ideologies between popular expressions of Dominican identity and official nationalism has long been debated by historians, political scientists, and journalists. In The Mulatto Republic, April Mayes looks at the many ways Dominicans define themselves through race, skin color, and culture. She explores significant historical factors and events that have led the nation, for much of the twentieth century, to favor privileged European ancestry and Hispanic cultural norms such as the Spanish language and Catholicism. Mayes seeks to discern whether contemporary Dominican identity is a product of the Trujillo regime—and, therefore, only a legacy of authoritarian rule—or is representative of a nationalism unique to an island divided into two countries long engaged with each other in ways that are sometimes cooperative and at other times conflicted. Her answers enrich and enliven an ongoing debate. Publication of this digital edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.




The World-Literary System and the Atlantic


Book Description

The World-Literary System and the Atlantic grapples with key questions about how American studies, and the Atlantic region in general, engages with new considerations of literary comparativism, international literary space and the world-literary system. The edited collection furthers these discussions by placing them into a relationship with the theory of combined and uneven development – a theory that has a long pedigree in Marxist sociology and political economy and that continues to stimulate debate across the social sciences, but whose implications for culture have received less attention. Drawing on the comparative modes, concepts, and methods being developed in the "new" world-literary studies, the essays cover a diverse range of topics such as, the periodization of world literature, racism and the world-system, singular modernity, critical "irrealism," commodity frontiers, semi-peripherality, and world-ecology. The chapters in this book were originally published in the journal, Atlantic Studies.




The Borders of Dominicanidad


Book Description

In The Borders of Dominicanidad Lorgia García-Peña explores the ways official narratives and histories have been projected onto racialized Dominican bodies as a means of sustaining the nation's borders. García-Peña constructs a genealogy of dominicanidad that highlights how Afro-Dominicans, ethnic Haitians, and Dominicans living abroad have contested these dominant narratives and their violent, silencing, and exclusionary effects. Centering the role of U.S. imperialism in drawing racial borders between Haiti, the Dominican Republic, and the United States, she analyzes musical, visual, artistic, and literary representations of foundational moments in the history of the Dominican Republic: the murder of three girls and their father in 1822; the criminalization of Afro-religious practice during the U.S. occupation between 1916 and 1924; the massacre of more than 20,000 people on the Dominican-Haitian border in 1937; and the 2010 earthquake in Haiti. García-Peña also considers the contemporary emergence of a broader Dominican consciousness among artists and intellectuals that offers alternative perspectives to questions of identity as well as the means to make audible the voices of long-silenced Dominicans.