Dramatists Sourcebook, 1995-96


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Dramatists Sourcebook, 1995-96


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The Playwright's Companion, 1996


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Dramatists Sourcebook


Book Description

Dramatists Sourcebook 1999-2000 Edition Complete Opportunities for Playwrights, Translators, Composers, Lyricists and Librettists Kathy Sova and Samantha Rachel Rabetz, editors The fully revised 19th edition contains more than 1000 opportunities for all those who are writing for the stage.




The Elements of Playwriting


Book Description

Being a playwright means more than just putting pen to paperit means expressing a personal point of view, bringing a vision to life, developing dimensional characters, structuring a plays action, creating effective characters, creating effective dialogue, and finding producers, directors, and actors to bring a work to life. Catron, a respected writer, producer, director, and instructor, explores these themes and more, presenting the basic principles necessary for writing a stageworthy play. By emphasizing stageworthiness, he shows how to avoid common pitfalls, such as treating a play as literature or being overinfluenced by cinematic writing. Examples from classical and modern plays are included throughout, as are exercises for sharpening and developing skills and practical guidelines on working with actors and directors, getting produced and published, and finding an agent.




Poets & Writers


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Dramatists Sourcebook, 1992-93


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British Playwrights, 1956-1995


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The year 1956 marked a point when British drama and theater fell into the hands of a group of young playwrights who revolutionized the stage. During that time, playwrights such as Samuel Beckett and Harold Pinter made the British theater as rich, varied, and vital as any national theater in history. This reference chronicles the history of British theater from 1956 to 1995 by providing detailed information about the playwrights of that period. Included are entries for some three dozen British playwrights active between 1956 and 1995. Entries are arranged alphabetically to facilitate use. Each entry supplies biographical information, the production history for particular plays, a survey of the playwright's critical reception, an assessment of the dramatist's work, and primary and secondary bibliographies. A selected, general bibliography at the end of the volume directs the reader to important sources of additional information about this period in theater history.




Forthcoming Books


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American Theatre


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