Duvalier's Ghosts


Book Description

"Urgently pursues those nameless ghosts of Haitians lost in the liminal space of the Black Atlantic."--New West Indian Guide "Foregrounds the experiences of refugees (particularly those refused asylum and detained in camps), the political mobilization of the diaspora in the United States, the ramifications of the policies and adjustment programmes imposed on Haiti by the World Bank, the International Monetary Fund and USAID."--Bulletin of Latin American Research "Theoretically sound and well researched. Braziel has written a compelling book on the literatures of post-Duvalier Haiti."--Millery Polyne, New York University "A very original study, a tour-de-force that crisscrosses the disciplinary boundaries typically separating the social sciences and the humanities. It is richly researched, beautifully written, and will surely attract much critical attention and praise."--Valerie Kaussen, University of Missouri From a position of urgent political engagement, this provocative book offers novel and compelling interpretations of several well-known Haitian-born authors, particularly regarding U.S. intervention in their homeland. Drawing on the diasporic cultural texts of several authors, such as Edwidge Danticat and Dany Laferrière, Jana Evans Braziel examines how writers participate in transnational movements for global social justice. In their fictional works they discuss the United States’ many interventionist methods in Haiti, including surveillance, foreign aid, and military assistance. Through their work, they reveal that the majority of Haitians do not welcome these intrusions and actively criticize U.S. treatment of Haitians in both countries. Braziel encourages us to analyze the instability and violence of small nations like Haiti within the larger frame of international financial and military institutions and forms of imperialism. She forcefully argues that by reading these works as anti-imperialist, much can be learned about why Haitians and Haitian exiles often have negative perceptions of the U.S.




The Spirits and the Law


Book Description

Vodou has often served as a scapegoat for Haiti’s problems, from political upheavals to natural disasters. This tradition of scapegoating stretches back to the nation’s founding and forms part of a contest over the legitimacy of the religion, both beyond and within Haiti’s borders. The Spirits and the Law examines that vexed history, asking why, from 1835 to 1987, Haiti banned many popular ritual practices. To find out, Kate Ramsey begins with the Haitian Revolution and its aftermath. Fearful of an independent black nation inspiring similar revolts, the United States, France, and the rest of Europe ostracized Haiti. Successive Haitian governments, seeking to counter the image of Haiti as primitive as well as contain popular organization and leadership, outlawed “spells” and, later, “superstitious practices.” While not often strictly enforced, these laws were at times the basis for attacks on Vodou by the Haitian state, the Catholic Church, and occupying U.S. forces. Beyond such offensives, Ramsey argues that in prohibiting practices considered essential for maintaining relations with the spirits, anti-Vodou laws reinforced the political marginalization, social stigmatization, and economic exploitation of the Haitian majority. At the same time, she examines the ways communities across Haiti evaded, subverted, redirected, and shaped enforcement of the laws. Analyzing the long genealogy of anti-Vodou rhetoric, Ramsey thoroughly dissects claims that the religion has impeded Haiti’s development.




Papa Doc


Book Description

Graham Greene's The comedians outlined the full horror of Dr. Francois Duvalier's reign in fiction form.




Aunt Resia and the Spirits and Other Stories


Book Description

The men and women glimpsed in Lahens's stories are confronted with the overwhelming task of simply staying alive. "The Survivors" unfolds under the Duvalier dictatorship and, centered on a group of men who dream of somehow striking out against the regime, shows how fear is passed down from generation to generation. Life is no simpler in the post-Duvalier world of the title story, in which a young man is caught between a mother who lives a devout life filled with self-imposed restrictions and an exuberant Vodouist aunt who makes no apologies for working in the black market. The twelve-year-old girl who narrates "Madness Had Come with the Rain" finds herself swept up in a violent riot following the death of a modern Robin Hood. Lahens' women, although they may act as the poto mitan (or "central pole") in family life and society, experience a particularly grim fate. In the eviction tale "And All This Unease" a beautiful girl reminisces about her happy childhood in the country in order to forget her current life as a prostitute.




The Dew Breaker


Book Description

We meet him late in life: a quiet man, a good father and husband, a fixture in his Brooklyn neighborhood, a landlord and barber with a terrifying scar across his face. As the book unfolds, moving seamlessly between Haiti in the 1960s and New York City today, we enter the lives of those around him, and learn that he has also kept a vital, dangerous secret. Edwidge Danticat’s brilliant exploration of the “dew breaker”--or torturer--s an unforgettable story of love, remorse, and hope; of personal and political rebellions; and of the compromises we make to move beyond the most intimate brushes with history. It firmly establishes her as one of America’s most essential writers. BONUS: This edition includes an excerpt from Edwidge Danticat's Claire of the Sea Light.




Moonbath


Book Description

The award-winning saga of a peasant family living in a small Haitian village, told through four generations of voices, recounting through stories of tradition and superstition, voodoo and the new gods, romance and violence, the lives of the women who struggled to hold the family together in an ever-shifting landscape of political turmoil and economic suffering.




Revisiting the Elegy in the Black Lives Matter Era


Book Description

Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.




Contemporary Adolescent Literature and Culture


Book Description

Offering a wide range of critical perspectives, this volume explores the moral, ideological and literary landscapes in fiction and other cultural productions aimed at young adults. Topics examined are adolescence and the natural world, nationhood and identity, the mapping of sexual awakening onto postcolonial awareness, hybridity and trans-racial romance, transgressive sexuality, the sexually abused adolescent body, music as a code for identity formation, representations of adolescent emotion, and what neuroscience research tells us about young adult readers, writers, and young artists. Throughout, the volume explores the ways writers configure their adolescent protagonists as awkward, alienated, rebellious and unhappy, so that the figure of the young adult becomes a symbol of wider political and societal concerns. Examining in depth significant contemporary novels, including those by Julia Alvarez, Stephenie Meyer, Tamora Pierce, Malorie Blackman and Meg Rosoff, among others, Contemporary Adolescent Literature and Culture illuminates the ways in which the cultural constructions 'adolescent' and 'young adult fiction' share some of society's most painful anxieties and contradictions.




White Darkness


Book Description

From its blood-chilling opening scene, White Darkness will grab you by the throat and keep on squeezing. On the island nation of Haiti, the shadowy Colonel Hugo Ferray is making another of his surprise nighttime visits. While he sits in the elegant dining room entertaining Mr. and Mrs. Dalwani and their three teen-age daughters with witty conversation, his armed troops outside are silently snipping the telephone wires and surrounding the house. When preparations are complete, the colonel slowly and mercilessly transforms his polite social call into a sadistic ritual of pillage, rape, arson and murder. Fabrice Lacroix works for the wealthy Jouvier family. He spends his days tending their garden and daydreaming about living in America with his girlfriend Antoinette. But a terrifying, late night confrontation with Colonel Ferray will propel Fabrice on a journey toward America more harrowing than he could ever have imagined. His escape will leave his precious Antoinette to face the colonel's savage fury alone. Both Fabrice and Antoinette will place their lives in the hands of the l'wahs, the revered Voodoo spirits who are the living gods of Haiti. At thirty-nine, More Rosen is struggling to maintain the family jewelry store in a once elegant Brooklyn neighborhood now crowded with West Indian immigrants— people whose language, customs and beliefs he does not understand. When Moe rescues his Haitian neighbor from a brutal mugging, he will be drawn into her strange, alien, darkly superstitious world where romance and success will lead to violence, kidnapping and the very real threat of death. After methodically destroying all traces of his former life, Colonel Ferray will relocate to America and assume a new identity. When he discovers that much of his stored treasure has been stolen, his lust for vengeance will take him straight to the West Indian section of Brooklyn. Rather than subduing his vicious impulses, the change of scene will actually increase his appetite for innocent women and orchestrated bloodshed. As the evil of the island seeps into the streets of New York, a deadly clash involving the colonel, Moe Rosen, Fabrice Lacroix and the mystical spirits of Haitian Voodoo will become inevitable. In settings that range from the high seas of the Caribbean to the canyons of New York, from a poverty-stricken Haitian village to a Miami bank vault filled with stolen gold, from a shootout on a lonely West Indian mountaintop to an authentic Voodoo ceremony in a crowded Brooklyn basement, White Darkness tells the story of men and women whose love, strength and courage will be tested to their limits in a final battle that will either destroy them or set them free. Praise for Steven D. Salinger's Behold the Fire: "It would be hard to pack more suspenseful action into these pages..." — People "Debut thrillers don't get much better than this." — Chicago Tribune "Jolting...impressive....sees a lot of action and covers a lot of ideological ground without losing a grip on itself...Salinger writes as if language were his lifeline to a new world." — The New York Times "The best first novel I've ever reviewed." — Philadelphia Inquirer




Slave Revolt on Screen


Book Description

Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.