Duvalier's Ghosts


Book Description

"Urgently pursues those nameless ghosts of Haitians lost in the liminal space of the Black Atlantic."--New West Indian Guide "Foregrounds the experiences of refugees (particularly those refused asylum and detained in camps), the political mobilization of the diaspora in the United States, the ramifications of the policies and adjustment programmes imposed on Haiti by the World Bank, the International Monetary Fund and USAID."--Bulletin of Latin American Research "Theoretically sound and well researched. Braziel has written a compelling book on the literatures of post-Duvalier Haiti."--Millery Polyne, New York University "A very original study, a tour-de-force that crisscrosses the disciplinary boundaries typically separating the social sciences and the humanities. It is richly researched, beautifully written, and will surely attract much critical attention and praise."--Valerie Kaussen, University of Missouri From a position of urgent political engagement, this provocative book offers novel and compelling interpretations of several well-known Haitian-born authors, particularly regarding U.S. intervention in their homeland. Drawing on the diasporic cultural texts of several authors, such as Edwidge Danticat and Dany Laferrière, Jana Evans Braziel examines how writers participate in transnational movements for global social justice. In their fictional works they discuss the United States’ many interventionist methods in Haiti, including surveillance, foreign aid, and military assistance. Through their work, they reveal that the majority of Haitians do not welcome these intrusions and actively criticize U.S. treatment of Haitians in both countries. Braziel encourages us to analyze the instability and violence of small nations like Haiti within the larger frame of international financial and military institutions and forms of imperialism. She forcefully argues that by reading these works as anti-imperialist, much can be learned about why Haitians and Haitian exiles often have negative perceptions of the U.S.




The Spirits and the Law


Book Description

Vodou has often served as a scapegoat for Haiti’s problems, from political upheavals to natural disasters. This tradition of scapegoating stretches back to the nation’s founding and forms part of a contest over the legitimacy of the religion, both beyond and within Haiti’s borders. The Spirits and the Law examines that vexed history, asking why, from 1835 to 1987, Haiti banned many popular ritual practices. To find out, Kate Ramsey begins with the Haitian Revolution and its aftermath. Fearful of an independent black nation inspiring similar revolts, the United States, France, and the rest of Europe ostracized Haiti. Successive Haitian governments, seeking to counter the image of Haiti as primitive as well as contain popular organization and leadership, outlawed “spells” and, later, “superstitious practices.” While not often strictly enforced, these laws were at times the basis for attacks on Vodou by the Haitian state, the Catholic Church, and occupying U.S. forces. Beyond such offensives, Ramsey argues that in prohibiting practices considered essential for maintaining relations with the spirits, anti-Vodou laws reinforced the political marginalization, social stigmatization, and economic exploitation of the Haitian majority. At the same time, she examines the ways communities across Haiti evaded, subverted, redirected, and shaped enforcement of the laws. Analyzing the long genealogy of anti-Vodou rhetoric, Ramsey thoroughly dissects claims that the religion has impeded Haiti’s development.




Aunt Resia and the Spirits and Other Stories


Book Description

The men and women glimpsed in Lahens's stories are confronted with the overwhelming task of simply staying alive. "The Survivors" unfolds under the Duvalier dictatorship and, centered on a group of men who dream of somehow striking out against the regime, shows how fear is passed down from generation to generation. Life is no simpler in the post-Duvalier world of the title story, in which a young man is caught between a mother who lives a devout life filled with self-imposed restrictions and an exuberant Vodouist aunt who makes no apologies for working in the black market. The twelve-year-old girl who narrates "Madness Had Come with the Rain" finds herself swept up in a violent riot following the death of a modern Robin Hood. Lahens' women, although they may act as the poto mitan (or "central pole") in family life and society, experience a particularly grim fate. In the eviction tale "And All This Unease" a beautiful girl reminisces about her happy childhood in the country in order to forget her current life as a prostitute.




Papa Doc


Book Description

Graham Greene's The comedians outlined the full horror of Dr. Francois Duvalier's reign in fiction form.




Create Dangerously


Book Description

A New York Times Notable Book A Miami Herald Best Book of the Year In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis. BONUS MATERIAL: This edition includes an excerpt from Edwidge Danticat's Claire of the Sea Light.




Aunt Resia and the Spirits and Other Stories


Book Description

The men and women glimpsed in Lahens's stories are confronted with the overwhelming task of simply staying alive. "The Survivors" unfolds under the Duvalier dictatorship and, centered on a group of men who dream of somehow striking out against the regime, shows how fear is passed down from generation to generation. Life is no simpler in the post-Duvalier world of the title story, in which a young man is caught between a mother who lives a devout life filled with self-imposed restrictions and an exuberant Vodouist aunt who makes no apologies for working in the black market. The twelve-year-old girl who narrates "Madness Had Come with the Rain" finds herself swept up in a violent riot following the death of a modern Robin Hood. Lahens' women, although they may act as the poto mitan (or "central pole") in family life and society, experience a particularly grim fate. In the eviction tale "And All This Unease" a beautiful girl reminisces about her happy childhood in the country in order to forget her current life as a prostitute.




The Dew Breaker


Book Description

We meet him late in life: a quiet man, a good father and husband, a fixture in his Brooklyn neighborhood, a landlord and barber with a terrifying scar across his face. As the book unfolds, moving seamlessly between Haiti in the 1960s and New York City today, we enter the lives of those around him, and learn that he has also kept a vital, dangerous secret. Edwidge Danticat’s brilliant exploration of the “dew breaker”--or torturer--s an unforgettable story of love, remorse, and hope; of personal and political rebellions; and of the compromises we make to move beyond the most intimate brushes with history. It firmly establishes her as one of America’s most essential writers. BONUS: This edition includes an excerpt from Edwidge Danticat's Claire of the Sea Light.




Moonbath


Book Description

The award-winning saga of a peasant family living in a small Haitian village, told through four generations of voices, recounting through stories of tradition and superstition, voodoo and the new gods, romance and violence, the lives of the women who struggled to hold the family together in an ever-shifting landscape of political turmoil and economic suffering.




Aid State


Book Description

Haiti’s state is near-collapse: armed groups have overrun the country, many government officials have fled after the 2021 assassination of President Moise and not a single elected leader holds office, refugees desperately set out on boats to reach the US and Latin America, and the economy reels from the after-effects of disasters, both man-made and natural, that destroyed much of Haiti’s infrastructure and institutions. How did a nation founded on liberation—a people that successfully revolted against their colonizers and enslavers—come to such a precipice? In Aid State, Jake Johnston, a researcher and writer at the Center for Economic and Policy Research in Washington, DC, reveals how long-standing US and European capitalist goals ensnared and re-enslaved Haiti under the guise of helping it. To the global West, Haiti has always been a place where labor is cheap, politicians are compliant, and profits are to be made. Over the course of nearly 100 years, the US has sought to control Haiti and its people with occupying police, military, and euphemistically-called peacekeeping forces, as well as hand-picked leaders meant to quell uprisings and protect corporate interests. Earthquakes and hurricanes only further devastated a state already decimated by the aid industrial complex. Based on years of on-the-ground reporting in Haiti and interviews with politicians in the US and Haiti, independent aid contractors, UN officials, and Haitians who struggle for their lives, homes, and families, Aid State is a conscience-searing book of witness.




Red Heat


Book Description

During the presidencies of Eisenhower, Kennedy, and Johnson, the United States and the USSR acted out the world's tensions in the Caribbean, using Cuba, Haiti, and the Dominican Republic as puppets. What neither superpower bargained on was that their puppets would come to life. Red Heat tells the gripping story of the men responsible for this rude surprise, including, from Cuba, the charismatic Fidel Castro and his mysterious brother Raúl; from Argentina, the ideologue Che Guevara; from the Dominican Republic, the capricious psychopath Rafael Trujillo; and from Haiti, François 'Papa Doc' Duvalier, a buttoned-down doctor with interests in Vodou, embezzlement, and torture. How did this handful of men, armed with little but words and ruthlessness, capture the world's attention during the 1950s and 60s? Alex von Tunzelmann shows her storytelling prowess yet again in a riveting narrative of clashing ideologies, the politics of fear, the machinations of superpowers, and — above all — the brazen daring of the mavericks who took them on.