East Anglian Silver, 1550-1750


Book Description

This book describes a wealth of important silver articles made in the region, including a beaker by Elizabeth Haslewood, Norwich's only woman silversmith of the Stuart period, and a magnificent Charles II tankard. The essays set the silver in its historical context, presenting a fascinating perspective on everyday life.




Medieval and Early Modern Art, Architecture and Archaeology in Norwich


Book Description

This volume explores the importance of Norwich as the second city of England for 500 years. It addresses two of the most ambitious Romanesque buildings in Europe: cathedral and castle, and illuminates the role of Norwich-based designers and makers in the region.




Joséphine and the Arts of the Empire


Book Description

This richly illustrated book reveals how Joséphine, Napoléon Bonaparte’s empress, shaped the arts of early nineteenth-century France and beyond. Her incomparable sense of style, her passion for collecting, her love of gardens, and her commissions of works by major artists such as Antonio Canova, Jacques-Louis David, Pierre-Paul Prod’hon, and Pierre-Joseph Redouté set the standard for a new aesthetic. On these pages the opulence of Salon culture is set against the tumultuous era of Revolution and Empire, romance and tragedy—a world in which Joséphine rose to her own momentous role in history with singular grace and elegance.




British and Irish Silver in the Fogg Art Museum, Harvard University Art Museums


Book Description

"The collection presents a wide-ranging survey of the evolution of styles and decoration from 1550 to 1850. The contributions made by foreign craftsmen to silver produced in London in the seventeenth and eighteenth centuries are discussed, as is the distinctive silverware made in Dublin and Edinburgh, and in English provincial centers such as Exeter and Newcastle. This catalogue also paints a vivid portrait of collecting decorative arts in America during the last hundred years."--BOOK JACKET.




Health and the City


Book Description

An exploration of the health, sanitation, and cleanliness of one of England's most important medieval and early modern cities.




Geometry and the Silversmith


Book Description

Using an important collection, the author charts the use of geometric shapes in English silver, as well as Asian influences, during two centuries, 1630-1830.




Antiques


Book Description




Treasures of the English Church


Book Description

This catalogue comprises 250 gold and silver objects and sets of objects spanning the history of the Church from the earliest possible times to the present day. 12 essays illustrate aspects of evolving liturgy and Church history, such as the medieval Mass, Church patronage in the Middle Ages, and the English Reformation.




American Silver in the Art Institute of Chicago


Book Description

The history of American silver offers invaluable insights into the economic and cultural history of the nation itself. Published here for the first time, the Art Institute of Chicago's superb collection embodies innovation and beauty from the colonial era to the present. In the 17th century, silversmiths brought the fashions of their homelands to the colonies, and in the early 18th, new forms arose as technology diversified production. Demand increased in the 19th century as the Industrial Revolution took hold. In the 20th, modernism changed the shape of silver inside and outside the home. This beautifully illustrated volume presents highlights from the collection with stunning photography and entries from leading specialists. In-depth essays relate a fascinating story about eating, drinking, and entertaining that spans the history of the Republic and trace the development of the Art Institute's holdings of American silver over nearly a century.




Royal Goldsmiths


Book Description

The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style