Edge of the Sublime


Book Description




Of the Sublime: Presence in Question


Book Description

Today, the sublime has again become the focus of sustained reconsideration, but now for its epistemological and ontological--or presentational--aspects. As an unmasterable excess of beauty, the sublime marks the limits of representational thinking. These essays will be indispensable reading for anyone whose work is concerned with the sublime or, more generally, with the limits of representation, including philosophers, literary scholars and art historians.




The Theory of the Sublime from Longinus to Kant


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The first in-depth treatment of the major theories of the sublime from Longinus to Kant.




The Daily Laws


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From the world’s foremost expert on power and strategy, the New York Times bestselling daily devotional designed to help you seize your destiny. Robert Greene, the #1 New York Times bestselling author, has been the consigliere to millions for more than two decades. Now, with entries that are drawn from his five books, plus never-before-published works, The Daily Laws offers a page of refined and concise wisdom for each day of the year, in an easy-to-digest lesson that will only take a few minutes to absorb. Each day features a Daily Law as well—a prescription that readers cannot afford to ignore in the battle of life. Each month centers around a major theme: power, seduction, persuasion, strategy, human nature, toxic people, self-control, mastery, psychology, leadership, adversity, or creativity. Who doesn’t want to be more powerful? More in control? The best at what they do? The secret: Read this book every day. “Daily study,” Leo Tolstoy wrote in 1884, is “necessary for all people.” More than just an introduction for new fans, this book is a Rosetta stone for internalizing the many lessons that fill Greene’s books and will reward a lifetime of reading and rereading.




The Patagonian Sublime


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The Patagonian Sublime provides a vivid, accessible, and cutting-edge investigation of the green economy and New Left politics in Argentina. Based on extensive field research in Glaciers National Park and the mountain village of El Chaltén, Marcos Mendoza deftly examines the diverse social worlds of alpine mountaineers, adventure trekkers, tourism entrepreneurs, seasonal laborers, park rangers, land managers, scientists, and others involved in the green economy. Mendoza explores the fraught intersection of the green economy with the New Left politics of the Néstor Kirchner and Cristina Fernández de Kirchner governments. Mendoza documents the strategies of capitalist development, national representation, and political rule embedded in the “green productivist” agenda pursued by Kirchner and Fernández. Mendoza shows how Andean Patagonian communities have responded to the challenges of community-based conservation, the fashioning of wilderness zones, and the drive to create place-based monopolies that allow ecotourism destinations to compete in the global consumer economy.




The Rupture


Book Description

The sublime rests precariously on the edge of the abyss.' This volume is a collaboration between wordsmith Olivia Fane and painter John B. Harris. Fane's first essay is on the philosophical understanding of the sublime. The sublime first became a subject of serious philosophical thought in the eighteenth century, thanks to Edmund Burke and Immanuel Kant. Fane argues for an interpretation of the sublime as the radically other, and argues that its function is primarily epistemological, in that it reveals to us our own being and finitude. She goes on to show how this tallies with ideas of negative theology and post-modernism. In her second chapter,'A Short Essay on Truth’, Fane suggests that societies and cultures suffer from a ‘hermeneutic circle of knowledge’ — in other words knowledge is based on agreement rather than authentic understanding. She shows how the function of art and religion at their best is to attempt to break through the circle, turning us from sleepwalkers into people who are alive to a truth which is, paradoxically, unknowable. The third chapter, ‘Fear and Longing: A Symposium’ is named after the painting on the book’s cover and is a dialogue between Harris and Fane on the apprehension of the sublime, exploring the syzygy between images and words, intimation and explication.




Into the Sublime


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"Gripping and breathless, Into the Sublime is equal parts terrifying, claustrophobic, psychological, and cunning." —Wendy Heard, author of She's Too Pretty to Burn and Dead End Girls A new YA psychological thriller from Kate A. Boorman, author of What We Buried, about four teenage girls who descend into a dangerous underground cave system in search of a lake of local legend, said to reveal your deepest fears. When the cops arrive, only a few things are clear: - Four girls entered a dangerous cave. - Three of them came out alive. - Two of them were rushed to the hospital. - And one is soaked in blood and ready to talk. Amelie Desmarais' story begins believably enough: Four girls from a now-defunct thrill-seeking group planned an epic adventure to find a lake that Colorado locals call "The Sublime." Legend has it that the lake has the power to change things for those who risk—and survive—its cavernous depths. They each had their reasons for going. For Amelie, it was a promise kept to her beloved cousin, who recently suffered a tragic accident during one of the group’s dares. But as her account unwinds, and the girls’ personalities and motives are drawn, things get complicated. Amelie is hardly the thrill-seeking type, and it appears she’s not the only one with the ability to deceive. Worse yet, Amelie is covered in someone's blood, but whose exactly? And where's the fourth girl? Is Amelie spinning a tale to cover her guilt? Or was something inexplicable waiting for the girls down there? Amelie's the only one with answers, and she's insisting on an explanation that is more horror-fantasy than reality. Maybe the truth lies somewhere in between? After all, strange things inhabit dark places. And sometimes we bring the dark with us.




Francesca Woodman and the Kantian Sublime


Book Description

In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.




The Edge of Maybe, Premium Edition


Book Description

"A Last Light Studio contemporary title"--P. [4] of cover.