The Yale Edition of the Shorter Poems of Edmund Spenser


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The first comprehensive collection of the shorter poems since the Variorum minor poems of the 40s. Cloth edition ($55.) not seen by R&R. Annotation copyright Book News, Inc. Portland, Or.







Edmund Spenser's Poetry


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Edmund Spenser's Poetry


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Newly represented in the 3rd ed. are Spenser's contemporary WilliamCamden and, from the 20th century, Virginia Woolf, William Nelson, A. Bartlett Giamatti, Donald Cheney, Judith Anderson.




Complaints


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Edmund Spenser


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This collection represents some of the best recent critical writing on Edmund Spenser, a major Renaissance English poet. The essays cover the whole of Spensers work, from early literary experiments such as The Shepeardes Calendar, to his unfinished crowning work,The Fairie Queene. The introduction provides an overview of critical responses to Spenser, setting his work and the debates which it has generated in their perspective contexts: new historicist, post-structural, psychoanalytic and feminist. His study also covers the critical responses of leading British, Irish and American scholars.




The Faerie Queene


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Selected Shorter Poems


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Although known best for his sweeping allegorical epic "The Faerie Queen," Edmund Spenser wrote a number of other significant poems. His first major poetical work "The Shepherd's Calendar" begins this collection of his "Selected Shorter Poems." An emulation of Virgil's "Eclogues," "The Shepherd's Calendar" depicts the life of shepherd Colin Clout through the twelve months of his year. The twelve eclogues of the poem, each named after a different month, discuss abuses of the church, offer praise for Queen Elizabeth, and reveal the struggles of a lonely shepherd. Also included in this edition of Spenser's poetry are the following poems: "The Ruins of Time," "Prosopopoia," "Muiopotmos," "Colin Clout's Come Home Again," "Amoretti," and "Epithalamion."




Edmund Spenser in Context


Book Description

Edmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A reading list at the end of the volume will prove invaluable to further study.