Edvard Grieg in England


Book Description

A fascinating exploration of Grieg's visits to England and what the country meant to him, showing how it had a far greater impact on his life and career than has hitherto been recorded. When Edvard Grieg came to give his first concerts in London, he had the world at his feet. As the first composer to transmute the sights and sounds of his own spectacular country into music, he was held to be both prophet and pioneer, and English writers described him as the most popular of all living composers, commenting, when he returned to London the following year, on the 'Grieg fever' that raged in the capital. Between 1862 and 1906 Grieg spent some six months of his life in this country, for most of the time engaged in giving concerts of his own music as conductor, solo pianist and accompanist. Celebrated by his fellow musicians - among them Delius, Parry, Henry Wood and Grainger - Grieg was befriended by royalty, heaped with honours that included doctoral degrees from Cambridge and Oxford, pleaded in high quarters the cause of Norwegian independence, and found new friends who effected a profound change in his religious outlook. This book explores the impact he had on England as well as examining what the country meant to him, showing how England had a far greater influence on Grieg's life and career than hashitherto been recorded. It also offers an array of fascinating insights into the musical life and milieu of the time. LIONEL CARLEY is honorary archivist of the Delius Trust and respected author of many books about Delius.




The Songs of Edvard Grieg


Book Description

Comprehensive survey of Grieg's 180 songs, considering particularly questions and issues of performance. Edvard Grieg's 180 songs mirror his artistic and personal development more intimately than any of his other music, yet are still the least known part of his output. This definitive appraisal, now revised and updated, discusses every song, including those left only in manuscript and sketches at the composer's death, set against the background of his life and times. It also deals with the poetry set, often chosen to reflect his current situation, and the poets, several of whom, including great figures of the day such as Ibsen and Bjornson, were his friends and colleagues. Grieg frequently bemoaned poor translations and indifferent performances, and the various editions and translations, from first publication to the present day, are also discussed, together with his own ideas for interpretation. Musical examples and analysis are included to give a closer understanding of Grieg's word-setting and harmonic development, although their performance is always kept paramount. BERYL FOSTER is a graduate of London University and studied singing in Colchester and at the Royal College of Music. As well as all the usual repertoire, since 1980 she has made a particular study of the songs of Grieg and other Norwegian composers, giving recitals, lectures and workshops in Britain, Norway, Germany, the Netherlands, Italy and China. She is also a private teacher andfestival adjudicator.




The Great Piano Works of Edvard Grieg


Book Description

This edition contains the Peer Gynt Suite with familiar titles such as 'Morning Mood,' 'Anitra's Dance,' 'The Death of Ase,' and 'In the Hall of the Mountain King' along with numerous of Grieg's Lyric Pieces. We've even included the opening theme of his Piano Concerto in A Minor. This publication contains 50 selections.




Delius and Norway


Book Description

Frontcover -- Contents -- List of illustrations and tables -- Preface -- Abbreviations -- Selected glossary of landscape terms used in place names -- 1 Norway's awakening -- 2 1862-1888: Bradford, Florida and Leipzig -- 3 1888-1889: With Grieg on the heights -- 4 1890-1891: 'C'est de la Norderie' -- 5 1892-1895: Norway lost -- 6 1896: Norway regained -- 7 1897: Front page news -- 8 1898-1902: Unshakeable self-belief -- 9 1903-1907: Breakthrough in Germany and England -- 10 1908-1912: Changes of direction -- 11 1912-1918: High hills, dark forests -- 12 1919-1934: Myth and reality in Lesjaskog -- Appendix I: List of visits to Norway -- Appendix II: Works with Norwegian and Danish texts and associations -- Selected bibliography and archival sources -- Index




Chopin in Britain


Book Description

In 1848, the penultimate year of his life, Chopin visited England and Scotland at the instigation of his aristocratic Scots pupil, Jane Stirling. In the autumn of that year, he returned to Paris. The following autumn he was dead. Despite the fascination the composer continues to hold for scholars, this brief but important period, and his previous visit to London in 1837, remain little known. In this richly illustrated study, Peter Willis draws on extensive original documentary evidence, as well as cultural artefacts, to tell the story of these two visits and to place them into aristocratic and artistic life in mid-nineteenth-century England and Scotland. In addition to filling a significant hole in our knowledge of the composer’s life, the book adds to our understanding of a number of important figures, including Jane Stirling and the painter Ary Scheffer. The social and artistic milieux of London, Manchester, Glasgow and Edinburgh are brought to vivid life.




The Music Profession in Britain, 1780-1920


Book Description

Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.




London Plaques


Book Description

London's buildings are dotted with commemorative plaques. Many are the famous blue plaques, indicating where a famous person was born, lived, stayed, or if a significant event took place there, or an earlier use of the site. This book is a comprehensive gazetteer of all of London's plaques. Using Derek Sumeray's classic book as a basis, this thoroughly revised new edition arranges plaques alphabetically by area, providing a text that is linked to London's geography and, therefore, of greater use to a resident or visitor wanting to explore the famous people and events commemorated in that area.




The Musical Times


Book Description




Edvard Grieg


Book Description

The life of Edvard Grieg, a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide.




Hamish MacCunn (1868-1916): A Musical Life


Book Description

Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.