Author : Mark Ringer
Publisher : Univ of North Carolina Press
Page : 276 pages
File Size : 15,66 MB
Release : 1998
Category : Literary Criticism
ISBN : 9780807846971
Metatheater, or "theater within theater," is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocl
Author : Mark Ringer
Publisher : Univ of North Carolina Press
Page : 268 pages
File Size : 49,26 MB
Release : 2000-11-09
Category : Literary Criticism
ISBN : 0807864137
Metatheater, or "theater within theater," is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocles. His innovative analysis sheds light on Sophocles' technical ingenuity and reveals previously unrecognized facets of fifth-century performative irony. Ringer analyzes the layers of theatrical self-awareness in all seven Sophoclean tragedies, giving special attention to Electra, the playwright's most metatheatrical work. He focuses on plays within plays, characters who appear to be in rivalry with their playwright in "scripting" their dramas, and the various roles that characters assume in their attempts to deceive other characters or even themselves. Ringer also examines instances of literal role playing, exploring the implications of the Greek convention of sharing multiple roles among only three actors. Sophocles has long been praised as one of the masters of dramatic irony. Awareness of Sophoclean metatheater, Ringer shows, deepens our appreciation of that irony and reveals the playwright's keen awareness of his art. Originally published in 1998. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author : Batya Casper
Publisher : McFarland
Page : 230 pages
File Size : 43,85 MB
Release : 2019-04-26
Category : Performing Arts
ISBN : 1476635285
Shakespeare's Hamlet--written 1,000 years after the classical Greek period--follows a narrative pattern similar to that of the Greek Electra myth, and it isn't the only story to do so. We see signs of Electra's influence again in the 20th-century works of Oscar Wilde, Eugene O'Neill and T.S. Eliot, among others. This revised and updated edition will look more closely at the influence of Electra on popular culture throughout history and the questions it poses regarding oppositions such as logic versus instinct, night versus day and repression versus freedom.
Author : H. M. Roisman
Publisher : University of Oklahoma Press
Page : 386 pages
File Size : 17,66 MB
Release : 2012-10-09
Category : Drama
ISBN : 0806186305
Among the best-known Greek tragedies, Electra is also one of the plays students of Greek often read in the original language. It tells the story of how Electra and her brother, Orestes, avenge the murder of their father, Agamemnon, by their mother and her lover. H. M. Roisman and C. A. E. Luschnig have developed a new edition of this seminal tragedy designed for twenty-first-century classrooms. Included with the Greek text are a useful introduction, line-by-line commentary, and other materials in English, all intended to support intermediate and advanced undergraduate students. Electra's gripping story and almost contemporary feel help make the play accessible and interesting to modern audiences. The liberties Euripides took with the traditional myth and the playwright's attitudes toward the gods can inspire fruitful classroom discussion about fifth-century Athenian thought, manners, and morals. Roisman and Luschnig invite readers to compare Euripides' treatment of the myth with those of Aeschylus and Sophocles and with variant presentations in epic and lyric poetry, later drama, and modern film. The introduction also places the play in historical context and describes conventions of the Greek theater specific to the work. Extensive appendices provide a complete metrical analysis of the play, helpful notes on grammar and syntax, an index of verbs, and a Greek-English glossary. In short, the authors have included everything students need to support and enhance their reading of Electra in its original language.
Author : Paul Monaghan
Publisher : Cambridge Scholars Publishing
Page : 365 pages
File Size : 21,13 MB
Release : 2020-05-15
Category : Performing Arts
ISBN : 1527551407
The “spatial turn” of the 1990s has inspired many academics to re-evaluate the importance of space and time within their own disciplines and to engage in productive dialogue with other disciplines whose spatial focus intersects with their own. This book applies insights and approaches generated by the “spatial turn” to Greek and Roman theatre. The title evokes the “close relations” that exist between the many aspects and notions of space-time and their complex interweaving, between the disciplinary and interdisciplinary approaches that are needed to understand complex spatial phenomena, between notions of space in general and those of theatrical space, and between Greek and Roman theatre as it existed in antiquity and as it has been “received,” interpreted, and transformed throughout history ever since.
Author : Colleen Chaston
Publisher : BRILL
Page : 292 pages
File Size : 33,40 MB
Release : 2010
Category : Psychology
ISBN : 9004177388
By applying aspects of cognitive psychology to a study of three key tragic props, this book examines the importance of visual imagery in ancient Greek tragedy. The shield, the urn and the mask are props which serve as controls for investigating the connection between visual imagery and the spectators' intellectual experience of tragic drama. As vehicles for conceptual change the props point to a function of imagery in problem solving. Connections between the visual and the cognitive in tragedy, particularly through image shape and its potential for various meanings, add a new perspective to scholarship on the role of the visual in ancient performance. These connections also add weight to the importance of imagery in contemporary problem solving and creative thought.
Author : Simon Goldhill
Publisher : OUP USA
Page : 303 pages
File Size : 30,6 MB
Release : 2012-03-05
Category : History
ISBN : 0199796270
This title presents a revolutionary take on Sophocles' tragic language and how our understanding of tragedy is shaped by our literary past. The book explores Sophocles' distinctive brilliance as a dramatist while investigating how the 19th-century critics developed a specific understanding of tragedy.
Author : D. G. Beer
Publisher : Bloomsbury Publishing USA
Page : 211 pages
File Size : 49,80 MB
Release : 2004-03-30
Category : Literary Criticism
ISBN : 0313039321
The Athenian democracy of the 5th century B.C. created the most important political theatre of western culture. Sophocles, the most successful tragic playwright of the age, was a radical innovator who produced his tragedies to present to his audience complex moral, social, and political issues of a kind that they might be faced with in their various legal and political assemblies. Beer examines Sophocles as a political playwright against the background of Athenian democracy, breaking new ground by showing the importance of the mask for understanding Sophoclean tragedy and redefining the notion of skenographia, or setting the scene. He concludes that Sophocles revolutionized the concept of dramatic space. The Athenian tragic theatre was deeply political and played an important and active role in the life of Athenian democracy. This book presents an introduction to the political nature of Greek tragedy and Sophoclean tragedy in an effort to shed new light on the dramatic works of the 5th century playwright. As Aristotle noted, Sophocles' two most important innovations were the introduction of the third actor and skenographia, which brought tragedy to its fully evolved form. Beer argues that although his use of the third actor has been widely understood, his use of skenographia has not. Carefully exploring the true sense of this method of using dramatic space, Beer brings a new understanding to the works of this old master.
Author : Mario Telò
Publisher : Bloomsbury Publishing
Page : 320 pages
File Size : 36,87 MB
Release : 2018-06-14
Category : Literary Collections
ISBN : 1350028800
Situated within contemporary posthumanism, this volume offers theoretical and practical approaches to materiality in Greek tragedy. Established and emerging scholars explore how works of the three major Greek tragedians problematize objects and affect, providing fresh readings of some of the masterpieces of Aeschylus, Sophocles, and Euripides. The so-called new materialisms have complemented the study of objects as signifiers or symbols with an interest in their agency and vitality, their sensuous force and psychosomatic impact-and conversely their resistance and irreducible aloofness. At the same time, emotion has been recast as material "affect,†? an intense flow of energies between bodies, animate and inanimate. Powerfully contributing to the current critical debate on materiality, the essays collected here destabilize established interpretations, suggesting alternative approaches and pointing toward a newly robust sense of the physicality of Greek tragedy.
Author : Mark Byron
Publisher : Cambridge University Press
Page : 305 pages
File Size : 24,60 MB
Release : 2020
Category : Literary Criticism
ISBN : 1108499015
Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
