Greek Epigram in Reception


Book Description

Greek Epigram in Reception is a chronological survey of the reception history of the Greek Anthology, a Byzantine collection of ancient Greek short poems known as epigrams. Tracing the strange evolution of the Greek Anthology from the early nineteenth century to the years after the first World War, the volume analyses the complex webs of rhetoric that are spun as writers and translators bring their different agendas to bear on the Anthology's text, pruning it to meet their needs. As so little was known about its poets, and because it stood for the 'Anthology' of the Greeks and their culture, the text became the battleground during the 1870s-90s on which normative and dissident interpretations of Ancient Greece were fought out. An emergent mass readership became caught between opposing and rhetorically loaded accounts, casting the Anthology and thus the ancient race on whom the British were supposed to be modelling themselves as patriots and doting spouses or lovers of male Beauty, like the Decadent sensation Oscar Wilde. The after-effects of this cultural war were to stretch into the 1920s, and still echo today.




Epigrammatum Delectus Ex Omnibus Tum Veteribus, Tum Recentioribus Poetis Accuratè Decerptus


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T115482 Compiled by Claude Lancelot, with a dissertation by Pierre Nicole to whom the whole work is sometimes attributed. The first leaf contains the engraved arms of Eton. Londini: typis Gul. Bowyer, impensis Gul. Innys, 1724. [48],311, [1];[4],20p.: ill.; 12°







Epigrammatum Delectus Ex Omnibus Tum Veteribus, Tum Recentioribus Poetis Accuratè Decerptus. Cum Dissertatione, de Verâ Pulchritudine & Adumbratâ, Quibus Hâc Septimâeditione, Subjungitur Alterius Delectûs Specimen


Book Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T183111 Compiled by Claude Lancelot, with a dissertation by Pierre Nicole to whom the whole work is sometimes attributed. The first leaf contains the engraved arms of Eton. Londini: impensis Guil. Innys, 1711. [48],311, [1];[4],20p.: ill.; 12°