Etai-Eken


Book Description

Etai-Eken is a legend told in a series, a cycle of poems, which is to say, told in different languages. The action of the poems in the poem is their moving in and out of the legend by the changes of access to the larger legend; an access of the present in the ancient, of the present's knowledge and experience of it.




Just Representations, First Edition


Book Description

This book presents selected writings by acclaimed filmmaker Robert Gardner. There are journals written during filmmaking expeditions, observing and reacting to diverse ways of life. There are accounts of film projects envisioned and planned but not completed. There are essays on ways of life in premodern cultures that Gardner has observed firsthand. Also included are his voiceover narrations from the films "Dead Birds" "Rivers of Sand," which come to life in a new way on the page. In an interview, letters, and articles, Gardner addresses the subject of filmmaking and reflects on film's relation to anthropology and, more broadly, to the human project to understand reality. "A book of marvelous adventures with a camera and a series of meditations on diverse ways of life and making art by a wise and compassionate man." -Charles Simic




Under the Mountain Wall


Book Description

A remarkable firsthand view of a lost culture in all its simplicity and violence by renowned writer Peter Matthiessen (1927 to 2014), author of the National Book Award–winning The Snow Leopard and the novel In Paradise. In the Baliem Valley in central New Guinea live the Kurelu, a Stone Age tribe that survived into the twentieth century. Peter Matthiessen visited the Kurelu with the Harvard-Peabody Expedition in 1961 and wrote Under the Mountain Wall as an account not of the expedition, but of the great warrior Weaklekek, the swineherd Tukum, U-mue and his family, and the boy Weake, killed in a surprise raid. Matthiessen observes these people in their timeless rhythm of work and play and war, of gardening and wood gathering, feasts and funerals, pig stealing and ambushes. Drawing on his great skills as a naturalist and novelist, Matthiessen offers an exceptional account of an ancient culture on the brink of incalculable change.




The Peter Matthiessen Reader


Book Description

"Our greatest modern nature writer in the lyrical tradition." --The New York Times Book Review "Matthiessen is a great travel companion. . . . His knowledge of plants, animals and people is breathtaking." --The Boston Globe Perhaps no writer has better articulated our relationship to the environment than Peter Matthiessen. From Wildlife in America to Men's Lives, his work has captured the wonder of the natural world--and the horrors of resource exploitation, with its violent effects on traditional peoples and the poor. In The Peter Matthiessen Reader, editor McKay Jenkins presents a single-volume collection of this distinguished author's nonfiction. Here are essays and excerpts that highlight the spiritual, literary, and political daring so crucial to Matthiessen's vision. Matthiessen chronicles his 250-mile trek across the Himalaya to the Tibetan Plateau in a selection from the National Book Award winner The Snow Leopard. Wild peoples, wilderness, and wildlife--common themes throughout Matthiessen's oeuvre--are examined with grace and power in The Tree Where Man Was Born. Here too are excerpts from Indian Country and In the Spirit of Crazy Horse, Matthiessen's stunning exposé of the Leonard Peltier case and the ongoing conflict between the U.S. government and the American Indian Movement. Comprehensive and engrossing, The Peter Matthiessen Reader celebrates an American voice unequaled in its commitment to literature's noblest aspiration: to challenge us to perceive our world--as well as ourselves--truthfully and clearly.




Summary of Mitchell Zuckoff's Lost in Shangri-La


Book Description

Please note: This is a companion version & not the original book. Sample Book Insights: #1 In May 1945, a Western Union messenger made his rounds through the quiet village of Owego, in upstate New York. He stopped at a house with a small porch and empty flower boxes. Inside, he found Patrick Hastings, a widower who had lost both his wife and his eldest daughter in the war. #2 The first generation of women to serve in the US military was sent to war zones around the world. The military had outsourced the delivery of bad news, and its bearers had been busy: the combat death toll among Americans neared 300,000. #3 When Owego’s newspaper learned of the telegram, Patrick Hastings told a reporter about Margaret’s most recent letter home. In it, she described a recreational flight up the New Guinea coast and wrote that she hoped to take another sightseeing trip soon.




Renegade Poetics


Book Description

"Beginning with a deceptively simple question--what do we mean when we designate behaviors, values, or forms of expression as "black"?--Evie Shockley's Renegade poetics teases out the more complex and nuanced possibilities the concept has long encompassed. She redefines black aesthetics descriptively, resituating innovative poetry that has been marginalized becuase it was not "recognizably black" and avant-garde poetry dismissed because it was"--Back cover.




Asked What Has Changed


Book Description

A Black ecopoet observes the changing world from a high-rise window, “ever alert to affinities between the small and the vast, the fleeting and the cosmic” (James Gibbons, Hyperallergic). Award-winning poet Ed Roberson confronts the realities of an era in which the fate of humanity and the very survival of our planet are uncertain. Departing from the traditional nature poem, Roberson's work reclaims a much older tradition, drawing into poetry’s orbit what the physical and human sciences reveal about the state of a changing world. These poems test how far the lyric can go as an answer to our crisis, even calling into question poetic form itself. Reflections on the natural world and moments of personal interiority are interwoven with images of urbanscapes, environmental crises, and political instabilities. These poems speak life and truth to modernity in all its complexity. Throughout, Roberson takes up the ancient spiritual concern—the ephemerality of life—and gives us a new language to process the feeling of living in a century on the brink.




To See the Earth Before the End of the World


Book Description

Winner of the Voelcker Award (PEN America) (2016) In To See the Earth Before the End of the World Ed Roberson presents us with 120 new poems, each speaking in his unique voice and seen through his unique eye. Earth and sky, neighborhood life and ancient myths, the art of seeing and the architecture of the imagination are all among the subjects of these poems. Recurring images and ideas construct a complex picture of our world, ourselves, and the manifold connections tying them together. The poems raise large questions about the natural world and our place in it, and they do not flinch from facing up to those questions. Roberson's poems range widely through different scales of time and space, invoking along the way history and myth, galaxies and garbage trucks, teapots and the history of photography, mating cranes and Chicago's political machine. This collection is composed of five sequences, each developing a particular constellation of images and ideas related to the vision of the whole. Various journeys become one journey—an epic journey, invoking epic themes. There are songs of creation, pictures of the sorrows of war, celebrations of human labor and human society, a respect for tools and domestic utensils that are well made, the deep background of the past tingeing the colors of the present, and the tragic tones of endings and laments, a pervading awareness of the tears in things. Most of all, there is the exhilaration of a grand, sweeping vision that enlarges our world.




Contemporary American Poetry


Book Description

Lists over 5,200 titles of books published by American poets between 1973 and 1983.




Savage Grace


Book Description

Jay Griffiths is a tour guide for anyone who has ever wished to commune with the side of our human psyche that remains in touch with the wild. Equally at home among the "sea gypsy" Bajo people who live off the coast of Thailand and forage their food from the ocean floor, drinking the psychedelic ayahuasca plant with Amazonian shamans, or joining an Inuit whale hunt at the northern tip of Canada, Griffiths takes readers on an adventure both charted and un–chartable. She divides her meditations on these travels into sections named after the ancient elemental properties of the universe—Earth, Air, Fire, Ice, and Water—because her subject matter is not merely the places traveled to but the depths of mind and the cultural narratives revealed by place. It is a universal story told of far–flung groups of humans, with vastly different ways of life, connected through the varied wilderness that sustains them. By describing the ways in which human societies and the human mind have developed in response to the wilder elements of our homelands, Savage Grace reveals itself as a benediction for the emotional, intellectual, and physical nourishment that people continue to draw from the natural world. Under the sway of Griffiths' charisma, her poetic prose, and her deeply learned and persuasive case for the wild roots of our shared human being, we learn that we are all, each and every one of us, a force of nature.