Euripides, 2


Book Description

One of the Penn Greek Drama Series, this volume, the second of four projected for the series of plays by Euripides, contains three tragedies plus HELEN, which could be called a romantic comedy, and CYCLOPS, the so-called satyr play of disputed authorship.




Suppliant Women


Book Description

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. Already tested in performance on the stage, this translation shows for the first time in English the striking interplay of voices in Euripides' Suppliant Women. Torn between the mothers' lament over the dead and proud civic eulogy, between calls for a just war and grief for the fallen, the play captures with unremitting force the competing poles of the human psyche. The translators, Rosanna Warren and Stephen Scully, accentuate the contrast between female lament and male reasoned discourse in this play where the silent dead hold, finally, center stage.




Translating and Adapting Aeschylus' Seven Against Thebes in the United States


Book Description

After centuries of neglect, Aeschylus’ Seven Against Thebes has gained increasing prominence worldwide and in the United States in particular, where a hip-hop production caught the public imagination in the new millennium. This study analyses three translations of Aeschylus’ tragedy (by Helen H. Bacon and Anthony Hecht, 1973; Stephen Sandy, 1999; and Carl R. Mueller, 2002) and two adaptations (by Will Power, 2001-2008; and Ellen Stewart, 2001-2004). Beginning in the late 1960s, the Seven Against Thebes has received multiple new readings: at stake are Eteocles’ and Polynices’ relationships with the (past and present) Labdacid dynasty; the brothers’ claims to the Theban polis and to their inheritance; and the metatheatrical implications of their relationship to Oedipus’ legacy. This previously forgotten play provides a timely response to the power dynamics at work in the contemporary US, where the fight for ethnic, cultural, economic, and linguistic recognition is a daily reality and always involves dialogue with the individual’s own past and tradition.




Euripides, 3


Book Description

What man would murder his daughter to help a fleet get out to sea, or give his wife over to death in his stead? The tragedies in this Penn Greek Drama Series volume are filled with such dramatic conflicts.




Euripides, 4


Book Description

"Here Euripides stands, in vigorous English versions that fully do him justice. The most modern of the Greek tragedians has found a compelling modern form."--Robert Fagles




Euripides, 1


Book Description

Euripides is, of the three great Attic tragedians, perhaps the most contemporary in sensibility. This volume contains four of his plays, largely about women, in translations that reveal the complexities of these strong figures--even the towering, murderous Medea can be seen in a sympathetic light. Continues the Penn Greek Drama Series.




Straightforward


Book Description

When asked to name an archetypal love story, most people will reply 'Romeo & Juliet', although some say 'Tristan & Isolde' instead. Very few will come up with a classical example, and the reason for this is simple: when you say archetypal, it is assumed you mean love between a man and a woman, and instances of this in classical accounts are rare. The reason for this is also not hard to find: as it does now, 'love' in the ancient world meant the affection of equals, and given the inferior position of women in Greek and Roman society, between the sexes is not usually where love is to be found. Straightforward examines how we got from there to here. It is a study not of the loves of real people, but of the ideal of love as it found expression in stories, stories which were often retold and reimagined by new generations and new cultures. By following these stories and the changes they underwent through the centuries Straightforward attempts to answer two related questions: 'When and why did the heterosexual ideal become normative in our narrative tradition?' and 'What was there before?' We begin in archaic Greece, with a story which was already old when Homer composed his epics...







Iphigenia among the Taurians, Bacchae, Iphigenia at Aulis, Rhesus


Book Description

This book is the second of three volumes of a new prose translation, with introduction and notes, of Euripides' most popular plays. The first three tragedies translated in this volume illustrate Euripides' extraordinary dramatic range. Iphigenia among the Taurians, set on the Black Sea at the edge of the known world, is much more than an exciting story of escape. It is remarkable for its sensitive delineation of character as it weighs Greek against barbarian civilization. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, so vastly different as to highlight the playwright's Protean invention, centres on the ultimate dysfunctional family, that of Agamemnon, as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Rhesus, probably the work of another playwright, deals with a grisly event in the Trojan War. Like Iphigenia at Aulis, its `subject is war and the pity of war', but it is also an exciting, action-packed theatrical Iliad in miniature.




Euripides and the Boundaries of the Human


Book Description

Euripides and the Boundaries of the Human presents the first single-volume reading in nearly fifty years of all of Euripides’ surviving plays. Rather than examining one or a handful of dramas in monograph or article form, Mark Ringer insists on the thematic and stylistic parallels that unite a diverse canon of works. Euripides is often referred to as the most modern of the three Ancient Greek tragedians, but in what way can the work of this fifth-century B.C. artist be claimed as modern? The multi-layered presentation of character is new within the context of Athenian Tragedy. The plays also reveal equal concern with the preservation and re-vitalization of tradition, especially with respect to the portrayal of the Olympian gods. Euripidean drama upholds tradition just as vigorously as it posits a new kind of realism in character portrayal in the Ancient Theatre. Euripidean drama fuses what was old with what was new in order to revitalize and perpetuate the art of tragedy. This book will be of interest to professionals and students in the fields of classics, Greek drama in translation or in the original Greek, theater studies, comparative literature, tragedy, and religion.