Evolution of Stupas in Burma


Book Description

This work is the outcome of painstaking research on the evolution of stupas in Burma, Pagan Period, 11th to 13th centuries a.d. Burma known as the land of pagodas is nowhere so rich in the number of pagodas as in Pagan. The stupendous vastness of the ruins reminiscent of the glory that was of Pagan in its heyday inspired this study. The evolution traced back to the beginning of the stupa structure in India, deals with the various architectural phases (duly illustrated) it passed through ending with the final stage in the Rhwedagum Pagoda in Rangoon (Burma). Apart from the material side of the study, there is the need of looking into the aesthetic and spiritual side of the evolution. That religious architecture is a barometer of the material prosperity and social outlook of the people, besides being the handmaid of the spiritual aspirations of the devotees, is amply discernible in this study. The value of the art survey in this work is further enhanced by the inclusion of over 138 photographs. Moreover, besides the magnificent Pagan art, it gives a comparative view of the religious architectual development in the Asian countries contemporaneous with the Pagan Period.




The Golden Lands


Book Description




The Symbolism of the Stupa


Book Description

A close analysis of the architecture of the stupa—a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences.




Buddhist Art of Myanmar


Book Description

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.




The Evolution of Indian Stupa Architecture in East Asia


Book Description

Contents: I. Introduction. II. Symbolic analysis of religious architecture. III. Indianization in Southeast Asia: lineage one: 1. Religious foundations. 2. Architecture. 3. Java. 4. Cambodia. 5. Champa. IV. Burma : lineage two: 1. Thai Era. 2. The lineages of stupa forms. V. The philosophical Indianization of Northeast Asia : the third lineage: 1. China. 2. Korea. 3. Japan. 4. Tibet. 5. Mongolia. 6. The Tibetan stupa. Bibliography."This work seeks to explore the development of East Asian architecture based upon its borrowings from the Indian stupa. While most scholars agree that some features of East Asian religious architecture have been strongly influenced by the symbolic architecture of the stupa, this study specifically seeks to identify three distinct architectural "lineages" originating from India to East Asia. These lineages were inspired by the work of Liang Ssu-Ch?eng who first identified several "families" of pagoda structures in Mainland China in the early part of the 20 century. However, here we extend our search to all the nations that have employed the stupa architecture outside India (and Nepal). These other lineages have been identified through careful analysis in archaeological, anthropological, historical, and religious studies."The first of these lineages extends through Indo-China and Indonesia. The second lineage is mainly found extending through Burma. Both lineages, one and two, meet together in later Thai architecture. The third lineage extends across Central Asia to the shores and nations of Far East Asia, such as Japan, Korea and China. As all the lineages are demonstrated to be imbued and propagated by the scared and ancient symbolism of India, each chapter examines the history of Indian thought as it was introduced into a region and then discusses the features of the most well known structures of that region." (jacket)




The Symbolism of the Stupa


Book Description

In his preface to The Symbolism of the Stupa Prof. Craig Reynolds writes "The stupa is a symbolic form that pullulates throghout south southeast and East Asia. In its Indian manifestations it is an extreme case in terms of architectural function: it has no usable has a basic simplicity. In this state of the art studt Adrian Snodrass reads the stupa as a cultural artifact. The mounment concretizes metaphysical principles and generates multivalent meanings in ways that can be articulated with lite




Imaging Wisdom


Book Description

On its broadest level, this book contributes to an ongoing expansion of both the history of religions and Buddhist studies by focusing on what is a far too frequently ignored aspect of religious experience: visual images. This is a study that is intended to speak to, and be relevant for, not only those interested specifically in Buddhism, but also scholars and students in the field of religion at large who are interested in the dialectical ways abstract, abstruse and even rarified textual discourses interact with devotional practices 'on the ground'. The specific focus of this book is on the Buddhist visual practices surrounding the visual representation of a single, central concept, prajna, or wisdom, in medieval north India. Prajna, however, was not only an intellectual state and spiritual goal to which to aspire. Rather, wisdom also becomes a quality to be visually represented and ritually responded to, and even an active presence to be venerated in much the same manner as the Buddha himself. This book explores the ways in which the production and use of artistic images involving prajna constituted a central, if not the central, component of Buddhist religious practice in Medieval India.




What the Buddha Taught


Book Description

The Book is a luminious account of fundamental principles of Buddhist doctrine




The Two Truths in Chinese Buddhism


Book Description

This book originates from a thesis work whereby it is one of the first comprehensive study of Chi-Tsang`s treatment of The Two Truths in English. The work aims to build up a strong interest in readers, particularly, people in Western socities who are unfamiliar with Chinese tradition, culture and language. The topic is not only important in the theoritical approach but also critical to a practitioner to comprehend Chinese Buddhism for its ability to be a good reference work.




Buddhist Critical Spirituality


Book Description

This book comprises fifteen research articles primarily based on the discipline of Indian and Buddhist Studies. The collection is designed to propose a Buddhist philosophy of religion--that the insight of Prajna and Sunyata initiates a future religion which is freed both from conflict between reasoning and believing, and from goal-oriented cycles of life. It addresses transformation from the conflict-ridden quest for a supreme being, to the search for a non-theistic nature of spirituality that provides a foundation for universal human happiness and salvation. For the discipline of Buddhist Studies, this collection also demonstrates the productive value of drawing upon cross-cultural and cross-racial literary sources and traditions.